Leonard Bernstein, "The Delights and Dangers of Am- biguity," The Unanswered Question: Six Talks at Harvard (Cambridge, 1976), chap. 4
The Unanswered Question: Six Talks at Harvard
Daniel Coren, "Ambiguity in Schubert's Recapitulations," Musical Quarterly 60 (1974), 568-8210.2307/741765
David Epstein, "Ambiguity as Premise," Be- yond Orpheus: Studies in Musical Structure (Cambridge, Mass., 1979), chap. 8
Beyond Orpheus: Studies in Musical Structure
Jean Kleczyński, Chopin's Greater Works, trans. Natalie Janotha (London, 1922), p. 47.
Chopin's Greater Works
Leonard Meyer, Emotion and Meaning in Music (Chicago, 1956), pp. 93-97.
Emotion and Meaning in Music
J. H. Douglas Webster's, "Golden-Mean Form in Music," Music & Letters 30 (1950), 238-4810.2307/729793
E. Lendvai and are found in nu- merous journal articles and summarized in Béla Bartók: An Analysis of His Music (London, 1971)
Béla Bartók: An Analysis of His Music
Jane Perry Camp, Temporal Proportion: A Study of the Sonata Forms in the Piano Sonatas of Mozart (Ph.D. diss., Florida State University, 1968)
Clive Pascoe, Golden Proportion in Musical Design (D.M.E. diss., University of Cincinnati, 1973)
Michael R. Rogers, The Golden Section in Musical Time: Speculations on Temporal Proportion (Ph.D. diss., University of Iowa, 1977)
James A. Rothwell, The Phi Factor: Mathemati- cal Proporitions in Musical Forms (Ph.D. diss., University of Missouri at Kansas City, 1977)
Jonathan D. Kramer, "The Fibonacci Series in 20th-Century Music," Journal of Music Theory 17 (1973), 100-5010.2307/843120
Newman W. Powell, "Fibonacci and the Golden Mean: Rabbits, Rumbas, and Rondeaus," Journal of Music Theory 23 (1979), 234-3510.2307/843726
H. E. Huntley, The Divine Proportion (New York, 1970), p. 27
The Divine Proportion
C. D. Creelman, "Human Discrimination of Auditory Duration," Journal of the Acoustical Society of America 34 (1962), 582-93
Journal of the Acoustical Society of America
Leonard Doob, Patterning of Time (New Haven, 1971)
Patterning of Time
Robert Cogan and Pozzi Escot, Sonic Design (Englewood Cliffs, 1976), p. 304.
chap. V of my disser- tation
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