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Journal Articles
19th-Century Music. 2012; 36288–100 doi: https://doi.org/10.1525/ncm.2012.36.2.088
Published: 01 November 2012
... Accompanied Sonata and the Domestic Novel in Britain at the Turn of the Nineteenth Century 2Austen, Pride and Prejudice, p. 260. 89 ELIZABETH MORGAN Domestic Novel in Britain readers. Keyboard music and novels shared the same audience: women of the middle and up- per classes. The predominantly female ama...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
...=reprints . 2018 Folk-Song Society fin de siècle Britain popular culture colonialism ROSS COLE In 1893 the polymath, folklorist, and eminent Jewish historian Joseph Jacobs read a paper as a stopgap to London s Folk-lore Society, which he had joined in 1889. Raised in Sydney, Jacobs journeyed...
Journal Articles
19th-Century Music. 2008; 32194–128 doi: https://doi.org/10.1525/ncm.2008.32.1.094
Published: 01 July 2008
Journal Articles
19th-Century Music. 2015; 39299–124 doi: https://doi.org/10.1525/ncm.2015.39.2.99
Published: 01 November 2015
...David Trippett The icon of the machine in early-nineteenth-century Britain was subject to a number of contemporary critiques in which pedagogy and the life of the mind were implicated, but to what extent was education in music composition influenced by this? A number of journal articles appeared on...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... Britain (1779 83). During this period, Prince Carlos became embroiled in various court intri- gues that pitted him against his father, who had kept him poorly educated, confined to childish amusements, trusted with nothing, and debarred from even the appearance of doing business. 43 At cabinet meetings...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... reliance on precision instruments and mathematical modeling in the hope of achieving a mechani- cal standard of objectivity, putatively devoid of human bias. Central to this debate in Great Britain was John Herschel, celebrated mathematician and astronomer, for whom number constituted both a mathematical...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... 1860, Early Music 35/1 (2007): 101. See also Paul Rice, Venanzio Rauzzini in Britain: Castrato, Composer, and Cultural Leader (Woodbridge: Boydell & Brewer, 2015), 271. Simon Ravens, The Supernatural Voice: A History of High Male Singing (Woodbridge: Boydell Press, 2014), 167, has also made the point...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
... artistic forms it is widely acknowledged Parts of this article were presented at the conferences Joseph Joachim at 185 (The Goethe Institute, Boston, MA, June 2016), Music in Nineteenth-Century Britain (University of Birmingham, June 2017), and the Annual Colloquium of the Centre for Victorian Studies...
Journal Articles
19th-Century Music. 2018; 42171 doi: https://doi.org/10.1525/ncm.2018.42.1.71
Published: 01 July 2018
...-funded project Music in London, 1800 1851. Current research inter- ests include aesthetics in late-nineteenth-cen- tury Germany and Britain, Wagner and Victo- rian performance culture, and women s writing on music and sound. Michael L. Klein is professor of music studies at Temple University. He is the...
Journal Articles
19th-Century Music. 2010; 34187–105 doi: https://doi.org/10.1525/ncm.2010.34.1.087
Published: 01 July 2010
...Colin Eatock This article examines the role of London's Crystal Palace in the popularization of ““classical music”” in Victorian Britain, and in the creation of the orchestral canon in the nineteenth century. The Crystal Palace was originally built in Hyde Park for the Great Exhibition of 1851 and...
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
... (Cambridge: Cambridge Uni- versity Press, 1996), esp. 2 3, and Martin A. Danahay, A Community of One: Masculine Autobiography and Au- tonomy in Nineteenth-Century Britain (Albany: State Uni- versity of New York Press, 1993), esp. 11 37. 8For an overview, see Allan W. Atlas, Vaughan Williams s Songs of...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
Journal Articles
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
.... The electric telegraph swiftly secured its place in the public consciousness in Britain, Europe, and the United States in the 1840s, and with it new tones entered the discourse and soundscape of modernity. As the authors of The London Anecdotes speculate, the wires that multiplied across ever greater...
Journal Articles
19th-Century Music. 2015; 39287–98 doi: https://doi.org/10.1525/ncm.2015.39.2.87
Published: 01 November 2015
... Britain s burgeoning fiscal-military state and near dou- bling of the armed forces during the long eigh- teenth century.3 Military music also played an integral role in the disciplinary culture that emerged in Brit- ain during the period. Commentators disagree on the value of discipline, however. Michel...
Journal Articles
19th-Century Music. 2015; 39283–86 doi: https://doi.org/10.1525/ncm.2015.39.2.83
Published: 01 November 2015
... the ways in which musical and scientific instru- ments articulated their relationship with each other. Simon Werrett examines the Woolwich Warren, Britain s imperial artillery hub in this period, which served multiple roles as a site of ordnance production and testing, scientific edu- cation and...
Journal Articles
19th-Century Music. 2015; 392167–183 doi: https://doi.org/10.1525/ncm.2015.39.2.167
Published: 01 November 2015
... French operas of the 1790s to the classical disas- ters of Baroque opera, were routinely read as signs of di- vine judgment on human actions. The Chartists were work- ing-class political reformers in Britain, and they presented their third petition to the Commons in April 1848 follow- ing a rally on...
Journal Articles
19th-Century Music. 2015; 392125–141 doi: https://doi.org/10.1525/ncm.2015.39.2.125
Published: 01 November 2015
... erected between science and pseudoscience. Roger Cooter, The Cultural Meaning of Popular Science: Phre- nology and the Organization of Consent in Nineteenth- Century Britain (Cambridge: Cambridge University Press, 1984), 10 11. This does not mean that the question of the demarcation is of no consequence...
Journal Articles
19th-Century Music. 2002; 262155–177 doi: https://doi.org/10.1525/ncm.2002.26.2.155
Published: 01 November 2002
...Matthew Riley In contemporary Britain, the music of Elgar carries persistent associations with ideas of nature and a sense of place. Elgar scholarship has usually treated his utterances on the subject as biographical testimony, yet they also evoke a network of concepts inherited from myths...