Skip to Main Content
Close
UCPRESS
ABOUT US
BLOG
SUPPORT US
CONTACT US
Search Dropdown Menu
header search
search input
Search input auto suggest
filter your search
All Content
19th-Century Music
Search
User Tools Dropdown
Register
Sign In
Toggle Menu
Menu
Content
Recent Content
Browse Issues
Special Issues
All Content
Purchase
Alerts
Submit
Info For
Authors
Librarians
Reprints & Permissions
About
Journal
Editorial Team
UC Press Foundation
Contact Us
Skip Nav Destination
Issues
Select Year
2025
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
1981
1980
1979
1978
1977
Issue
April - Volume 14, Issue 3, Pages 221 - 306
July - Volume 15, Issue 1, Pages 1 - 93
October - Volume 15, Issue 2, Pages 93 - 167
Volume 15, Issue 2
October 1991
ISSN
0148-2076
EISSN
1533-8606
Close navigation menu
Review
Issue Navigation
Toward Mozart
Toward Mozart
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Mozart: The Myth of the Eternal Child
Maynard Solomon
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Mozart's Sense for Nature
Daniel Heartz
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Front Matter
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Cadenza Contra Text: Mozart in Beethoven's Hands
Richard Kramer
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Requiem, but No Piece
Thomas Bauman
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Whose "Magic Flute?" Intimations of Reality at the Gates of the Enlightenment
Rose Rosengard Subotnik
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Comment & Chronicle
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Back Matter
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
Review
Review:
Wolfgang Amadeus Mozart. Requiem
, by Alfred Schnerich and
Wolfgang Amadeus Mozart. Requiem, K. 626
, by Günter Brosche
Christoph Wolff
View Article
titled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the
PDF
for in another window
All Issues
Email alerts
Latest Issue Alert
Close Modal
Latest
Most Read
Most Cited
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time
Doubled Figures, Doubled Infinities:
Der Mönch
, “Der Leiermann,” and the Kantian Mathematical Sublime
Class, Courtship, and
habitus clivé
: Debussy’s
mélodies
and the Politics of Social Mobility
Contributors
Close Modal
Close Modal
This Feature Is Available To Subscribers Only
Sign In
or
Create an Account
Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to
our privacy policy.
Accept