1-20 of 56 Search Results for

Klein,Michael L

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2012; 353238–260 doi: https://doi.org/10.1525/ncm.2012.35.3.238
Published: 01 March 2012
...Michael Klein This article views Chopin's Mazurka in C# Minor, op. 30, no. 4, as akin to a dream that is open to analysis from a Lacanian perspective. After a discussion of Jacques Lacan's famous orders of subjectivity (the imaginary, the symbolic order, and the Real), the article turns to his...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
...Michael L. Klein This article considers the problem of narration in a collection of works gathered around Chopin's Ballade in G Minor, op. 23: Guillermo del Toro's Crimson Peak , Poe's “The Raven,” Mickiewicz's Konrad Wallenrod , Dickens's The Chimes , and Władysław Szpilman's The Pianist along...
Journal Articles
19th-Century Music. 2007; 311028–052 doi: https://doi.org/10.1525/ncm.2007.31.1.028
Published: 01 July 2007
... of California Press s Rights and Permissions Web site, at httpwww.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2007.31.1.028. MICHAEL L. KLEIN Debussy s L Isle joyeuse as Territorial Assemblage The epigraph is from Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... Heft, in welchem er eigenhändig kleine Änderungen aufzeichnete, weil einige davon zu hoch für seine Stimmlage waren. Helene Bettelheim-Gabillon, Amalie Haizinger, 169. The notated alterations of the Schubert singer Michael Vogl have been the subject of much comment. See, for example, Walther Dürr...
Journal Articles
19th-Century Music. 2012; 353165–181 doi: https://doi.org/10.1525/ncm.2012.35.3.165
Published: 01 March 2012
... abandonment of the nocturne genre, as Michael Klein observes: The final recitative contra- dicts not only the narrative progress of the mu- sic to that point but also the conventions of nocturnes. 14 In particular, Chopin gives the few measures from the disruption to the end a new voice. The salon sound of a...
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
..., Richard Strauss (London: John Lane, 1908), 95. 6Ibid., 90. 7For more on Strauss s American reception, see Linda L. Tyler, Commerce and Poetry Hand in Hand: Music in American Department Stores, 1880 1930, Journal of the American Musicological Society 45 (1992): 75 120; and Wayne Heisler Jr. and Laura...
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
... or theo- rists (through the idea of the splitting of the ego). As Klein specifies, any claims about this [uncanny] code apply not to responses contemporaneous with those passages deemed uncanny, though we might embark on studying such a code, but to responses from our own time ; Michael L. Klein...
Journal Articles
19th-Century Music. 2018; 42171 doi: https://doi.org/10.1525/ncm.2018.42.1.71
Published: 01 July 2018
...-funded project Music in London, 1800 1851. Current research inter- ests include aesthetics in late-nineteenth-cen- tury Germany and Britain, Wagner and Victo- rian performance culture, and women s writing on music and sound. Michael L. Klein is professor of music studies at Temple University. He is the...
Journal Articles
19th-Century Music. 2018; 413252 doi: https://doi.org/10.1525/ncm.2018.41.3.252
Published: 01 March 2018
... the late eighteenth and nineteenth centuries. IN OUR NEXT ISSUE (SUMMER 2018) ARTICLES Roger Moseley: Chopin s Aliases Michael Klein: Chopin Fragments: Narrative Voice in the First Ballade Katherine Fry: Music and Language in Early Nietzsche: Revisiting The Birth of Tragedy ...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... stepwise melody. In Der mächtige Zauberer, an aborted mu- sico-dramatic project based on a short story, L illustre magician, a tale in Nouvelles asiatiques (1876) by Joseph Gobineau (1816 82), Busoni s notions of an internally conflicted Faust character are further developed.26 In the story, Mirza...
Journal Articles
19th-Century Music. 2014; 373161–187 doi: https://doi.org/10.1525/ncm.2014.37.3.161
Published: 01 March 2014
..., damit die Kette bricht, Michael Bakunin, Richard Wagner und andere während der Dresdner Mai-Revolution 1849 (Berlin: Karin Kramer Verlag, 1999); and Udo Bermbach, Der Wahn des Gesamtkunstwerks: Richard Wagners politisch-ästhetische Utopie (Frankfurt am Main: Fischer Taschenbuch, 1994), 60 62. After...
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
... tempo slow.) Polinski, Chopin, 101 02. All translations are mine unless other- wise indicated. 12The contradictory uses of the term kujawiak in refer- ence to Chopin s mazurkas have been noted by Anne Swartz, Charles Rosen, and more recently by Michael Klein. Anne Swartz, The Polish Folk Mazurka...
Journal Articles
19th-Century Music. 2012; 353ncm.2012.35.3.iii doi: https://doi.org/10.1525/ncm.2012.35.3.iii
Published: 01 March 2012
... concept, explicitly in- voked in Michael Klein s article where each portrait, and no portrait, is of Chopin him- self. This dispersal is at one level a theoretical construction, and one we have been familiar with for some time, though its full range of implications is far from exhausted. But at an...
Journal Articles
19th-Century Music. 2015; 39135–55 doi: https://doi.org/10.1525/ncm.2015.39.1.35
Published: 01 July 2015
...], 113). 51On the stylistic features of musical apotheoses, see Michael L. Klein, Debussy s L Isle joyeuse as Territorial Assemblage, this journal 31 (2007): 38. 52Ibid. 50 19TH CENTURY MUSIC By contrast with the nonlinear journey into fragmentary memory that characterizes the structure of Mallarmé s...
Journal Articles
19th-Century Music. 2012; 353224–237 doi: https://doi.org/10.1525/ncm.2012.35.3.224
Published: 01 March 2012
..., severe in its dissonance. Unlike the D s, however, the D does all its work in a single quiet stroke. That stroke falls precisely where a cadence 23This tangle in the skein of subjectivity forms a link to the dimension of impasse, the continual recession of ap- parent meaning, identified by Michael Klein...
Journal Articles
19th-Century Music. 2015; 3913–34 doi: https://doi.org/10.1525/ncm.2015.39.1.3
Published: 01 July 2015
Journal Articles
19th-Century Music. 2015; 383272–301 doi: https://doi.org/10.1525/ncm.2015.38.3.272
Published: 01 March 2015
...Marc Brooks The obvious debt that Strauss's operas owe to Wagner often led early critics to view their conspicuous lack of spiritual depth as an unintentional failure. Recent commentators such as Charles Youmans, Leon Botstein, and Michael Walter have rightly characterized this feature as a...
Journal Articles
19th-Century Music. 2014; 38179–112 doi: https://doi.org/10.1525/ncm.2014.38.1.079
Published: 01 July 2014
... Tuesday, 24 June 1930, records his selections: My prize books come in morning (I get 2 vols of Drinkwater s plays, Oxford book of English verse. Strauss Don Quixote & 5 orch. songs. Schönberg Pierrot L. & Rimsky Kos. Coq d or Suite. Total £2-10). . . . Oh, I love my books! Journeying Boy: The Diaries of...
Journal Articles
19th-Century Music. 2012; 362191–203 doi: https://doi.org/10.1525/ncm.2012.36.2.191
Published: 01 November 2012
... York: Oxford University Press, 1995). 10Among a large body of literature on the uncanny in mu- sic, see Lawrence Kramer, Musical Meaning: Towards a Critical History (Berkeley: University of California Press, 2002), pp. 259 66; Michael Klein, Intertextuality in West- ern Art Music (Bloomington: Indiana...
Journal Articles
19th-Century Music. 2012; 36124–45 doi: https://doi.org/10.1525/ncm.2012.36.1.024
Published: 01 July 2012
... call them Kleine Blumenstücke, like one calls pic- tures. Do you like the name? 8 Commentators have reached different conclusions regarding which pieces Schumann was referring to in this passage. Daverio surmises that the rondolette may correspond to the Arabeske and that Guirlande is lost.9 As for...