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abandoned-women

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Journal Articles
19th-Century Music (2020) 43 (3): 170–193.
Published: 01 March 2020
.... Roger F. Cook (Rochester, NY: Camden House, 2002), 6. 19TH CENTURY MUSIC 180 men and women, the constraints preventing the expression of desire, the wars between illusion and reality, all in the service of a new aesthetic of poetry. 43 One of the great ironies in the history of the German art song is...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... end of the globe to another broods thismask, abandoned to the Sonate Pathétique (don t be sloppy, Melanie!) and the four-handed onslaught that makes symphonies groan and overtures tremble. The most extraordinary countenance that God s pencil ever drew surrendered to housewives and popularity! 22 Since...
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
..., failing to perform masculinity. As Rachel Cowgill and Hilary Poriss note, the modern study of female singers of this histori- cal period is hampered by the fact that these women rarely wrote about themselves. Their stories come to us filtered through the male music critic s pen.5 The male singers dealt...
Journal Articles
19th-Century Music (2019) 43 (1): 38–60.
Published: 01 July 2019
.... Schilling should abandon this genre of women and those who are incapable of produc- ing an effect with more elevated music like that of Beethoven, Weber, Hummel, Moscheles, or Chopin. 50 These remarks equate women with those who are ineffective, as if to say that Herz and his music lacked potency.51 The...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... the film. Alongside this unsteady valorization, the film scenes also offer audiences opportunities to think about the particular social benefits or obstacles that could have inflected women s amateur music-making in the nineteenth cen- tury in particular. This interpretive angle gains depth when...
Journal Articles
19th-Century Music (2018) 42 (2): 73–95.
Published: 04 December 2018
..., Journal of the Folk- Song Society 2/6 (1905): 67. 82 19TH CENTURY MUSIC embodiment of fin-de-siècle feminism, Lee spoke not only at the Society s inaugural con- versazione, but also at the 1899 International Congress of Women, where she gave an amusing account of the difficulties she expe- rienced in...
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
Journal Articles
19th-Century Music (2018) 42 (1): 3–29.
Published: 01 July 2018
..., and Instrument Mak- ers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006), 183 97. 24On Scheibler, ibid., 151 81. 25On such pedagogical devices, invented by Henri Herz, Friedrich Kalkbrenner, Johann Bernhard Logier, and Casimir Martin, among others, see Arthur Loesser, Men, Women, and...
Journal Articles
19th-Century Music (2018) 41 (3): 225–251.
Published: 01 March 2018
Journal Articles
19th-Century Music (2017) 41 (2): 151–179.
Published: 01 November 2017
... that Busoni s vision of Faust gradually became intertwined with other liter- ary characters that were of special interest to him, especially Ahasuerus (the eternal seeker), Don Juan (the conqueror of women), and Leonardo da Vinci (the artist and intellectual).6 Through analyses of autobiographical...
Journal Articles
19th-Century Music (2017) 41 (2): 121–150.
Published: 01 November 2017
... considerable ease. Stenographic sys- tems that abandoned this principle by attempt- ing to capture large-scale patterns invented a dizzying array of symbols to do so. The sup- posed clarity of pattern-based paraphrase was little better than the idiosyncratic complexi- ties of conventional notation. Yet even so...
Journal Articles
19th-Century Music (2017) 41 (1): 75–92.
Published: 01 July 2017
... premier des arts. 10 The author pro- vides different categories of exercise: for better health, for strength, for beauty. Before getting into specific regimens, he highlighted the im- portance of such exercises for men in particu- lar. Men and women are too different, physi- cally as well as morally, to...
Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
... Lohengrin in the spring of 1886, but abandoned the plan after he received death threats and promises of demonstrations if the performances proceeded. For an account of the affair, see La Question Lohengrin (mars 1885-mars 1886), histoire, documents, La Revue wagnérienne 2, no. 2 (8 March 1886): 37 64. For...
Journal Articles
19th-Century Music (2017) 40 (3): 283–300.
Published: 01 March 2017
... and grief of the young women. To say this is a setting of the poem indeed seems far too demure.2 Heine s rhyme scheme is wrenched apart by the vocal line, the refrain Adonis! gaining momentum and altitude each time. The piano s surging accompaniment is very easily imagined for orchestra, but...
Journal Articles
19th-Century Music (2017) 40 (3): 239–256.
Published: 01 March 2017
... songs. Al- though the three songs of Fêtes galantes I are dedicated to respectably married women (iden- tified through their husbands names as Ma- dame Robert Godet, Madame Lucien Fontaine, and Madame Arthur Fontaine), a manuscript source of the 1891 version of En sourdine shows a dedication to...
Journal Articles
19th-Century Music (2016) 40 (2): 131–158.
Published: 01 November 2016
... be a foundation of modern ballet: Giselle, Raymonda, Swan Lake, Sleeping Beauty, and The Nutcracker . . . begin with a more or less magnificent and solemn opening, followed by the obligatory realistic plot. Then suddenly the realism is abandoned, and the fantastic fea- tures of the fairy tale in...
Journal Articles
19th-Century Music (2016) 40 (2): 106–130.
Published: 01 November 2016
... the Identity Card: Of Grieg, Indians, and Women, this journal 31 (2008): 217 27. 7Hedda Høgåsen-Hallesby, Who are you, Peer?: Anniver- sary Postlude on Music, Text, and Identity Construction, in Music and Identity in Norway and Beyond, ed. Tho- mas Solomon (Bergen: Fagbokforlaget, 2011), 105 29, at...
Journal Articles
19th-Century Music (2016) 40 (1): 56–78.
Published: 01 July 2016
... (1930). Shirley Temple's Civil War–set films ( The Little Colonel and The Littlest Rebel [both 1935] and Dimples [1936]) strongly replicate the use of the voices of enslaved characters—most of whom are onscreen only to provide justification for the source of the music—to mourn for white women. Jezebel...
Journal Articles
19th-Century Music (2016) 39 (3): 272–289.
Published: 01 March 2016
... few years, Hidalla is whisked off to a new environment, a large en- closed park, populated only by groups of young girls living communally under the direction of older girls and attended to by a caste of gro- tesquely disfigured old women. At night, when the young girls have fallen asleep, their older...
Journal Articles
19th-Century Music (2015) 39 (1): 3–34.
Published: 01 July 2015
... beyond question a good thing. From the second, feminist perspective, marriage per se is an efficient tool of patriarchal authority, regulating the exogamous exchange of women (a father sells his goods to a husband, to the general good of community cohesion and the perpetuation of economic and social...