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Issue
Spring - Volume 40, Issue 3, Pages 185 - 308
Summer - Volume 41, Issue 1, Pages 3 - 94
Fall - Volume 41, Issue 2, Pages 95 - 181
Volume 40, Issue 3
Spring 2017
ISSN
0148-2076
EISSN
1533-8606
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In this Issue
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Introduction Subjectivity in European Song: Time, Place, and Identity
Benedict Taylor
,
Ceri Owen
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titled, Introduction Subjectivity in European Song: Time, Place, and Identity
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The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
Scott Burnham
Abstract
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titled, The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
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Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's
Liederkreis
, Op. 39
Benedict Taylor
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titled, Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's <em>Liederkreis</em>, Op. 39
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Lyric and Landscape in Rimsky-Korsakov's Songs
Philip Ross Bullock
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titled, Lyric and Landscape in Rimsky-Korsakov's Songs
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Present Absence: Debussy, Song, and the Art of (Dis)appearing
Julian Johnson
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titled, Present Absence: Debussy, Song, and the Art of (Dis)appearing
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On Singing and Listening in Vaughan Williams's Early Songs
Ceri Owen
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titled, On Singing and Listening in Vaughan Williams's Early Songs
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Versioning Strauss
Laura Tunbridge
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titled, Versioning Strauss
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Afterword
:
Song as Subjectivity and Desire
Lawrence Kramer
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titled, Afterword<span class="subtitle-colon">: </span><span class="subtitle">Song as Subjectivity and Desire</span>
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Contributors
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titled, Contributors
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Index for Volume 40 (2016–17)
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titled, Index for Volume 40 (2016–17)
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Directions to Contributors
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titled, Directions to Contributors
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Index for Volume 47 (2023–24)
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