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Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
...Daniel R. Melamed A high point of almost every performance of J. S. Bach’s St. Matthew Passion is the tragic and time-stopping aria “Aus Liebe will mein Heiland sterben,” BWV 244/49. It appears to make sense in context, but commentators have long wondered how Bach and his librettist could have...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2001; 252-3296–312 doi: https://doi.org/10.1525/ncm.2001.25.2-3.296
Published: 01 November 2001
...Walter Frisch Max Reger forged a special path to musical modernism, one that may be considered historicist, through his assimilation of the music of J. S. Bach. Historicism acknowledges a debt to tradition and the past, but through the perspective and techniques of the present. Brahms proved a...
Journal Articles
19th-Century Music. 1996; 193231–251 doi: https://doi.org/10.2307/746220
Published: 01 April 1996
...), pp. 2-3 Biba 2 Johannes Brahms Messe ffir vierbis sechsstimmigen gemischten Chor und Continuo (Orgel), Erstdruck 1984 5 Glenn Stanley, "Bach's Erbe: The Chorale in the German Oratorio of the Early Nineteenth Century," this journal 11 (1987), 126-27 Stanley 126 11 19th Century...
Journal Articles
19th-Century Music. 2012; 353182–203 doi: https://doi.org/10.1525/ncm.2012.35.3.182
Published: 01 March 2012
Journal Articles
19th-Century Music. 2020; 433210 doi: https://doi.org/10.1525/ncm.2020.43.3.210
Published: 01 March 2020
... : Masculinity, Its Fears, and the Uses of Falsetto in the Early Nineteenth Century 17 Fine, Abigail Beethoven s Mask and the Physiognomy of Late Style 143 Kursell, Julia From Tone to Tune: Carl Stumpf and the Violin 121 Melamed, Daniel R. How Did J. S. Bach s Aus Liebe will mein Heiland sterben, BWV 244, No...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
Journal Articles
19th-Century Music. 2019; 43263–66 doi: https://doi.org/10.1525/ncm.2019.43.2.63
Published: 01 November 2019
.... The caption for Example 1 (printed on p. 13) reads: Bach, Cöthen FuneralMusic, BWV 244/49. The caption should read: Bach, St. Matthew Passion, BWV 244/49. We regret the error. 19TH CENTURY MUSIC 66 ...
Journal Articles
19th-Century Music. 2019; 43161 doi: https://doi.org/10.1525/ncm.2019.43.1.61
Published: 01 July 2019
... be released in early 2020 with A-R Editions. Daniel R. Melamed is professor at the Indiana University Jacobs School of Music. He serves as General Editor for the American Bach Society and as adviser to the Bloomington Bach Cantata Project. His most recent book, Listening to Bach: The Mass in B Minor...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2008; 32126–51 doi: https://doi.org/10.1525/ncm.2008.32.1.026
Published: 01 July 2008
... reflective arias and choruses, Mendelssohn followed the model established by Johann Sebastian Bach in his St. Matthew Passion , a work that Mendelssohn had reintroduced to German audiences in 1829. When Paulus was premiered for English audiences in a translation called St. Paul , it was enthusiastically...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... accomplish. Stasov s biography of Glinka, published shortly after the composer s death in 1857, abounds with such rhetoric. In one passage, Stasov suggested that Glinka s play with form recalls that of Bach and Beethoven, resembles the process of the circulation of blood in an 35Aleksandr Serov, Betkhoven...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
... date on his tombstone has emerged.) He widely became associated with a practice and aesthetics of high seriousness, even earnestness, in which the performer s duty was the authori- tative execution of the music of the great mas- ters (Bach, Beethoven, Mendelssohn, Schumann, Brahms) through which the...
Journal Articles
19th-Century Music. 1987; 112121–149 doi: https://doi.org/10.2307/746727
Published: 01 October 1987
... Worte und dem Kirchenliede 7 Basil Smallman, The Background of Passion Music: J. S. Bach and his Predecessors (2nd edn., rev. and enlarged New York, 1970), pp. 80ff. Smallman 80 The Background of Passion Music: J. S. Bach and his Predecessors 1970 10 Allge- meine Musikalische Zeitung...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... registering the imbri- cation of notes and their micro-timings took quite literally the line of thought expressed in a profoundly flippant remark attributed to J. S. Bach: All one must do is strike the right keys at the right time, and the instrument plays itself. 20 In the early nineteenth century, how...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... Tartarus, D. 583, was performed in an orchestration by the opera Kapellmeister Herr Esser;15 choral arrangements of particularly beloved songs like Litanei auf das Fest Aller Seelen, D. 343, also prolifer- ated. On 13 February 1862, Der Müller und der Bach and a Mendelssohn work were per- formed in an...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
... 1900) was the Secretary of the Conservatoire Royal de Musique in Brussels and a devotee of Wagner. He was also a playwright and translator who had collaborated with Gravrand on the Brussels transla- tion of Verdi s Nabucco in 1848, and translated arias by Bach, Handel, and Haydn into French in addition...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
... Burg : A knight stands watch in his castle tower; the knight has been dead for hundreds of years. Down on the 21Eichendorff, Sämtliche Gedichte, 173 74; the word so was added by Schumann. 207 BENEDICT TAYLOR Schumann s Liederkreis 24 Ich hör die Bäch...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016