[Footnotes]

[Footnotes]
1
Claude Palisca, "Theory, theorists," The New Grove XVIII, 759
Palisca
759
XVIII
The New Grove
Walther Dürr and Walter Gerstenberg, "Rhythm," ibid., XV, 818-19
Howard E. Smither, Theories of Rhythm in the Nineteenth and Twentieth Centuries, with a Contribution to the Theory of Rhythm for the Study of Twentieth-Century Music (Ph.D. diss., Cornell University, 1960)
3
Joseph Kerman, "Sketch Studies," this journal 6 (1982), 175-8110.2307/746277
175
4
Lewis Lockwood, "On Beethoven's Sketches and Auto- graphs: Some Problems of Definition and Interpretation," Acta Musicologica 42 (1970), 32-4710.2307/932267
32
5
Petter Sketchbook, fol. 10', lines 6-8
Petter Sketchbook
fol. 21', lines 1-6
6
Grosvenor W Cooper and Leonard B. Meyer, The Rhythmic Structure of Music (Chicago, 1960), p. 60
Cooper
60
The Rhythmic Structure of Music
1960
7
Ibid., p. 9.
9
8
Paul Mies, Beethoven's Sketches: An Analysis of His Style Based on a Study of His Sketch-Books, trans. by Doris L. Mackinnon (London, 1929; rpt. New York, 1974), pp. 46ff
Mies
46
Beethoven's Sketches: An Analysis of His Style Based on a Study of His Sketch-Books
1974
9
fn. 5
10
pp. 61-62
12
Ferdinand Hiller, FelixMendelssohn-Bartholdy: Briefe und Erinnerungen, 2nd edn. (Cologne, 1878), p. 6
Hiller
2
6
FelixMendelssohn-Bartholdy: Briefe und Erinnerungen
1878
M. E. von Glehn, Mendelssohn: Letters and Recollections, 2nd edn. (London, 1874)
von Glehn
2
Mendelssohn: Letters and Recollections
1874
13
George Grove, Beethoven and His Nine Symphonies, 3rd edn. (London, 1898, rpt. New York, 1962), p. 238.
Grove
3
238
Beethoven and His Nine Symphonies
1898
14
p. 54
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