[Footnotes]

[Footnotes]
1
Style and Idea, ed. Leonard Stein, trans. Leo Black (New York, 1975), p. 86.
Stein
86
Style and Idea
1975
2
Carl Schorske, Fin-de-Siécle Vienna (New York, 1980)
Schorske
Fin-de-Siécle Vienna
1980
Allan Janik and Stephen Toulmin, Wittgen- stein's Vienna (New York, 1973)
Janik
Wittgenstein's Vienna
1973
3
The Classical Style: Haydn, Mozart, Beethoven (New York, 1972), pp. 26, 120.
26
The Classical Style: Haydn, Mozart, Beethoven
1972
4
"The Historical Structure: Adorno's 'French' Model for the Criticism of Nineteenth-Century Music," this journal 2 (1978), 36-60
36
2
Nineteenth-Century Music
1978
"The Cultural Message of Musical Se- miology: Some Thoughts on Music, Language, and Criti- cism since the Enlightenment," Critical Inquiry 4 (1978), 741-6810.2307/1342953
741
"Tonality, Autonomy, and Competence in Post- Classical Music," Critical Inquiry 6 (1979), 153-6310.2307/1343093
153
5
"Tonality, Autonomy, and Competence," p. 158.
158
Tonality, Autonomy, and Competence
6
Music in Transition (New York, 1977).
Music in Transition
1977
7
Structural Functions of Harmony, ed. Leonard Stein (New York, 1969), p. 76.
Stein
76
Structural Functions of Harmony
1969
8
"The Shape of Post-Classical Music," Critical In- quiry 6 (1979), 144-5210.2307/1343092
144
9
Edmund Husserl, Ideas, trans. W. R. Boyce (London, 1952), p. 102.
Husserl
102
Ideas
1952
11
p. 206
12
Subotnik ("Tonality, Autonomy, Competence," pp. 154-55)
Subotnik
154
Tonality, Autonomy, Competence
13
Philip Radcliffe, Beethoven's String Quartets (New York, 1968), pp. 33-34
Radcliffe
33
Beethoven's String Quartets
1968
Joseph Kerman, The Beethoven Quartets (New York, 1966), pp. 80-82
Kerman
80
The Beethoven Quartets
1966
14
Mozart's reprise of the introduction to the first movement of his String Quintet in D, K. 593
Mozart
reprise of the introduction to the first movement of his String Quintet in D, K. 593
15
Kerman, pp. 78-79
78
18
Kerman (pp. 77-79)
77
19
P. 79.
20
Rey M. Longyear, "Beethoven and Romantic Irony," in The Creative World of Beethoven, ed. Paul Henry Lang (New York, 1971), pp. 145-62
Longyear
Beethoven and Romantic Irony
145
The Creative World of Beethoven
1971
21
Samson (pp. 15-18)
23
P. 17.
24
The quotation: Beethoven, the Man and the Artist, As Revealed in his Own Words, ed. Friedrich Kerst and Henry Edward Krehbiel (1905; rpt. New York, 1964), p. 42
42
The quotation: Beethoven, the Man and the Artist, As Revealed in his Own Words
1964
25
Hector Berlioz, "Rossini's 'William Tell'," in Source Readings in Music History: The Romantic Era, ed. Oliver Strunk (New York, 1965), pp. 70-71.
Berlioz
Rossini's 'William Tell'
70
Source Readings in Music History: The Romantic Era
1965
26
"Berlioz and His 'Harold' Symphony" (excerpts), in Strunk, p. 109
Berlioz and His 'Harold' Symphony
109
Strunk
27
Nietzsche: Ecce Homo, from The Geneology of Morals and Ecce Homo, trans. Walter Kaufmann (New York, 1969), pp. 248-50
Kaufmann
248
Nietzsche: Ecce Homo, from The Geneology of Morals and Ecce Homo
1969
Wagner: Strunk, p. 147
147
28
The Music of Arnold Schoenberg, Vol. III, Columbia M2S 709
III
The Music of Arnold Schoenberg
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