Skip to Main Content
University of California Press Logo Open Menu
header search
Search
Skip Nav Destination

Issues

Volume 11, Issue 2
October 1987
19th-Century Music Cover Image for Volume 11, Issue 2
ISSN 0148-2076
EISSN 1533-8606

Preparations

Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint
Richard Kramer
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Bach's "Erbe": The Chorale in the German Oratorio of the Early Nineteenth Century
Glenn Stanley
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Two Essays on Schumann and the Forms of Early Romanticism

Schumann's "Im Legendenton" and Friedrich Schlegel's "Arabeske"
John Daverio
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Schumann and Late Eighteenth-Century Narrative Strategies
Anthony Newcomb
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Viewpoint

To Understand Verdi and Wagner We Must Understand Mozart
James Webster
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Reviews

Review: Romantic Music: A History of Musical Style in Nineteenth-Century Europe, by Leon Plantinga and Anthology of Romantic Music, by Leon Plantinga
Carl Dahlhaus, Ernest Sanders
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Comment & Chronicle
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Front Matter
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Back Matter
View Articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
All Issues
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility
Contributors
  • Online ISSN 1533-8606
  • Print ISSN 0148-2076
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
Stay Informed
Sign up for eNews
Disciplines

Courses

Products

Resources

Support Us

About UC Press

Contact Us

This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy.
Accept