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belle-epoque

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Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
... historians ever since from asking the right questions about the later work. I examine belle epoque tennis culture to argue that the ballet's disjunct expressive registers—a diaphanous, cerebral score coexisting with sportive, avant-garde choreography—have their roots in belle époque social anxieties about...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
... Press, 2002), 51 67; Julian Johnson, Mahler s Voices: Expression and Irony in the Songs and Symphonies (Ox- ford: Oxford University Press, 2009); Katherine Bergeron, Voice Lessons: French Mélodie in the Belle Époque (Ox- ford: Oxford University Press, 2010); Laura Tunbridge, Singing Translations: The...
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
... Jankélévitch, Debussy et le mystère de l instant (Paris: Plon, 1976), 191 92. 2For discussion see Katherine Bergeron, Voice Lessons: French Mélodie in the Belle Époque (New York: Oxford University Press, 2010), 170 77. 240 19TH CENTURY MUSIC capacity of music to render present what po- etry marks as absent...
Journal Articles
19th-Century Music. 2015; 39135–55 doi: https://doi.org/10.1525/ncm.2015.39.1.35
Published: 01 July 2015
...), 405. 7Ibid., 406. 8Romola Nijinsky, Nijinsky (New York: Simon and Schuster, 1934), 148. 9Ibid., 150; see also Nectoux, Portrait of the Artist as a Faun, 20. 10Jordan, Debussy, the Dance, and the Faune, 125. See also Davinia Caddy, The Ballets Russes and Beyond: Mu- sic and Dance in Belle-Époque...
Journal Articles
19th-Century Music. 2014; 373211–241 doi: https://doi.org/10.1525/ncm.2014.37.3.211
Published: 01 March 2014
... dont les vibrantes effluves agiraient sur l âme des spectateurs, tandis que les péripéties tragiques se dérouleraient sur la scène. 39Letter from Louis Gallet to Camille Saint-Saëns, SS-CMD (8 Sept. 1897): La tragédie avec ch ur, très pure, très harmonieuse d une belle couleur antique, me trotte la...
Journal Articles
19th-Century Music. 2013; 37156–88 doi: https://doi.org/10.1525/ncm.2013.37.3.56
Published: 01 July 2013
... French: Voilà son corps; sa poitrine qui monte et monte; et le très doux parfum mêlé . . . la belle nuit d avril . . . tout à l heure nous nous promenerons . . . l air frais . . . nous allons partir . . . tout à l heure . . . les deux bougies . . . là . . . au cours des boulevards . . . j t aim mieux...
Journal Articles
19th-Century Music. 2013; 37156–88 doi: https://doi.org/10.1525/ncm.2013.37.1.56
Published: 01 July 2013
... French: Voilà son corps; sa poitrine qui monte et monte; et le très doux parfum mêlé . . . la belle nuit d avril . . . tout à l heure nous nous promenerons . . . l air frais . . . nous allons partir . . . tout à l heure . . . les deux bougies . . . là . . . au cours des boulevards . . . j t aim mieux...
Journal Articles
19th-Century Music. 2013; 363248–263 doi: https://doi.org/10.1525/ncm.2013.36.3.248
Published: 01 March 2013
... of Chicago Press, 2009), pp. 176 94; Catherine Join-Diéterle, Les Décors de scène de l Opéra de Paris à l époque romantique (Paris: Picard, 1988); Nicole Wild, Décors et costumes du XIXème siècle (Paris: Bibliothèque Nationale, 1987). 14See, for example, Kirsten Gram Holmström, Tableaux Vivants, in...
Journal Articles
19th-Century Music. 2011; 35134–71 doi: https://doi.org/10.1525/ncm.2011.35.1.34
Published: 01 July 2011
... and nominally interchangeable with the romance), see Katherine Bergeron, Voice Lessons: French Mélodie in the Belle Epoque (New York: Oxford Univer- sity Press, 2010), esp. pp. 4 8. 33See Proclamation, Le Ménestrel (23 Oct. 1836). 34Depuis long-temps, Le Ménestrel avait promis de no- tables...
Journal Articles
19th-Century Music. 2010; 333195–231 doi: https://doi.org/10.1525/ncm.2010.33.3.195
Published: 01 March 2010
... francophone account of the subject; see Jean Mongrédien, La Musique en France des Lumières au Romantisme: 1789 1830 (Paris: Flammarion, 1986); Nicole Wild, Le Spectacle lyrique au temps du grand opéra, in La Musique en France à l époque romantique (1830 1870), ed. Joseph-Marc Bailbé (Paris: Flammarion, 1991...
Journal Articles
19th-Century Music. 2007; 303213–229 doi: https://doi.org/10.1525/ncm.2007.30.3.213
Published: 01 March 2007
... strong. He is a ladies man, but never in love; he has women, but no mistresses; acquaintances, but 4 Quelle époque! Ils meurent tous, tout meurt et la terre meurt aussi mangée par le soleil et le vent. Je ne sais où je prends le courage de vivre encore au milieu de ces ruines (letter to Flaubert, 27...
Journal Articles
19th-Century Music. 2007; 303230–256 doi: https://doi.org/10.1525/ncm.2007.30.3.230
Published: 01 March 2007
... has been omitted by his disciples and their succes- sors, including his little-known works, and by deconstructing the attitudes that have accu- mulated about him over time. To understand how the composer became a major player in the musical world of the Belle Époque, despite the limited public taste...
Journal Articles
19th-Century Music. 2007; 303288–317 doi: https://doi.org/10.1525/ncm.2007.30.3.288
Published: 01 March 2007
.... Even the scale of the Exposition appeared to some as specifically American: Jules Claretie described the colossal Ameri- can-style exhibitions and spectacles that leap to the eyes ; quoted in Charles Rearick, Pleasures of the Belle Époque: Entertainment and Festivity in Turn-of-the-Century France (New...
Journal Articles
19th-Century Music. 2001; 252-3237–265 doi: https://doi.org/10.1525/ncm.2001.25.2-3.237
Published: 01 November 2001
... armés pour le combat moderne, qu ils auront vécu pour ainsi dire la vie de l art et se seront assimilé dans leur ordre naturel les formes qui se sont logiquement succédé dans les diverses époques du dévéloppement artistique (They will leave better armed for combat, having lived, as it were, a life of...
Journal Articles
19th-Century Music. 2002; 2613–22 doi: https://doi.org/10.1525/ncm.2002.26.1.3
Published: 01 July 2002
... up by Auguste Jal when he claimed that the Baron Gérard s portrait of Charles in his coro- nation robes, unveiled at the Louvre in June, was too poor a likeness for modern times; for a picture designed to be a portrait d époque, reality was required.43 The two main operatic celebrations of the...
Journal Articles
19th-Century Music. 2001; 243225–251 doi: https://doi.org/10.1525/ncm.2001.24.3.225
Published: 01 March 2001
... épuisent pour entretenir une belle Ž lle qui est Paris. Leur maîtresse se moque d eux, les gruge, les rançonne, les pille et les ruine, mais gaiement, brillamment et en leur faisant honneur (Ludovic Halévy, Carnets, ed. Daniel Halévy, 2 vols. {Paris, 1935}, II, 91). 15Hippolyte Taine, Notes sur Paris: Vie...
Journal Articles
19th-Century Music. 1995; 192136–160 doi: https://doi.org/10.2307/746659
Published: 01 October 1995
... bohéme littéraire au xixe siécle 1967 chap. 3 "Bohemian Gaiety and the New Show Business," in Charles Rearick, Pleasures of the Belle époque: Entertainment and Festivity in Turn-of-the- Century France (New Haven, 1985), pp. 53-80 Rearick Bohemian Gaiety and the New Show Business 53 Pleasures...
Journal Articles
19th-Century Music. 1992; 162161–180 doi: https://doi.org/10.2307/746264
Published: 01 October 1992
...: Alfred Bruneau et Émile Zola 1982 Bruneau, A l'ombre d'un grand coeur (Paris, 1932) Bruneau A l'ombre d'un grand coeur 1932 16 Kelkel, Naturalisme, p. 179. 179 17 Ibid., p. 176. 176 19 Charles Rearick, Pleasures of the Belle Epoque: Entertainment and Festivity in Turn-of- the...
Journal Articles
19th-Century Music. 1987; 11143–58 doi: https://doi.org/10.2307/746631
Published: 01 July 1987
... Delesalle: un anarchiste de la belle époque (Paris, 1985). Maîtron Paul Delesalle: un anarchiste de la belle époque 1985 41 Stéphane Mallarmé, Œuvres complétes, p. 861 Mallarmé 861 Œuvres complétes Alfred Athys, "La Quinzaine dramatique," La Revue blanche, 1 March 1898, 380-81 Athys...