[Footnotes]

[Footnotes]
1
Douze Grandes Études of 1837
Douze Grandes Études
1837
2
1886 Hanslick wrote: "Anyone who has heard this the Sonata in B Minor and finds it beautiful is beyond help" (Eduard Hanslick, Concerte, Componisten und Virtuosen der letzen fünfzehn jahre, 1870-85 [Berlin, 1886], p. 316)
Hanslick
Anyone who has heard this [the Sonata in B Minor] and finds it beautiful is beyond help
316
Concerte, Componisten und Virtuosen der letzen fünfzehn jahre, 1870-85
1886
Kenneth Hamilton, Liszt: Sonata in B Minor [Cambridge, 1996], p. 66
Hamilton
66
Liszt: Sonata in B Minor
1996
5
Hamilton, Liszt, pp. 14-15.
Hamilton
14
Liszt
6
Gustav Engel, the newspaper critic, wrote in Spener'schen Zeitung (Berlin, 30 January 1857)
Engel
Spener'schen Zeitung
1857
Hans von Bülow: Briefe und Schriften, ed. Marie von Bülow, 8 vols. Leipzig, 1895- 1908, IV, 65-66
65
IV
Hans von Bülow: Briefe und Schriften
1908
Sitwell, Liszt [London, 1970], p. 192
Sitwell
192
Liszt
1970
7
Lina Ramann, Liszt-Pädagogium, 5 vols. (Wiesbaden, 1986)
Ramann
Liszt-Pädagogium
1986
8
Theodor W. Adorno, Aesthetic Theory
Adorno
Aesthetic Theory
C. Lenhardt (London, 1984)
9
Janet Levy, "Beginning-Ending Ambiguity: Consequences of Performance Choices," in The Practice of Performance: Studies in Musical Interpretation, ed. John Rink (Cam- bridge, 1995), p. 151.
Levy
Beginning-Ending Ambiguity: Consequences of Performance Choices
151
The Practice of Performance: Studies in Musical Interpretation
1995
l0
Kofi Agawu, "Ambiguity in Tonal Music: A Preliminary Study," in Theory, Analysis and Meaning in Music, ed. Anthony Pople (Cambridge, 1994), pp. 107, 106, 98.
Agawu
Ambiguity in Tonal Music: A Preliminary Study
107
Theory, Analysis and Meaning in Music
1994
11
Hamilton, Liszt, rear cover.
Hamilton
Liszt
12
David Allen Damschroder, The Structural Founda- tions of the "Music of the Future": A Schenkerian Study of Liszt's Weimar Repertoire (Ph.D. diss., Yale University, 1981)
Paul Egert, "Die Klaviersonate in H-moll non Franz Liszt," Die Musik 28 (1936), 673-82
Egert
673
28
Die Musik
1936
Rey M. Longyear, "Liszt's B-Minor Sonata: Precedents for a Structural Analy- sis," Music Review 34 (1973), 198-209
Longyear
198
34
Music Review
1973
"The Text of Liszt's B-Minor Sonata," Musical Quarterly 60 (1974), 435- 5010.2307/741542
435
William S. Newman, The Sonata Since Beethoven (Chapel Hill, N.C., 1969)
Newman
The Sonata Since Beethoven
1969
Charles Rosen, The Romantic Generation (London, 1999)
Rosen
The Romantic Generation
1999
Humphrey Searle, The Music of Liszt (New York, 1966)
Searle
The Music of Liszt
1966
Derek Watson, Liszt (London, 1990)
Watson
Liszt
1990
Sharon Winklhofer, Liszt's Sonata in B Minor: A Study of Autograph Sources and Documents (Ann Arbor, Mich., 1980)
Winklhofer
Liszt's Sonata in B Minor: A Study of Autograph Sources and Documents
1980
13
Alfred Brendel, Music Sounded Out (London, 1995)
Brendel
Music Sounded Out
1995
Clifford Curzon, notes to Liszt Sonata in B Minor (Decca 452 306-2, 1963)
John Ogdon, "The Romantic Tradition," in Keyboard Music, ed. Denis Matthews (London, 1972), pp. 209-58
Ogdon
The Romantic Tradition
209
Keyboard Music
1972
14
Paul Merrick, Revolution and Religion in the Music of Liszt (Cambridge, 1987), pp. 283-95
Merrick
283
Revolution and Religion in the Music of Liszt
1987
Liszt's Vallee d'Obermann
Liszt
Vallee d'Obermann
Eero Tarasti, A Theory of Musical Semiotics (Bloomington, 1994), pp. 181-93
Tarasti
181
A Theory of Musical Semiotics
1994
15
Rosen, The Romantic Generation, p. 486
Rosen
486
The Romantic Generation
16
Tanner, The Liszt Sonata in B Minor, pp. 35-46.
Tanner
35
The Liszt Sonata in B Minor
17
Newman, The Sonata Since Beethoven, p. 375.
Newman
375
The Sonata Since Beethoven
18
Longyear, "Liszt's B-Minor Sonata," pp. 198-209.
Longyear
198
Liszt's B-Minor Sonata
19
Winklhofer, Liszt's Sonata in B Minor, p. 115.
Winklhofer
115
Liszt's Sonata in B Minor
20
William Newman first postulated the idea of a "double- function" form in 1969, in The Sonata Since Beethoven, p. 373
Newman
Double-function
373
The Sonata Since Beethoven
1969
Michael Saffle in Franz Liszt: A Guide to Research (New York, 1991)
Saffle
Franz Liszt: A Guide to Research
1991
"Liszt's Sonata in B Minor: Another Look at the 'Double Function' Question," Journal of the American Liszt Soci- ety 11 (1982), 28-39
28
11
Journal of the American Liszt Society
1982
21
philip Kennicott, "Liszt's B-Minor Sonata on Record," International Piano Quarterly (1999), 40.
Kennicott
40
International Piano Quarterly
1999
22
Hamilton, Liszt, p. 39.
Hamilton
39
Liszt
23
Richard Kaplan, "Sonata Form in the Orchestral Works of Liszt: The Revolutionary Reconsidered," this journal 8 (1984), 142-52.10.2307/746759
142
24
Alan Walker, Franz Liszt: The Man and His Music (Lon- don, 1970), p. 83.
Walker
83
Franz Liszt: The Man and His Music
1970
25
Peter Johnson, "Musical Works, Musical Performances," Musical Times (August 1997), 4.10.2307/1003750
4
26
Joel Lester, "Performance and Analysis: Interaction and Interpretation," in The Practice of Performance, pp. 197- 217.
Lester
Performance and Analysis: Interaction and Interpretation
197
The Practice of Performance
27
Tanner, The Liszt Sonata in B Minor, pp. 201-06
Tanner
201
The Liszt Sonata in B Minor
Koos Groen, Franz Liszt in h-moll (Vredenburg, 1999), p. 3
Groen
3
Franz Liszt in h-moll
1999
R.E.D Classical 1999
28
Longyear, "The Text of Liszt's B-Minor Sonata," p. 450.
Longyear
450
The Text of Liszt's B-Minor Sonata
29
Nicholas Cook, A Guide to Musical Analysis (Oxford, 1999), p. 245.
Cook
245
A Guide to Musical Analysis
1999
30
John Rink, Chopin: The Piano Concertos (Cambridge, 1997), p. 64
Rink
64
Chopin: The Piano Concertos
1997
31
Brendel, Music Sounded Out, p. 179.
Brendel
179
Music Sounded Out
32
Liszt Sonata (HMV DB 1307, 1308 and 1309
Ward Marston (Pearl GEMM CD 9396, 1929
33
Ivo Pogorelich, Liszt Sonata in B Minor (Deutsche Grammophon 429 322-2GH, 1992).
34
Tanner, The Liszt Sonata in B Minor, p. 62
Tanner
62
The Liszt Sonata in B Minor
35
Longyear, "Liszt's B-Minor Sonata."
Longyear
Liszt's B-Minor Sonata
36
Eric F. Clarke, "Some Aspects of Rhythm and Expression in Performances of Erik Satie's Gnoissiene No. 5," Music Perception 2 (1985), 299-328.
Clarke
299
2
Music Perception
1985
37
Agawu, "Ambiguity in Tonal Music," p. 103.
Agawu
103
Ambiguity in Tonal Music
38
Ethella Chuprik, Liszt Sonata in B Minor (Dillons Clas- sics 28121, 1992).
Chuprik
Liszt Sonata in B Minor
1992
39
Georges Cziffra, Liszt Sonata in B Minor (EMI 7243565250, 1968).
Cziffra
Liszt Sonata in B Minor
1968
40
John Ogdon, Liszt Sonata in B Minor (IMP Classics BBCRD 9108, 1987).
Ogdon
Liszt Sonata in B Minor
1987
41
"first movement" (mm. 1-330)
"second movement" (mm. 331-460)
"third movement," fugue or scherzo (mm. 460-525)
"fourth movement" (mm. 525-681-760)
42
Merrick, Revolution and Religion, pp. 283-95.
Merrick
283
Revolution and Religion
44
0gdon, "The Romantic Tradition," p. 252.
0gdon
252
The Romantic Tradition
45
Hamilton, Liszt, p. x.
Hamilton
x
Liszt
46
Brendel, Music Sounded Out, p. 175.
Brendel
175
Music Sounded Out
47
Hamilton, Liszt, pp. 28, 46.
Hamilton
28
Liszt
48
Rink, Chopin, p. 99.
Rink
99
Chopin
49
Fred Everett Maus, "Concepts of Musical Unity," in Re- thinking Music, ed. Nicholas Cook and Mark Everist (Ox- ford, 1999), p. 179.
Maus
Concepts of Musical Unity
179
Rethinking Music
1999
50
José A. Bowen, "Finding The Music in Musicology," in Rethinking Music, p. 450.
Bowen
Finding The Music in Musicology
450
Rethinking Music
51
Manfred Clynes and Nigel Netthelm, "The Living Qual- ity of Music," in Music, Mind, Brain: The Neuropsychology of Music, ed. Manfred Clynes (New York, 1982), pp. 47- 82.
Clynes
The Living Quality of Music
47
Music, Mind, Brain: The Neuropsychology of Music
1982
52
John Sloboda, "Brain Waves to the Heart," BBC Music Magazine (November 1998), 31-33.
Sloboda
November
31
BBC Music Magazine
1998
53
Rink, "Translating Musical Meaning: The Nineteenth- Century Performer as Narrator," in Rethinking Music, pp. 217-39.
Rink
Translating Musical Meaning: The Nineteenth Century Performer as Narrator
217
Rethinking Music
54
Sloboda, "Brain Waves to the Heart," p. 33.
Sloboda
33
Brain Waves to the Heart
56
Mark Tanner, Liszt Sonata in B Minor (Mephisto MEPH001, 1997).
Tanner
Liszt Sonata in B Minor
1997
58
Peter Johnson, "Performance as Experience: The Prob- lem of Assessment Criteria," British Journal of Music Edu- cation 14:3 (1997), 276.
Johnson
3
276
14
British Journal of Music Education
1997
59
Roland Barthes, Image Music Text
Barthes
Image Music Text
S. Heath (Lon- don, 1977), p. 179.
61
Peter Johnson, "Theory into Practice: Composition, Performance and the Listening Experience," Collected Writ- ings of the Orpheus Institute (December 1999)
Johnson
Theory into Practice: Composition, Performance and the Listening Experience
Collected Writings of the Orpheus Institute
1999
62
José A. Bowen's insightful paper on the eternally ephemeral nature of performed music, "The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Perfor- mances," Journal of Musicology 11 (1993), 139-7310.2307/764028
139
63
Ramann, Liszt-Pädagogium.
Ramann
Liszt-Pädagogium
64
Cook, A Guide to Musical Analysis, p. 257
Cook
257
A Guide to Musical Analysis
65
Hamilton, Liszt, p. ix.
Hamilton
ix
Liszt
66
Marshall Brown, "Mozart, Bach, and Musical Abjection," Musical Quarterly 83 (Winter 1999), 509.10.2307/742615
509
67
Alan Walker, Franz Liszt, Vol. 3: The Final Years, 1861-86 (London, 1998)
Walker
Franz Liszt, Vol. 3: The Final Years, 1861-86
1998
68
Humphrey Searle, The Music of Liszt, p. 61.
Searle
61
The Music of Liszt
69
Sitwell, Liszt, pp. 192 and 370.
Sitwell
192
Liszt
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