[Footnotes]

[Footnotes]
1
Leonard Bernstein, "The Delights and Dangers of Am- biguity," The Unanswered Question: Six Talks at Harvard (Cambridge, 1976), chap. 4
Bernstein
chap. 4 The Delights and Dangers of Ambiguity
The Unanswered Question: Six Talks at Harvard
1976
Daniel Coren, "Ambiguity in Schubert's Recapitulations," Musical Quarterly 60 (1974), 568-8210.2307/741765
568
David Epstein, "Ambiguity as Premise," Be- yond Orpheus: Studies in Musical Structure (Cambridge, Mass., 1979), chap. 8
Epstein
chap. 8 Ambiguity as Premise
Beyond Orpheus: Studies in Musical Structure
1979
2
Jean Kleczyński, Chopin's Greater Works, trans. Natalie Janotha (London, 1922), p. 47.
Kleczyński
47
Chopin's Greater Works
1922
3
Leonard Meyer, Emotion and Meaning in Music (Chicago, 1956), pp. 93-97.
Meyer
93
Emotion and Meaning in Music
1956
4
J. H. Douglas Webster's, "Golden-Mean Form in Music," Music & Letters 30 (1950), 238-4810.2307/729793
238
E. Lendvai and are found in nu- merous journal articles and summarized in Béla Bartók: An Analysis of His Music (London, 1971)
Lendvai
Béla Bartók: An Analysis of His Music
1971
Jane Perry Camp, Temporal Proportion: A Study of the Sonata Forms in the Piano Sonatas of Mozart (Ph.D. diss., Florida State University, 1968)
Clive Pascoe, Golden Proportion in Musical Design (D.M.E. diss., University of Cincinnati, 1973)
Michael R. Rogers, The Golden Section in Musical Time: Speculations on Temporal Proportion (Ph.D. diss., University of Iowa, 1977)
James A. Rothwell, The Phi Factor: Mathemati- cal Proporitions in Musical Forms (Ph.D. diss., University of Missouri at Kansas City, 1977)
Jonathan D. Kramer, "The Fibonacci Series in 20th-Century Music," Journal of Music Theory 17 (1973), 100-5010.2307/843120
100
6
Newman W. Powell, "Fibonacci and the Golden Mean: Rabbits, Rumbas, and Rondeaus," Journal of Music Theory 23 (1979), 234-3510.2307/843726
234
H. E. Huntley, The Divine Proportion (New York, 1970), p. 27
Huntley
27
The Divine Proportion
1970
7
C. D. Creelman, "Human Discrimination of Auditory Duration," Journal of the Acoustical Society of America 34 (1962), 582-93
Creelman
582
34
Journal of the Acoustical Society of America
1962
Leonard Doob, Patterning of Time (New Haven, 1971)
Doob
Patterning of Time
1971
8
fn. 4
9
Robert Cogan and Pozzi Escot, Sonic Design (Englewood Cliffs, 1976), p. 304.
Cogan
304
Sonic Design
1976
10
chap. V of my disser- tation
fn. 4
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