[Footnotes]

[Footnotes]
1
"A Note on Opera," in The Main Stream of Music and Other Essays (New York, 1949), p. 359
359
The Main Stream of Music and Other Essays
1949
2
0pera as Drama (New York, 1956), p. 212.
212
0pera as Drama
1956
3
Das Geheimnis der Form bei Richard Wagner, vol. I (Berlin, 1924), p. 202.
202
I
Das Geheimnis der Form bei Richard Wagner
1924
4
Tristan
Gotterddmmerung
Parsifal
Bailey's unpublished Ph.D. dissertation, The Genesis of Tristan und Isolde and the Study of Wagner's Sketches and Drafts for the First Act (Princeton, 1969)
Graham George succumbed in his treat- ment of "interlocking tonality" in "The Structure of Dramatic Music 1607-1909," Musical Quarterly 52 (1966), 465-8210.2307/741114
465
Wagner's own words, "die Kunst des Oberganges"
Wagner
die Kunst des Oberganges
5
Schirmer Vocal Score, p. 285, system 4.
285
Schirmer Vocal Score
5
S. V. S., p. 286
S. V. S., p. 288
7
S.V.S., p. 293
8
Curt von Westernhagen, The Forging of the 'Ring': Richard Wagner's Composition Sketches for Der Ring des Nibelungen, trans. Arnold and Mary Whittall (Cambridge, 1976), p. 225
von Westernhagen
225
The Forging of the 'Ring': Richard Wagner's Composition Sketches for Der Ring des Nibelungen
1976
9
Wagner's early sketches for Siegfrieds Tod, in "The Structure of the Ring and its Evolution," this journal I (1977), 53, 59-61
Wagner
53
I
Nineteenth-Century Music
1977
11
Arthur Schopenhauer, Die Welt als Wille und Vorstel- lung (Leipzig, 1879; first published 1819), book III, p. 308
Schopenhauer
308
III
Die Welt als Wille und Vorstellung
1879
12
Richard Wagner and the Synthesis of the Arts (Detroit, 1960)
Wagner
the Synthesis of the Arts
1960
Stein's discussion of Schopenhauer's influence on Wagner, pp. 113-17, 157-65
Stein
113
discussion of Schopenhauer's influence on Wagner
13
Gesammelte Schriften IX, 105-06. This essay dates from 1870
105
IX
Gesammelte Schriften
14
Gustav Kobbé in 1889, who described it as the "supreme musical-dramatic effect in all that Wagner wrought" (Wagner's Music Dramas [New York, 1904], p. 103)
Kobbé
103
supreme musical-dramatic effect in all that Wagner wrought
1889
15
Walther's "Prize Song,"
Walther
Prize Song
"Prize Song,"
Tristan and Götterdäm- merung is absent in Die Meistersinger
Die Meistersinger
William E. McDonald, "Words, Music, and Dramatic Development in Die Meistersinger," this journal I (1978), 146-6010.2307/746414
146
16
"Day" in Tristan
Tristan
17
Kerman, Opera as Drama, pp. 192-216
Kerman
192
Opera as Drama
18
Carl Dahlhaus's critique of Lorenz's procedure in "Wagners Begriff der 'dichterisch-musikalischen Periode'," Beiträge zur Geschichte der Musikanschauung im 19. Jahrhundert, ed. Walter Salmen (Regensburg, 1965), 179- 87, and the discussion, 187-94.
Dahlhaus
Wagners Begriff der 'dichterisch-musikalischen Periode'
Beiträge zur Geschichte der Musikanschauung im
1965
19
"Über die Benennung 'Muskidrama'," from 1872. Gesammelte Schriften IX, 306
Über die Benennung 'Muskidrama'
306
IX
Gesammelte Schriften
1872
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