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Issue
April - Volume 8, Issue 3, Pages 195 - 291
July - Volume 9, Issue 1, Pages 1 - 80
October - Volume 9, Issue 2, Pages 83 - 160
Volume 8, Issue 3
April 1985
ISSN 0148-2076
EISSN 1533-8606
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Schubert's Heine
Richard Kramer
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Beethoven's "Orpheus in Hades": The "Andante con moto" of the Fourth Piano Concerto
Owen Jander
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Front Matter
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Volume Information
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A Berlioz Premiere in America: Leopold De Meyer and the "Marche d'Isly"
R. Allen Lott
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Schumann's Song Cycles: The Cycle within the Song
Barbara Turchin
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Musorgsky vs. Musorgsky: The Versions of "Boris Godunov" (II)
Richard Taruskin
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Comment & Chronicle
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Back Matter
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Reviews
Review:
Sound and Semblance: Reflections on Musical Representation
, by Peter Kivy
Bruce Vermazen
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Review:
Jane Austen and Mozart: Classical Equilibrium in Fiction and Music
, by Robert K. Wallace
Lawrence Kramer
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Review:
Claude Debussy and Twentieth-Century Music
, by Arthur Wenk
Marie Rolf
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Beethoven's Orpheus--Or Jander's?
Edward T. Cone
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Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53
Beethoven's Rhetoric of Embellishment
Endless Self: Haydn, Cherubini, and the Sound of the Canon
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