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Issue
April - Volume 13, Issue 3, Pages 183 - 276
July - Volume 14, Issue 1, Pages 0 - 98
October - Volume 14, Issue 2, Pages 0 - 219
Volume 13, Issue 3
April 1990
ISSN 0148-2076
EISSN 1533-8606
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Front Matter
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Criticism, Faith, and the "Idee": A. B. Marx's Early Reception of Beethoven
Scott Burnham
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Of Unity and Passion: The Aesthetics of Concert Criticism in Early Nineteenth-Century Vienna
Mary Sue Morrow
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Liszt's "Années de Pèlerinage," Book 3: A "Hungarian" Cycle?
Dolores Pesce
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The Scene Designs for the First Performances of Bizet's "Carmen"
Evan Baker
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Comment & Chronicle
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Back Matter
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Reviews
Editing Debussy: Issues "en blanc et noir"
David Grayson
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Review:
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, 1836-1875
, by Vera Brodsky Lawrence
Lawrence W. Levine
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Review:
The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement
, by David Michael Hertz
John Daverio
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Review:
Carteggio Verdi-Ricordi, 1880-1881
, by Pierluigi Petrobelli, Marisa Di Gregorio Casati, and Carlo Matteo Mossa
Piero Weiss
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Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53
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Endless Self: Haydn, Cherubini, and the Sound of the Canon
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