[Footnotes]

[Footnotes]
1
Amanda Glauert, in "The Double Perspective in Beethoven's Opus 131," this journal 4 (1980-81), 114.10.2307/746709
114
2
Glauert, "Double Perspective," p. 116.
Glauert
116
Double Perspective
3
The Beethoven Quartets (New York, 1967), chapter 10
chapter 10
The Beethoven Quartets
1967
4
E.g., Vincent d'Indy, Cours de Composition musicale, deuxieme livre, seconde partie, ed. Auguste Serieyx (Paris, [1933]), pp. 243-45
d'Indy
243
Cours de Composition musicale, deuxieme livre, seconde partie
1933
Rudolph Réti, The Thematic Process in Music (1951; rpt. Westport, Conn., 1978), pp. 74-75 and 234-47
Réti
74
The Thematic Process in Music
1951
Donald W. MacArdle, "Beethoven's Quartet in B flat, Op. 130: An Analysis," Music Review 8 (1947), 11-14
MacArdle
11
8
Music Review
1947
Daniel Gregory Mason, The Quartets of Beethoven (New York, 1947), pp. 208-16
Mason
208
The Quartets of Beethoven
1947
Deryck Cooke, "The Unity of Beethoven's Late Quartets," Music Review 24 (1963), 30- 49
Cooke
30
24
Music Review
1963
Klaus Kropfinger, "Zur thematischen Funktion der langsamen Einleitung bei Beethoven," in Colloquim Ami- corum: Joseph Schmidt-Girg zum 70. Geburtstag, ed. Siegfried Kross and Hans Schmidt (Bonn, 1967), pp. 197- 216
Kropfinger
Zur thematischen Funktion der langsamen Einleitung bei Beethoven
197
Colloquim Amicorum: Joseph Schmidt-Girg zum 70
1967
Ekkehard Kraft, Die spiiten Quartette Beethovens: Substanz und Substanzverarbeitung (Bonn, 1969), pp. 50- 62
Kraft
50
Die spiiten Quartette Beethovens: Substanz und Substanzverarbeitung
1969
Rudolf Klinkhammer, Die langsame Einleitung in der Instrumentalmusik der Klassik und Romantik: Ein Sonderproblem in der Entwicklung der Sonatenform (Re- gensburg, 1971), pp. 129-34
Klinkhammer
129
Die langsame Einleitung in der Instrumentalmusik der Klassik und Romantik: Ein Sonderproblem in der Entwicklung der Sonatenform
1971
8
Piano Sonata in F Minor, WoO 47, no. 2 (1782-83)
Sonata
F Minor, WoO 47
1783
9
Chopin's "Revolutionary"
Chopin
Revolutionary
Étude and Schu- mann's Fantasia begin straightaway in medias res
Étude
Fantasia begin straightaway in medias res
11
"Mozart's Seventeen Epistle Sonatas," Musical Quarterly 32 (1946), 596-99.10.2307/739247
596
12
Sonata Forms (New York, 1980), p. 222.
222
Sonata Forms
1980
13
Beethoven Quartets, p. 309.
309
Beethoven Quartets
15
Beethoven Quartets, p. 312.
312
Beethoven Quartets
16
Ibid., p. 306
306
17
Kropfinger, "Zur thematischen Funktion," pp. 202-03
Kropfinger
202
Zur thematischen Funktion
Klinkhammer, Die langsame Einleitung, p. 131
Klinkhammer
131
Die langsame Einleitung
18
Classic Music: Expression, Form, and Style (New York, 1979), p. 212
212
Classic Music: Expression, Form, and Style
1979
Sonata Forms, pp. 104, 276-77
104
Sonata Forms
19
Emotion and Meaning in Music (Chicago, 1956), pp. 126- 27.
126
Emotion and Meaning in Music
1956
20
Ibid., p. 126
126
22
Emotion and Meaning, p. 127.
127
Emotion and Meaning
23
Beethoven Quartets, pp. 312-13.
312
Beethoven Quartets
24
Klinkhammer, Die langsame Einleitung, pp. 132-33
Klinkhammer
132
Die langsame Einleitung
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