[Footnotes]

[Footnotes]
1
Monroe Beardsley, "Under- standing Music," and Joseph Kerman, "The State of Aca- demic Music Criticism," both in On Criticizing Music: Five Philosophical Perspectives, ed. Kingsley Price (Baltimore and London, 1981)
Beardsley
Understanding Music," and Joseph Kerman, "The State of Academic Music Criticism
both in On Criticizing Music: Five Philosophical Perspectives
1981
Edward T. Cone, "Schubert's Promis- sory Note," this journal 5 (1982), 233-41
Cone
233
5
this journal
1982
Anthony Newcomb, "Sound and Feeling," Critical Inquiry 10 (1984), 614-4310.2307/1343314
614
2
"Motive and Rhythmic Contour in the Alto Rhapsody," Journal of Music Theory 27 (1983), 255-7110.2307/843519
255
p. 255
3
Edward T. Cone, The Composer's Voice (Berkeley and Los Angeles, 1974)
Cone
The Composer's Voice
1974
pp. 165-75
4
Major British Poets of the Romantic Period, ed. William Heath (New York, 1973)
Major British Poets of the Romantic Period
1973
5
J. A. Westrup, "The Chamber Music," in Music of Schubert, ed. Gerald Abraham (1947; rpt. Port Washington, N. Y., 1969), p. 93
Westrup
The Chamber Music
93
Music of Schubert
1969
7
Leonard Meyer, Emotion and Meaning in Music (Chicago, 1956), pp. 93-97.
Meyer
93
Emotion and Meaning in Music
1956
8
p. 149
9
Emotion and Meaning, p. 96
96
Emotion and Meaning
10
Charles Rosen, The Classical Style: Haydn, Mozart, Beethoven (New York, 1972), p. 99.
Rosen
99
The Classical Style: Haydn, Mozart, Beethoven
1972
12
Michael Rogers, "Chopin, Prelude in A Minor," this jour- nal 4 (1981), 244-49.
Rogers
244
4
Lawrence Kramerchopin's prelude in A Minor
1981
13
p. 249 and 249n
15
Emotion and Meaning, p. 95
95
Emotion and Meaning
16
Music and Poetry: The Nineteenth Century and After (Berkeley and Los Angeles, 1984), pp. 94, 102
94
Music and Poetry: The Nineteenth Century and After
1984
17
Music and Poetry, pp. 92-95, 99-104
92
Music and Poetry
18
Franz Kafka, The Complete Stories, ed. Nahum N. Glatzer (New York, 1976), p. 427
Kafka
427
The Complete Stories
1976
19
Ibid.
20
"On Narcissism: An Introduction," in Sigmund Freud, General Psychological Theory, ed. Phillip Rieff (New York, 1963), p. 67
On Narcissism: An Introduction
67
Sigmund Freud, General Psychological Theory
1963
21
Robert Schumann, On Music and Musicians, ed. Konrad Wolff, trans. Paul Rosenfeld (New York, 1969), p. 156.
Schumann
156
Music and Musicians
1969
22
On Music and Musicians, p. 135.
135
On Music and Musicians
23
Robert Schumann, "A Symphony by Berlioz,"
Schumann
A Symphony by Berlioz
Edward T. Cone, in Berlioz, Fantastic Symphony, ed. Edward T. Cone, Norton Critical Score (New York, 1971), p. 237
Cone
237
Fantastic Symphony
1971
24
Goethe, Faust, ed. Cyrus Hamlin, trans. Walter Arndt (New York, 1976), p. 59.
Goethe
59
Cyrus Hamlin
1976
25
"Understanding Music."
26
Schumann, On Music and Musicians, p. 138
Schumann
138
Music and Musicians
Epstein, Be- yond Orpheus: Studies in Musical Structure (Cambridge, Mass., 1979), p. 203
Epstein
203
Beyond Orpheus: Studies in Musical Structure
1979
Beardsley, "Understanding Music," p. 58
Beardsley
58
Understanding Music
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