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adaptation

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Journal Articles
19th-Century Music. 2012; 362172–190 doi: https://doi.org/10.1525/ncm.2012.36.2.172
Published: 01 November 2012
... University where I first delivered the initial version of this article. 1Pierre Boulez, Schönberg Is Dead, The Score 6 (1952), 19. Idea and Actualization: Bruno Maderna s Adaptation of Friedrich Hölderlin s Hyperion 173 BRENT WETTERS Maderna s Hyperion Cage argued that the sounds in his music were not...
Journal Articles
19th-Century Music. 2015; 39135–55 doi: https://doi.org/10.1525/ncm.2015.39.1.35
Published: 01 July 2015
... work has focused primarily on what makes the ballet and music distinct instead of how the ballet might transform our reading of the music; but the Faune ballet is best identified as an adaptation of Debussy's music in which the music is made to tell Nijinsky's version of Debussy's story. As an...
Journal Articles
19th-Century Music. 2012; 362159–171 doi: https://doi.org/10.1525/ncm.2012.36.2.159
Published: 01 November 2012
... adaptation from Chekhov's eponymous play and for application of musical selections borrowed from Tchaikovsky, Scriabin, Shostakovich, and Evelyn Glennie. Indeed, his choice to present a Chekhov play known for its subtle weaving of verbal dialogue to convey character, mood, and themes seems to force the...
Journal Articles
19th-Century Music. 2011; 343211–236 doi: https://doi.org/10.1525/ncm.2011.34.3.211
Published: 01 March 2011
...Nathan Platte In his first film score, Erich Wolfgang Korngold adapted the works of Felix Mendelssohn so that the music seemed to interact and respond with the visual editing of the film, A Midsummer Night's Dream (Warner Bros., 1935). By detailing the facets of this unusual production, which...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... work documents very slow tempos, only recently moderated. Adaptations of the aria have taken it to be very slow as well, and represent readings of the received performance tradition of the work. The aria’s doctrinal and affectively neutral text and its musical construction suggest the plausibility of a...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... Mártha Eggerth sings as the Countess Esterházy, the classic novel adaptation Jane Eyre (1934), in which Virginia Bruce sings as the titular character, and a newly written piece of “governess fiction,” The Governess (1998), in which Minnie Driver performs the song as said governess. None of these scenes...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... with its cinematic adaptation by Roman Polanski. Chopin's Ballade is featured prominently in the two movies under consideration, while the remaining works are either influential for the composer ( Konrad Wallenrod ) or develop themes common to the Ballade. Study of narration in these works reveals that...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
... originated already in the 1820s, when Czech opera performers and critics wanted to perform Don Giovanni in a form that was as close as possible to that created by Mozart in 1787 but distorted in various German singspiel adaptations. Similar attempts at historical authenticity are also prominent in Bedřich...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
...J. Mackenzie Pierce Music shorthand systems devised by Michel Woldemar, Hippolyte Prévost, and August Baumgartner adapted the quill strokes of speech stenography to the seemingly analogous domain of music. Eschewing conventional staff notation in favor of cursive lines that indicated pitch...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... the culture of Georgian London in 1815, even as Europe was undergoing the process of restoring monarchies that had been temporarily displaced by Napoleon s empire. Often, quadril- les were adapted from other popular works.31 The names of the parts that make up the qua- drille (such as Le Pantalon and...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
.... One group detects something the existence of which the other negates. In times when the concept of a control group did not exist, Stumpf s method emerged from adapt- ing a logical consideration to the empirical method of observation and inquiry. INTONATION AS A MENTAL FINGERBOARD In sum, judgment lent...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... ostinato variation tech- nique seems to preclude precisely such coher- ence and development. Indeed, it has been something of a truism in Western musicologi- cal scholarship for much of the past century that nineteenth-century nationalist Russian instrumental music, employing adaptations of Glinka s...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... suggested adaptation or restoration, or whatever you like to call a folk song in its cooked-up form. 73 In an oddly oblique way, Baughan s advice was heeded. When the Society began publishing its Journal, strophic melodies were printed (albeit in conventional notation) without harmoniza- tion; when these...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... provides perspectives from which a consideration of sonic counterparts to visual (anti-)aliasing in Chopin s music and its latter-day adaptations can be framed.7 Art Is Infinite within the Limits of Its Means From his day to ours, musical images of Chopin at the keyboard have mediated Romantic fan...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
Journal Articles
19th-Century Music. 2009; 323235–283 doi: https://doi.org/10.1525/ncm.2009.32.3.235
Published: 01 March 2009
... and several like-minded American editors, it was in the form of hymnody that the European classical tradition reached a substantial part of the American population for the first time. After setting forth broadly the historical underpinnings of such adaptations' dissemination, this study seeks to bring...
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
... Library.41 It shows that Novelli adapted the original play (or had it adapted), cutting sec- tions, condensing others, moving yet others, and adding a scene each at the beginning of acts I and II. In the scene added at the beginning of act II, Novelli introduced a character not present in Tamayo y Baus s...