Skip to Main Content
Close
UCPRESS
ABOUT US
BLOG
SUPPORT US
CONTACT US
Search Dropdown Menu
header search
search input
Search input auto suggest
filter your search
All Content
19th-Century Music
Search
User Tools Dropdown
Register
Sign In
Toggle Menu
Menu
Content
Recent Content
Browse Issues
All Content
Purchase
Alerts
Submit
Info For
Authors
Librarians
Reprints & Permissions
About
Journal
Editorial Team
Contact Us
Skip Nav Destination
Issues
Select Year
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
1981
1980
1979
1978
1977
Issue
April - Volume 8, Issue 3, Pages 195 - 291
July - Volume 9, Issue 1, Pages 1 - 80
October - Volume 9, Issue 2, Pages 83 - 160
Volume 8, Issue 3
April 1985
ISSN 0148-2076
EISSN 1533-8606
Close navigation menu
In this Issue
Reviews
Viewpoint
Issue Navigation
Schubert's Heine
Richard Kramer
View Article
PDF
Beethoven's "Orpheus in Hades": The "Andante con moto" of the Fourth Piano Concerto
Owen Jander
View Article
PDF
Front Matter
View Article
PDF
Volume Information
View Article
PDF
A Berlioz Premiere in America: Leopold De Meyer and the "Marche d'Isly"
R. Allen Lott
View Article
PDF
Schumann's Song Cycles: The Cycle within the Song
Barbara Turchin
View Article
PDF
Musorgsky vs. Musorgsky: The Versions of "Boris Godunov" (II)
Richard Taruskin
View Article
PDF
Comment & Chronicle
View Article
PDF
Back Matter
View Article
PDF
Reviews
Review:
Sound and Semblance: Reflections on Musical Representation
, by Peter Kivy
Bruce Vermazen
View Article
PDF
Review:
Jane Austen and Mozart: Classical Equilibrium in Fiction and Music
, by Robert K. Wallace
Lawrence Kramer
View Article
PDF
Review:
Claude Debussy and Twentieth-Century Music
, by Arthur Wenk
Marie Rolf
View Article
PDF
Viewpoint
Beethoven's Orpheus--Or Jander's?
Edward T. Cone
View Article
PDF
All Issues
Email alerts
Latest Issue Alert
Close Modal
Latest
Most Read
Most Cited
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53
Beethoven's Rhetoric of Embellishment
Endless Self: Haydn, Cherubini, and the Sound of the Canon
Directions to Contributors
Contributors
Close Modal
Close Modal
This Feature Is Available To Subscribers Only
Sign In
or
Create an Account
Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to
our privacy policy.
Accept