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atmosphere

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Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
...://www.ucpress.edu/journals.php?p=reprints . 2016 mood atmosphere Stimmung Grieg Ibsen 106 19TH CENTURY MUSIC 19th-Century Music, vol.40, no. 2, pp. 106 130 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of the University of California. All rights reserved. Please direct all...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
...; hence the quality of sound (or color, or heat) is somehow inherent in the very form of its propagation along nerves and through the atmosphere.61 This argument held that sensory qualities are fully present and fully formed as they shift from external stimuli to internal expe- rience. Where sensation...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... short overview of different poetic meters and their appropriate areas of use. Here, the user is advised to choose poetic meters according not only to themusical time signature, but also to the atmosphere of the lyrics. Thus, the iambic foot and the anapest are suggested for sprightly verses while the...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... consciousness, as only fantasy can convey in gentlest breath. Here there is not a hint of anything external; one must engage oneself completely with music like this; one must seek out and explore its atmospheric mood, in which, I might almost say, such musical still-life paintings are opened up to our inner...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
..., 2 vols. [Vienna: 1869 70] (New York, 1979), vol. 1, 370, who grumbled that in this effem- inizing, indolent atmosphere [of virtuosity], serious lovers of art were left unsatisfied, cited in Dana Gooley, The Battle against Instrumental Virtuosity in the Early Nineteenth Century, in Franz Liszt...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... autonomous opera- tion: in registering the atmospheric present and predicting its future, they were heard to envoice nature.45 At the same time, like the cultivated technology of the piano, they served as analo- gies for what Heine bemoaned as the audible instrumentalization of human beings, whether its...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... proizvedeniya i perepiska, 8 vols. in 10 (Moscow: Gosudarstvennoye muzïkal noye izdatel stvo, 1955 82), I (1955), 29. 8Ibid., 31. 225 PHILIP ROSS BULLOCK Rimsky- Korsakov s Songs Later, during family holidays in rented dachas, Rimsky-Korsakov would trace the impact of the Russian countryside to the atmosphere...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
... of atmosphere and feeling; they are dreamlike, fantastical, at once in motion but strangely static.8 Image follows image with little causal link in evidence. What narrative or action that there is appears elementary if not simply confusing; any sense of dramatic ten- sion resides in a disparity...
Journal Articles
19th-Century Music. 2005; 291015–024 doi: https://doi.org/10.1525/ncm.2005.29.1.15
Published: 01 July 2005
... compositional canvas across which the wanderer wanders with a single idea in mind, forever repeated in subtle variations, affecting atmosphere ( Stimmung ) but not essence: in Winterreise, as Adorno's text suggests, the mind is lost in its own idea, accommodating the pre-human or post-human experience: life-in...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
Journal Articles
19th-Century Music. 2016; 393272–289 doi: https://doi.org/10.1525/ncm.2016.39.3.272
Published: 01 March 2016
.... The children performing are too young for them, the audience too loud, the melodies they can t hear, and the hundred years worth of atmosphere that surrounds them they can t feel. 26 Perhaps Wedekind recognized the Wagnerian furor in his irritation with this au- dience too distracted even for a...
Journal Articles
19th-Century Music. 2015; 39283–86 doi: https://doi.org/10.1525/ncm.2015.39.2.83
Published: 01 November 2015
... nature and knowing rather than as a practice of measurement and classification, appeared at the same time as a new type of machine the steam engine, the battery, and a variety of electrical and atmospheric instruments began to chal- lenge the primacy of the balance, lever, and clock. This development led...
Journal Articles
19th-Century Music. 2015; 39287–98 doi: https://doi.org/10.1525/ncm.2015.39.2.87
Published: 01 November 2015
..., and W. F. Ryan (Aldershot: Variorum, 1993), 174 90. 57Olinthus Gregory, An Account of some Experiments made in order to determine Velocity with which Sound in transmitted in the Atmosphere, Transactions of the Cam- bridge Philosophical Society 2 (1827): 119 38. 96 19TH CENTURY MUSIC the permission...
Journal Articles
19th-Century Music. 2015; 383243–271 doi: https://doi.org/10.1525/ncm.2015.38.3.243
Published: 01 March 2015
... Beethoven was thought to have been born, on instruments associated with the deceased composer,36 an event that must have evoked a spiritual or even quasi-occult atmosphere of closeness to Beetho- ven. Joachim also used biographical and per- sonal connections with past and present com- posers (such as...
Journal Articles
19th-Century Music. 2015; 383272–301 doi: https://doi.org/10.1525/ncm.2015.38.3.272
Published: 01 March 2015
... the first global recession the original great de- pression indeed and it began as a localized crash as early as 1871 in Vienna. The feverish party atmosphere of late 1920s Austro-Germany would have alerted anyone with a historical perspective to the imminence of another large crash, and many feared...
Journal Articles
19th-Century Music. 2014; 382115–144 doi: https://doi.org/10.1525/ncm.2014.38.2.115
Published: 01 November 2014