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Issue
March - Volume 35, Issue 3, Pages 165 - 263
July - Volume 36, Issue 1, Pages 3 - 85
November - Volume 36, Issue 2, Pages 87 - 207
Volume 36, Issue 1
July 2012
ISSN
0148-2076
EISSN
1533-8606
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Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick's
Vom Musikalisch-Schönen
Mark Evan Bonds
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The Floral Poetics of Schumann's
Blumenstück
, Op. 19
Holly Watkins
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The Brahmsian Hairpin
David Hyun-Su Kim
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Mourning, Remembrance, and Mahler's “Resurrection”
Ryan R Kangas
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Viewpoint: Beyond Musicology: Music and Humanistic Knowledge
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time
Doubled Figures, Doubled Infinities:
Der Mönch
, “Der Leiermann,” and the Kantian Mathematical Sublime
Class, Courtship, and
habitus clivé
: Debussy’s
mélodies
and the Politics of Social Mobility
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