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biedermeier

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Journal Articles
19th-Century Music. 2010; 342141–167 doi: https://doi.org/10.1525/ncm.2010.34.2.141
Published: 01 November 2010
... more current critical lenses. After a brief description of the events, poetry, and music of the Liederspiel , the following sections analyze how Wilhelm Müüller and Luise Hensel negotiated their way through Idealist play and role play in a salon colored by the growing limitations of Biedermeier culture...
Journal Articles
19th-Century Music. 2009; 332173–192 doi: https://doi.org/10.1525/ncm.2009.33.2.173
Published: 01 November 2009
...Karen M. Bottge Perhaps the most influential abandoned woman to surface in the musical history of the nineteenth century was that conceived by Biedermeier poet Eduard Möörike. Since its initial publication in 1832, his ““Das verlassene Määgdlein”” has engaged the sustained attention of composers...
Journal Articles
19th-Century Music. 2007; 312099–112 doi: https://doi.org/10.1525/ncm.2007.31.2.099
Published: 01 November 2007
... Ludwig van Beethoven Biedermeier 99 JOHN M. GINGERICH Schubert s Unfinished Symphony 19th-Century Music, vol. 31, no. 2, pp. 99 112. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2007 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to...
Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
..., 2009). 9See, for instance, Theophil Antonicek, Biedermeier und Vormärz, in Musikgeschichte Österreichs, ed. Rudolf Flotzinger and Gernot Gruber, 2nd edn. (Vienna: Böhlau, 1995), 2:279 351, where Italian opera is mentioned only in relation to the critical debates it ignited with the support- ers of...
Journal Articles
19th-Century Music. 2012; 36124–45 doi: https://doi.org/10.1525/ncm.2012.36.1.024
Published: 01 July 2012
... among couples, any number of manuals and pocketbooks claiming to reveal the secret mean- ings of flowers and other plants could be found in middle-class drawing rooms of the early and middle 1800s. As the Biedermeier counterpart to Romanticism s more rarified floral symbol- ism, such guides instructed...
Journal Articles
19th-Century Music. 2011; 343271–301 doi: https://doi.org/10.1525/ncm.2011.34.3.271
Published: 01 March 2011
... from 1838) is open to debate.48 The central para- dox here is that on the one hand this seemingly inescapable intimacy and privacy for Steinberg ostensibly split off from the public and rhetorical nevertheless become markers of wider Biedermeier fashion, of what he calls bourgeois essentialism and...
Journal Articles
19th-Century Music. 2010; 333247–269 doi: https://doi.org/10.1525/ncm.2010.33.3.247
Published: 01 March 2010
Journal Articles
19th-Century Music. 2009; 332110–150 doi: https://doi.org/10.1525/ncm.2009.33.2.110
Published: 01 November 2009
Journal Articles
19th-Century Music. 2009; 323235–283 doi: https://doi.org/10.1525/ncm.2009.32.3.235
Published: 01 March 2009
Journal Articles
19th-Century Music. 2005; 291003–014 doi: https://doi.org/10.1525/ncm.2005.29.1.3
Published: 01 July 2005
... he must inhabit at the margin as the tiniest garden gnome; and once again we can comply with that complex Schubert who, a laughing stock for the shop girls and even one of them himself, lost in erotic hopelessness, is a much better, genuine reflection of his music than the Biedermeier dreamer who is...
Journal Articles
19th-Century Music. 2003; 272165–174 doi: https://doi.org/10.1525/ncm.2003.27.2.165
Published: 01 November 2003
... Biedermeier children s litera- ture as illustrations of proverbs, maxims, or simple stories (p. 90). His case in point now becomes Schumann s own Rebus, a choralelike harmonization of a short melody enciphering the text Lass das Fade, fass das Ächte (roughly translatable, according to Daverio, as Don t...
Journal Articles
19th-Century Music. 2003; 27297–115 doi: https://doi.org/10.1525/ncm.2003.27.2.97
Published: 01 November 2003
...). 9Werner Aderhold, Nah und fern: Von zweifacher Übertragung: Hafiz Rückert Schubert, in Schubert und das Biedermeier: Beiträge zur Musik des frühen 19. Jahrhunderts: Festschrift für Walther Dürr zum 70. Geburtstag, ed. Michael Kube, Werner Aderhold, and Walburga Litschauer (Kassel: Bärenreiter, 2002), pp...
Journal Articles
19th-Century Music. 2002; 262178–191 doi: https://doi.org/10.1525/ncm.2002.26.2.178
Published: 01 November 2002
... Biedermeier sensibilities, recoiling with lyrical regret into miniature forms that erased all apocalyptic pre- tensions, or it destroyed its own visions of Uto- pia by subjecting its existence to endless self- critique (p. 257). In fact, though Chua does not distinguish them himself, each of these responses...
Journal Articles
19th-Century Music. 1999; 231110–111 doi: https://doi.org/10.2307/746850
Published: 01 July 1999
... seventy- three of the surviving watercolor illustrations created privately by this men's club; while un- raveling elaborate word play, the commentary elucidates for the modern reader the historical context of the original texts and presents the hidden side of Vienna's Biedermeier era. The explanation of...
Journal Articles
19th-Century Music. 1997; 212149–176 doi: https://doi.org/10.2307/746896
Published: 01 October 1997
... glamorous two-piano duet Schubert was the one great composer to write extensively for the medium.is "Essentially domestic" is one way of character- izing the Schubert who, standing apart from the heroic Beethoven, seems epitomized by the intimate, the bourgeois, the Biedermeier, the "tamed Romanticism" of...
Journal Articles
19th-Century Music. 1997; 212111–133 doi: https://doi.org/10.2307/746894
Published: 01 October 1997
Journal Articles
19th-Century Music. 1997; 21138–76 doi: https://doi.org/10.2307/746831
Published: 01 July 1997
... canvas, 1812). Courtesy of Neue Pinakothek, Munich. views the Roman landscape through the lens of a sentimental-gemiatlich Biedermeier atmo- sphere that would become his speciality. Here the signature of rustic merriment (the tambou- rine) is held aloft by a woman on horseback, while a corpulent, jolly...
Journal Articles
19th-Century Music. 1997; 203300–320 doi: https://doi.org/10.2307/746860
Published: 01 April 1997
...- 1876): A Composer and a Cause (Bea Friedland) XI:282 Hanson, Alice, Musical Life in Biedermeier Vienna (Mary Sue Morrow) X:196 Hepokoski, James A., Giuseppe Verdi: Otello (David Lawton) XIII:59 Hertz, David Michael, The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement (John...
Journal Articles
19th-Century Music. 1993; 17134–46 doi: https://doi.org/10.2307/746779
Published: 01 July 1993
..., Musical Life in Biedermeier Vienna (Cam- bridge, 1985), p. 9 Hanson 9 Musical Life in Biedermeier Vienna 1985 4 Rita Steblin, "Franz Schubert und das Ehe-Consens Gesetz von 1815," Schubert durch die Brille 9 (1992), 32-42 Steblin 32 9 Schubert durch die Brille 1992 pp. 37-38 5...
Journal Articles
19th-Century Music. 1994; 1813–9 doi: https://doi.org/10.2307/746598
Published: 01 July 1994
... by no means avant-garde painting, a Biedermeier idyll by a late Romantic, reveals something of the utopian content that painters attributed to the idea of music from the early nineteenth century on. III Among the most unusual documents of Ro- mantic painting is Runge's concept for a cycle of Times...