[Footnotes]

[Footnotes]
1
London, Eulenburg Books [1979]. 235 pp. No index or notes.
Eulenburg Books
1979
2
"Robin Holloway Today," Tempo 129
129
Tempo
Holloway's "Why I Write Music," revised from 1973
Holloway
Why I Write Music
1973
Northcott's earlier and shor- ter but helpful articles in Music and Musicians 20, no. 3 (1971), 18-20
Northcott
3
18
20
Music and Musicians
1971
Musical Times 115 (1974), 644-4610.2307/960472
644
New Grove
New Grove
3
Wagner und Beethoven: Untersuchungen zur Beethoven-Rezeption Richard Wagners (Regensburg, 1975).
Wagner und Beethoven: Untersuchungen zur Beethoven-Rezeption Richard Wagners
1975
4
Oliver Neighbour, "Holloway's 'Debussy and Wagner'," Tempo 131 (1979), 26-2910.2307/944992
26
Roger Nichols, "... and De- bussy," Musical Times 122 (1981), 31110.2307/961895
311
Carolyn Abbate, in her article in last fall's issue of this journal, "Tristan in the Composition of Pellkas, " vol. 5, p. 139
Abbate
139
5
Nineteenth-Century Music
5
Lockspeiser, Debussy: His Life and Mind (London, 1962), II, 173
Lockspeiser
173
II
Debussy: His Life and Mind
1962
6
Letter of 1 January 1855, in Briefwechsel (Leipzig, 1887), II, 46: "... sich einmal so recht sÄttigen soll."
... sich einmal so recht siittigen soll
46
II
Briefwechsel
1887
7
"... unersÄttliche Verlangen," in SÄmtliche Schriften (Leipzig, 1911), XII, 344.
344
XII
SÄmtliche Schriften
1911
8
Bayreuth, to Guiraud. I cite from pp. 63-64
63
Bayreuth, to Guiraud
Marcel Dietschy, La Passion de Claude Debussy (Neuchâtel, 1962)
Dietschy
La Passion de Claude Debussy
1962
James Robert Briscoe's dissertation, The com- positions of Claude Debussy's formative years (1879- 1887) (University of North Carolina at Chapel Hill, 1979, UM 7925888)
9
Ralph Scott Grover's Ernest Chausson: the Man and his Music (Lewisburg, Pennsylvania, 1980), pp. 49-51
Grover
49
Ernest Chausson: the Man and his Music
1980
Chausson in 1880-89
10
Dietschy, p. 64.
64
11
"Quelques connaissances et opinions de Schoenberg et Webern sur Debussy," in Debussy et l'évolution de la musique au XXe siécle, ed. Edith Weber (Paris, 1965), pp. 319-31.
Weber
Quelques connaissances et opinions de Schoenberg et Webern sur Debussy
319
Debussy et l'évolution de la musique au XXe siécle
1965
12
"Stravinsky's Self-concealment," Tempo 108 (1974), 2-1010.2307/943000
2
Symphony of Psalms, Canticum sacrum, Threni, A Sermon, a Narrative, and a Prayer, The Flood, and Abraham and Isaac
Psalms
Canticum sacrum, Threni, A Sermon, a Narrative, and a Prayer, The Flood, and Abraham and Isaac
The review is headed "Stravinsky in Pictures," Tempo 135 (1980), 31-3310.2307/946046
31
13
Stravinsky and Craft, Expositions and Developments (Garden City, 1962), pp. 114-17.
Stravinsky
114
Expositions and Developments
1962
15
Boosey & Hawkes Newslet- ter 12, no. 2 (1980), 8
Boosey
2
8
12
Newsletter
1980
David Matthews's review, "Hol- loway's 'Aria'," Tempo 136 (1981), 47-4810.2307/946385
47
16
"On the Moods of a Music-logic," JAMS 13 (1960), 225
225
13
JAMS
1960
Studies in Musicology (Berkeley, 1977), he dropped the word "conjunction."
Berkeley
conjunction
Studies in Musicology
1977
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