1
A. S. Liapunova and E. E. Iazovitskaia, Milii Alekseevich Balakirev: Letopis'zhizni i tvorchestva [hence- forth Bal:LZT] (Leningrad, 1967), pp. 15-16
Liapunova
15
Milii Alekseevich Balakirev: Letopis'zhizni i tvorchestva
1967
2
Rondo Brilliant for piano and orchestra, op. 98, by Hummel
Hummel
98
Rondo Brilliant
Hummel found in the same source that had served Beethoven for his Razu- movsky quartets, the Sobranie narodnykh russkikh pesen (1790)
Hummel
Sobranie narodnykh russkikh pesen
1790
Hummel was obliged to favor his audiences with variations and rondos on English, Scottish, German, and Dutch tunes, not to mention his Hungarian Dances, op. 23
Hummel
Hungarian Dances
German Dances with Battle Coda, op. 25
25
German Dances with Battle Coda
Joel Sachs in the New Grove, VIII, 785-88
Sachs
785
VIII
New Grove
3
Boris Asafiev, Glinka (Moscow, 1947), p. 267
Asafiev
267
Glinka
1947
4
Vladimir Vasilievich Stasov, Selected Essays on Music, trans. Florence Jonas (New York, 1967), p. 90.
Stasov
90
Selected Essays on Music
1967
5
M. I. Glinka, Pis'ma i dokumenty (Literaturnoe nasledie, vol. II) (Leningrad, 1953), p. 509.
Glinka
509
II
Pis'ma i dokumenty (Literaturnoe nasledie
1953
6
A Life for the Tsar
A Life for the Tsar
"'Little Star': An Étude in the Folk Style," in Malcolm H. Brown, ed., Musorgsky: In Memoriam, 1881-1981 (Ann Arbor, 1982), esp. pp. 60-64
Little Star': An Étude in the Folk Style
60
Musorgsky: In Memoriam
1881
7
Bal:LZT, 24-25.
24
8
Balakirev's Fandango-Etude for piano, completed 14 February 1856
Balakirev
Fandango-Etude
1856
Blakirev on Glinka's departure from St. Petersburg on 26 April of that year, and became the basis for the orchestral Overture on a Spanish March Theme (1857)
Blakirev
Spanish March Theme
1857
9
Bal:LZT, 30.
30
10
Stasov, Selected Essays, p. 90
Stasov
90
Selected Essays
11
Grigorii Timofeev, "M. A. Balakirev," Russkaia mysl' (1912)
Timofeev
Russkaia mysl
1912
Edward Garden, Balakirev (New York, 1967), p. 31
Garden
31
Balakirev
1967
12
E. L. Frid, "Simfonicheskoe tvorchestvo," in Milii Alek- seevich Balakirev: Issledovaniia i stat'i [henceforth Bal:IS] (Leningrad, 1961), p. 93.
Frid
Simfonicheskoe tvorchestvo
93
Milii Alekseevich Balakirev: Issledovaniia i stat'i
1961
13
Diary entry, 27 June 1888
Diary entry
1888
David Brown, Mikhail Glinka: A Biographical and Critical Study (London, 1974), p. 1
Brown
1
Mikhail Glinka: A Biographical and Critical Study
1974
14
Viktor Tsukkerman, "Kamarinskaia" Glinki i ee traditsii v russkoi muzyke (Moscow, 1957).
Tsukkerman
Kamarinskaia" Glinki i ee traditsii v russkoi muzyke
1957
15
Glinka, Pis'ma i dokumenty, p. 276
Glinka
276
Pis'ma i dokumenty
Glinka's enthusiasm for national coloring could be can be seen in Ruslan and Ludmilla
Glinka
Ruslan and Ludmilla
16
M. I. Glinka, "Zapiski" (Memoirs), in Literaturnye proiz- vedeniia i perepiska, I (Moscow, 1973), p. 333
Glinka
Zapiski
333
I
Literaturnye proizvedeniia i perepiska
1973
17
Memoirs
18
Tsukkerman's book (see fn. 14), pp. 92- 111
Tsukkerman
92
Tsukkerman's book
Muzykal'nyi fol'klor narodov SSSR, issued in conjunction with the VII International Music Congress in Moscow, 1971 (Melodiia D-030833-36)
Muzykal'nyi
International Music Congress in Moscow
1971
19
The Rite of Spring
The Rite of Spring
"Rus- sian Folk Melodies in The Rite of Spring," JAMS 33 (1980), esp. pp. 533-43
533
33
JAMS
1980
20
Brown, Glinka, p. 273
Brown
273
Glinka
22
David Brown carelessly states in New Grove, VII, 440
Brown
440
VII
New Grove
23
Lev Aronovich Barenboim, Anton Grigorievich Rubin- stein, I (Leningrad, 1957), pp. 181-84
Barenboim
181
I
Anton Grigorievich Rubinstein
1957
Rubinstein's notorious squib "On Music in Russia," written for home consumption and published in January 1861
Rubinstein
On Music in Russia
1861
Barenboim, I, 236-39
236
24
Stasov, Selected Essays, pp. 82-84
Stasov
82
Selected Essays
25
Anton Rubinstein, Muzyka i ee predstaviteli (Moscow, 1891), pp. 40, 83-84.
Rubinstein
40
Muzyka i ee predstaviteli
1891
26
Rubinstein's "On Music in Russia," entitled "A Conservatory in Russia" (Kon- servatoriia v Rossii), which appeared in the conservative paper Severnaia pchela of 24 February 1861
Stasov, Selected Essays, pp. 82-83
Stasov
82
Selected Essays
27
Robert C. Ridenour, Nationalism, Modernism and Personal Rivalry in Nineteenth-Century Russian Music (Ann Arbor, 1981), Chapter IV
Ridenour
Chapter IV
Nationalism, Modernism and Personal Rivalry in Nineteenth-Century Russian Music
1981
28
Bylina (Pesnia pro Dobryniu): Mikhail Stak- hovich, Sobranie russkikh narodnikh pesen, vol. III (Mos- cow, 1854), no. 1
Stakhovich
III
Bylina (Pesnia pro Dobryniu)
1854
Grechaninov in the opera Dobrynia Nikitich
Grechaninov
Dobrynia Nikitich
Khovorod (round dance): Lvov and Pratsch, Sobranie narodnykh russkikh pesen (St. Petersburg, 1790), no. 62
Khovorod
Sobranie narodnykh russkikh pesen
1790
Fomin in Iamshchiki na podstave, Glinka in the Taran- tella for Piano, Tchaikovsky in the finale of Symphony No. 4
Fomin
Iamshchiki na podstave
Grechaninov in the Russian Folk Dances, op. 130
Grechaninov
130
Russian Folk Dances
Dance tune: Daniil Kashin, Russkie narodnye pesni, part III (Moscow, 1834), no. 98
III
Dance tune: Daniil Kashin, Russkie narodnye pesni
1834
Petrushka
Petrushka
29
Edward Garden has it in Balakirev, p. 41
Garden
41
Balakirev
30
Garden (p. 162)
162
31
Brown's Glinka in Musical Quarterly 61 (1975), 141-5110.2307/741690
141
Opera and Drama in Russia (Ann Arbor, 1981)
Opera and Drama in Russia
1981
33
Opera and Drama in Russia, Chap- ter IV
Chapter IV
Opera and Drama in Russia
34
" 'Little Star' "(cf. Fn. 6), esp. pp. 57-68
57
Little Star
35
Svadebnaia (wedding song) from the Nizhny Novgorod gubernia, Kniaginsky district: Sbornik russkikh narodnykh pesen, sostavlennyi M. A. Ba- lakirevym, no. 1
Svadebnaia
Sbornik russkikh narodnykh pesen, sostavlennyi M. A. Balakirevym
Khorovodnaia (round dance) from the Samara gubernia, Stavropol district: Sbornik, no. 2
Khorovodnaia from Pramzin in the Simbirsk gubernia: Sbornik, no. 22
Bal:IS, 140
140
36
Music & Letters 9 (1928), 51-58. Kamérinskaia10.2307/725886
51
Danse russe from Petrushka
40
Leonard B. Meyer, "Universalism and Rela- tivism in the Study of Ethnic Music," Ethnomusicology 4, no. 2 (1960), 49-5410.2307/924262
49
41
"Ispolin prosypaetsia," Kolokol, no. 110 (1 November 1861)
110
Kolokol
1861
Alexander Herzen, Sochineniia, VII (Mos- cow, 1958), 392.
Herzen
392
VII
Sochineniia
1958
42
letter of Balakirev to Stasov of 27 April 1863 (Bal:LZT, 90)
Bal
90
letter of Balakirev to Stasov
1863
43
Letter of 11 October 1869. A. S. Liapunova (ed.), M. A. Balakirev i V V Stasov: Perepiska [henceforth B-S:P], I(Mos- cow, 1970), p. 270.
Letter
270
I
M. A. Balakirev i V V Stasov: Perepiska
1869
44
B-S:P, I, 181
B-S:P, I, 408
45
B-S:P, 1:420
46
A. N. Serov, Kriticheskie stat'i, IV (St. Petersburg, 1894), p. 2020
Serov
2020
IV
Kriticheskie stat'i
1894
César Cui, Izbran- nye stat'i (Leningrad, 1952), pp. 18-19
Cui
18
Izbrannye stat'i
1952
47
B-S:P, I, 262
48
Stasov, Selected Essays, p. 95.
Stasov
95
Selected Essays
49
E. L. Frid in Bal:IS, 136.
136
50
B-S:P, II [Moscow, 1971], 82
82
51
B-S:P, II, 279
279
52
Bal:IS, 132
53
I. Kolař (1907)
Bal:IS, 132
54
Molchanov's The Dawns are Quiet Here in Musical Quarterly 62 (1976), 105-1510.2307/741603
105
55
fn. 2
Vera Ba- chinskaia, Narodnye pesni v tvorchestve russkikh kompoz- itorov [Moscow, 1962], pp. 138-39
Bachinskaia
138
Narodnye pesni v tvorchestve russkikh kompozitorov
1962
Gerald Seaman, "The First Russian Chamber Music," Music Review 26 [1965], 326-37
Seaman
326
26
Music Review
1965
G-Minor Piano Quartet, op. 25
56
S. A. Dianin, ed., Pis'ma A. P. Borodina, II (Moscow, 1936), p. 107
Dianin
107
II
Pis'ma A. P. Borodina
1936
57
M. P. Musorgsky, Literaturnoe nasledie, I (Moscow, 1971), p. 70.
Musorgsky
70
I
Literaturnoe nasledie
1971
58
Garden, Balakirev, p. 57
Garden
57
Balakirev
59
lzbrannye stat'i, p. 18.
18
lzbrannye stat'i
60
Literaturnoe nasledie, I, 87
87
I
Literaturnoe nasledie
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