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Issue
March - Volume 34, Issue 3, Pages 211 - 358
July - Volume 35, Issue 1, Pages 3 - 91
November - Volume 35, Issue 2, Pages 93 - 163
Volume 34, Issue 3
March 2011
ISSN
0148-2076
EISSN
1533-8606
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Dream Analysis: Korngold, Mendelssohn, and Musical Adaptations in Warner Bros.'
A Midsummer Night's Dream
(1935)
Nathan Platte
Abstract
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titled, Dream Analysis: Korngold, Mendelssohn, and Musical Adaptations in Warner Bros.' <em>A Midsummer Night's Dream</em> (1935)
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Screwball Fantasia: Classical Music in
Unfaithfully Yours
Martin Marks
Abstract
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titled, Screwball Fantasia: Classical Music in <em>Unfaithfully Yours</em>
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Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7
Jeremy Barham
Abstract
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titled, Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7
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Beethoven Overcome: Romantic and Existentialist Utopia in Andrei Tarkovsky's
Stalker
Tobias Pontara
Abstract
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titled, Beethoven Overcome: Romantic and Existentialist Utopia in Andrei Tarkovsky's <em>Stalker</em>
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The Operatics of Detachment:
Tosca
in the James Bond Film
Quantum of Solace
Marcia J. Citron
Abstract
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titled, The Operatics of Detachment: <em>Tosca</em> in the James Bond Film <em>Quantum of Solace</em>
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Listening to the Self:
The Shawshank Redemption
and the Technology of Music
Daniel K. L. Chua
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titled, Listening to the Self: <em>The Shawshank Redemption</em> and the Technology of Music
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Contributors
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titled, Contributors
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Index for Volume XXXIV (2010-11)
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titled, Index for Volume XXXIV (2010-11)
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Directions to Contributors
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titled, Directions to Contributors
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Preface
Berthold Hoeckner
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titled, Preface
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Front Matter
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Index for Volume 47 (2023–24)
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