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Journal Articles

Editor’s Note

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Berthold Hoeckner
Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 115.
https://doi.org/10.1525/ncm.2025.48.3.115
Published: 01 March 2025
View articletitled, Editor’s Note
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Journal Articles

Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time

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Jacob Reed
Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 116–139.
https://doi.org/10.1525/ncm.2025.48.3.116
Published: 01 March 2025
View articletitled, Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time
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Journal Articles

Doubled Figures, Doubled Infinities: Der Mönch , “Der Leiermann,” and the Kantian Mathematical Sublime

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Emily Shyr
Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 140–161.
https://doi.org/10.1525/ncm.2025.48.3.140
Published: 01 March 2025
View articletitled, Doubled Figures, Doubled Infinities: Der Mönch , “Der Leiermann,” and the Kantian Mathematical Sublime
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Journal Articles

Class, Courtship, and habitus clivé : Debussy’s mélodies and the Politics of Social Mobility

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Marianne Wheeldon
Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 162–189.
https://doi.org/10.1525/ncm.2025.48.3.162
Published: 01 March 2025
View articletitled, Class, Courtship, and habitus clivé : Debussy’s mélodies and the Politics of Social Mobility
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Journal Articles

Viewpoint: Beyond Musicology: Music and Humanistic Knowledge

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Lawrence Kramer
Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 190–197.
https://doi.org/10.1525/ncm.2025.48.3.190
Published: 01 March 2025
View articletitled, Viewpoint: Beyond Musicology: Music and Humanistic Knowledge
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Journal Articles

Contributors

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Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 198.
https://doi.org/10.1525/ncm.2025.48.3.198
Published: 01 March 2025
View articletitled, Contributors
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Journal Articles

Index for Volume 48 (2024–25)

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Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 199.
https://doi.org/10.1525/ncm.2025.48.3.199
Published: 01 March 2025
View articletitled, Index for Volume 48 (2024–25)
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Journal Articles

Directions to Contributors

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Journal: 19th-Century Music
19th-Century Music (2025) 48 (3): 200.
https://doi.org/10.1525/ncm.2025.48.3.200
Published: 01 March 2025
View articletitled, Directions to Contributors
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Images
Fanciful modulations in op. 27, no.1.

Fanciful modulations in op. 27, no.1.

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 1: Fanciful modulations in op. 27, no.1. More about this image found in Fanciful modulations in op. 27, no.1.
Images
First movement of op. 27, no. 1: ternary, rondo, or variations?

First movement of op. 27, no. 1: ternary, rondo, or variations?

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 2: First movement of op. 27, no. 1: ternary, rondo, or variations? More about this image found in First movement of op. 27, no. 1: ternary, rondo, or variations?
Images
Unresolved contrasts in the Scherzo of op. 27, no. 1.

Unresolved contrasts in the Scherzo of op. 27, no. 1.

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 3: Unresolved contrasts in the Scherzo of op. 27, no. 1. More about this image found in Unresolved contrasts in the Scherzo of op. 27, no. 1.
Images
op. 27, no.1, slow movement/finale.

op. 27, no.1, slow movement/finale.

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 4: op. 27, no.1, slow movement/finale. More about this image found in op. 27, no.1, slow movement/finale.
Images
op. 27, no.1, slow movement/finale.

op. 27, no.1, slow movement/finale.

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 4: op. 27, no.1, slow movement/finale. More about this image found in op. 27, no.1, slow movement/finale.
Images
Finale of the “Moonlight” Sonata: déjà entendu?

Finale of the “Moonlight” Sonata: déjà entendu ?

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 5: Finale of the “Moonlight” Sonata: déjà entendu ? More about this image found in Finale of the “Moonlight” Sonata: déjà entendu ?
Images
Rhythmic and harmonic continuity between Allegretto and Trio in op. 27.

Rhythmic and harmonic continuity between Allegretto and Trio in op. 27.

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 6: Rhythmic and harmonic continuity between Allegretto and Trio in op. 27. More about this image found in Rhythmic and harmonic continuity between Allegretto and Trio in op. 27.
Images
Thematic transformation in Czerny’s Grande Fantaisie en forme de Sonate, op. 145.

Thematic transformation in Czerny’s Grande Fantaisie en forme de Sonate , ...

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in Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time > 19th-Century Music
Published: 01 March 2025
Example 7: Thematic transformation in Czerny’s Grande Fantaisie en forme de Sonate , op. 145. More about this image found in Thematic transformation in Czerny’s Grande Fantaisie en forme de Sonate , ...
Images
Cover of program book to Ian Bostridge’s and Antonio Pappano’s performance of Winterreise, 8 May 2022, Pierre Boulez Saal. Program book design by Annette Sonnewend.

Cover of program book to Ian Bostridge’s and Antonio Pappano’s performance ...

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in Doubled Figures, Doubled Infinities: Der Mönch , “Der Leiermann,” and the Kantian Mathematical Sublime > 19th-Century Music
Published: 01 March 2025
Plate 1: Cover of program book to Ian Bostridge’s and Antonio Pappano’s performance of Winterreise , 8 May 2022, Pierre Boulez Saal. Program book design by Annette Sonnewend. Courtesy of Pierre Boulez Saal. More about this image found in Cover of program book to Ian Bostridge’s and Antonio Pappano’s performance ...
Images
Caspar David Friedrich, Wanderer über dem Nebelmeer (Wanderer above the Sea of Fog), 1818, oil on canvas, 94.8 cm × 74.8 cm (37.3 in × 29.4 in).

Caspar David Friedrich, Wanderer über dem Nebelmeer ( Wanderer above the ...

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in Doubled Figures, Doubled Infinities: Der Mönch , “Der Leiermann,” and the Kantian Mathematical Sublime > 19th-Century Music
Published: 01 March 2025
Plate 2: Caspar David Friedrich, Wanderer über dem Nebelmeer ( Wanderer above the Sea of Fog ), 1818, oil on canvas, 94.8 cm × 74.8 cm (37.3 in × 29.4 in). More about this image found in Caspar David Friedrich, Wanderer über dem Nebelmeer ( Wanderer above the ...
Images
Caspar David Friedrich, Mönch am Meer (Monk by the Sea), 1808–10, oil on canvas, 110 × 171.5 cm (43 in × 67.5 in).

Caspar David Friedrich, Mönch am Meer ( Monk by the Sea ), 1808–10, oil o...

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in Doubled Figures, Doubled Infinities: Der Mönch , “Der Leiermann,” and the Kantian Mathematical Sublime > 19th-Century Music
Published: 01 March 2025
Plate 3: Caspar David Friedrich, Mönch am Meer ( Monk by the Sea ), 1808–10, oil on canvas, 110 × 171.5 cm (43 in × 67.5 in). More about this image found in Caspar David Friedrich, Mönch am Meer ( Monk by the Sea ), 1808–10, oil o...
Images
Schubert, “Der Leiermann.” Reproduced and adapted from: Franz Schubert, Gesänge für eine Singstimme mit Klavierbegleitung, ed. Max Friedlaender (Leipzig: Edition Peters, No.20a, n.d.[1890]. Plate 9023), pp. 120–21 (public domain).

Schubert, “Der Leiermann.” Reproduced and adapted from: Franz Schubert, Ge...

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in Doubled Figures, Doubled Infinities: Der Mönch , “Der Leiermann,” and the Kantian Mathematical Sublime > 19th-Century Music
Published: 01 March 2025
Example 1: Schubert, “Der Leiermann.” Reproduced and adapted from: Franz Schubert, Gesänge für eine Singstimme mit Klavierbegleitung , ed. Max Friedlaender (Leipzig: Edition Peters, No.20a, n.d.[1890]. Plate 9023), pp. 120–21 (public domain). More about this image found in Schubert, “Der Leiermann.” Reproduced and adapted from: Franz Schubert, Ge...