1-20 of 129 Search Results for

ballade

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
...Michael L. Klein This article considers the problem of narration in a collection of works gathered around Chopin's Ballade in G Minor, op. 23: Guillermo del Toro's Crimson Peak , Poe's “The Raven,” Mickiewicz's Konrad Wallenrod , Dickens's The Chimes , and Władysław Szpilman's The Pianist along...
Journal Articles
19th-Century Music. 1996; 20146–71 doi: https://doi.org/10.2307/746667
Published: 01 July 1996
... "Chopin's Ballade Op. 23 and the Revolution of the Intellectuals," in Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge, 1994), pp. 72-83 Rink Korespondencia 72 2 Chopin Studies 1994 5 "The First-Movement Punctuation Form in Mozart's Piano Concertos," in Mozart's Piano Concer- tos...
Journal Articles
19th-Century Music. 2016; 4013–5 doi: https://doi.org/10.1525/ncm.2016.40.1.3
Published: 01 July 2016
... interests in Civil War battle pieces for piano music played at home by women and at times composed by women (Elizabeth Morgan); the ballads and parlor songs of the war and their long half-lives (Richard Leppert); and the musical treatment of the war in cinema and television (Robynn Stilwell). The fourth...
Journal Articles
19th-Century Music. 2016; 40120–46 doi: https://doi.org/10.1525/ncm.2016.40.1.20
Published: 01 July 2016
... cameras on the wounded and dead; some shot close-up corpse studies of young and often notably handsome men, whose physical beauty—likewise acknowledged by Whitman—increased the affective impact of the tragedy. The youth of Civil War soldiers was likewise reflected in thousands of popular ballads produced...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... fantasia, recitatives, a lyrical ballad, and orchestral variations, with impressionistic symphonic writing, and experimental passages. While stylistic heterogeneity can be heard throughout many of his mature instrumental and vocal works, Busoni also used this heterogeneity in a descriptive way in Doktor...
Journal Articles
19th-Century Music. 2004; 282160–182 doi: https://doi.org/10.1525/ncm.2004.28.2.160
Published: 01 November 2004
...- and major-third dyads, the role of the pitch-class Ab, the structure of the central "reanimation scene," and the dismal interplay of motives associated with the broom and the Apprentice. Close attention is given to Dukas's immediate literary source, Goethe's ballad "Der Zauberlehrling," whose use of...
Journal Articles
19th-Century Music. 2019; 423250 doi: https://doi.org/10.1525/ncm.2019.42.3.250
Published: 01 April 2019
..., 249 Downes, Stephen Sentimentalism, Joseph Joachim, and the English 123 Fry, Katherine Not a Telephone to the Beyond : Nietzsche s Early Writings on Music 53 Klein, Michael Chopin Fragments: Narrative Voice in the First Ballade 30 McManus, Laurie Prostitutes, Trauma, and (Auto-)Biographical...
Journal Articles
19th-Century Music. 2011; 35172–89 doi: https://doi.org/10.1525/ncm.2011.35.1.72
Published: 01 July 2011
... amplifies the effects of a performing presence in both textual and musical dimensions. Mahler's narrative ballad is a multivoiced text whose temporal and vocal shifts create oscillations between narrative and drama, telling and enactment, giving rise to a remarkable instability of utterance from which...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... recover. Writing in 1892, for instance, Sabine Baring-Gould believed that ballads would soon be as extinct as the Mammoth and the Dodo, only to be found in the libraries of collectors. 17 This notion of an irreplaceable thing perpetually at risk of expiring is the emo- tional linchpin of the folkloric...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
..., Sounding Sentimental: American Popular Song from Nineteenth- Century Ballades to 1970s Soft Rock (PhD diss., Univer- sity of Virginia, 2014). refined aesthetic modes, which included those associated with the domestic but also had potential to inform important art more broadly and thereby encourage a sense...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
Journal Articles
19th-Century Music. 2018; 413252 doi: https://doi.org/10.1525/ncm.2018.41.3.252
Published: 01 March 2018
... the late eighteenth and nineteenth centuries. IN OUR NEXT ISSUE (SUMMER 2018) ARTICLES Roger Moseley: Chopin s Aliases Michael Klein: Chopin Fragments: Narrative Voice in the First Ballade Katherine Fry: Music and Language in Early Nietzsche: Revisiting The Birth of Tragedy ...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... accompanied, but this is unspecified in the documentation). The involvement of such a venerated artist justified the interpolation of solo piano music into the program, much as Hiller had done a few years earlier. Clara Schumann therefore played Chopin s Ballade No. 1 in G Minor after No. 12 Pause, and so...
Journal Articles
19th-Century Music. 2017; 403307 doi: https://doi.org/10.1525/ncm.2017.40.3.307
Published: 01 March 2017
...: Debussy, Song, and the Art of (Dis)appearing 239 Kramer, Lawrence Afterword: Song as Subjectivity and Desire 301 Kramer, Lawrence Introduction: Battle Music, Ballads, and Their Afterlives 3 Leppert, Richard Civil War Imagery, Song, and Poetics: The Aesthetics of Sentiment, Grief, and Remembrance 20 Mahiet...
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
... 406, here 366. 261 CERI OWEN Vaughan Williams s Early Songs the artful and the balladic, the individualistic and the collective as recognized by its earliest publisher, who perhaps perceived the fraught status of a single, consistent creative agency behind the songs.14 The division enforced by Songs...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
... connoted particular kinds of moods or musical gestures for Grieg, based on their inter-opus use in other major works such as the String Quartet op. 27, the Ballade op. 24, and the 19 Norwegian Folk Tunes, op. 66. It is in this deeper, more affective sense that the idea of Stemning, both in op. 73 and the...