[Footnotes]

[Footnotes]
1
George Perle, Serial Composition and Atonality (3rd edn. Berkeley and Los Angeles, 1972)
Perle
3
Serial Composition and Atonality
1972
idem, "Scriabin's Self-Analyses," Music Analysis 3 (1984), 101-2210.2307/854313
101
Jay Reise, "Late Skriabin: Some Principles Behind the Style," this journal 6 (1983), 220-3110.2307/746587
220
Claude H. Herndon, "Skryabin's New Harmonic Vocabulary in His Sixth Sonata," Journal of Musicological Research 4 (1983), 353-68
Herndon
353
4
Journal of Musicological Research
1983
James Baker, in The Music of Alexander Scriabin (New Haven, 1986)
Baker
The Music of Alexander Scriabin
1986
2
Baker, Music of Scriabin, p. 270
Baker
270
Music of Scriabin
James Baker, "Scriabin's Music: Structure as Prism for Mystical Philosophy," in Music Theory in Concept and Practice, ed. James M. Baker, David W. Beach, and Jonathan W. Bernard (New York, 1997), pp. 53-96
Baker
Scriabin's Music: Structure as Prism for Mystical Philosophy
53
Music Theory in Concept and Practice
1997
3
Hugh Macdonald, "Words and Music by A. Skryabin," Musical Times 113 (1972), 22.10.2307/957615
22
4
James West, Russian Symbolism: A Study of Vyacheslav Ivanov and the Russian Symbolist Aesthetic (London, 1970), p. 39.
West
39
Russian Symbolism: A Study of Vyacheslav Ivanov and the Russian Symbolist Aesthetic
1970
5
ibid., p. 134
134
6
Ivanov, quoted in West, Russian Symbolism, p. 55.
Ivanov
55
Russian Symbolism
7
George Kalbouss, The Plays of the Russian Symbolists (Ann Arbor, Mich., 1982), p. 32.
Kalbouss
32
The Plays of the Russian Symbolists
1982
8
Faubion Bowers, Scriabin: A Biography (2nd rev. edn. New York, 1996)
Bowers
2
Scriabin: A Biography
1996
Faubion Bowers, The New Scriabin: Enigma and Answers (New York, 1973)
Bowers
The New Scriabin: Enigma and Answers
1973
Boris de Schloezer, Scriabin: Artist and Mystic (Berkeley and Los Angeles, 1987)
de Schloezer
Scriabin: Artist and Mystic
1987
9
Ralph Matlaw, "Scriabin and Russian Symbolism," Comparative Literature 31 (1979), 1-2310.2307/1770938
1
Malcolm Brown, "Skriabin and Russian 'Mystic' Symbolism," this journal 3 (1979), 42- 51
Brown
42
3
Nineteenth-Century Music
1979
Patricia Mueller-Vollner, "Ivanov on Skrjabin," Cultura e Memoria I: Atti del terzo simposio internazionale dedicato a Vjaceslav Ivanov (Firenze, 1988), pp. 189-99
Mueller-Vollner
Ivanov on Skrjabin
189
Cultura e Memoria I: Atti del terzo simposio internazionale dedicato a Vjaceslav Ivanov
1988
l0
Mueller-Vollner, Cultura e Memoria I, p. 190.
Mueller-Vollner
190
I
Cultura e Memoria
11
Brown, "Skriabin and Russian 'Mystic' Symbolism," p. 48
Brown
48
Skriabin and Russian 'Mystic' Symbolism
12
Mueller-Vollner, Cultura e Memoria I, p. 189.
Mueller-Vollner
189
I
Cultura e Memoria
13
Ivanov's volume Svet vechernyi was written in 1915 and first published in 1937
Ivanov
Svet vechernyi
1937
14
Scriabin: Artist and Mystic, p. 177
177
Scriabin: Artist and Mystic
15
Matlaw, "Scriabin and Russian Symbolism," p. 8
Matlaw
8
Scriabin and Russian Symbolism
16
Macdonald, "Words and Music," p. 23.
Macdonald
23
Words and Music
17
Bowers, New Scriabin, p. 111
Bowers
111
New Scriabin
18
Martin Cooper, "Alexander Skriabin and the Russian Renaissance," Slavonic and Western Music: Essays for Gerald Abraham, ed. Malcolm H. Brown and R. John Wiley (Ann Arbor, 1985), 219-39
Cooper
Alexander Skriabin and the Russian Renaissance
219
Slavonic and Western Music: Essays for Gerald Abraham
1985
Robert Craft, "Scriabin Cente- nary," Prejudices in Disguise (New York, 1974), p. 187
Craft
Scriabin Centenary
187
Prejudices in Disguise
1974
Macdonald, "Words and Music," p. 23
Macdonald
23
Words and Music
Baker, "Structure as Prism," pp.74-75
Baker
74
Structure as Prism
Bowers, New Scriabin, pp. 172- 82
Bowers
172
New Scriabin
20
Poéme, op. 32, no. 1 (1903)
Baker, Music of Alexander Scriabin, pp. 99-103
Baker
99
Music of Alexander Scriabin
21
Baker, "Structure as Prism," p. 76.
Baker
76
Structure as Prism
22
Richard Taruskin, review of James Baker, The Music of Alexander Scriabin
Taruskin
The Music of Alexander Scriabin
Boris de Schloezer, Scriabin: Art- ist and Mystic, in Music Theory Spectrum 10 (1988), 160
Schloezer
160
10
Music Theory Spectrum
1988
23
Bowers, Scriabin, II, 5
Bowers
II
Scriabin
24
Bowers, New Scriabin, p. 180.
Bowers
180
New Scriabin
25
Bowers, Scriabin, I, 341.
Bowers
I
Scriabin
26
Bowers, New Scriabin, p. 177.
Bowers
177
New Scriabin
27
Bowers, Scriabin, II, 49.
Bowers
II
Scriabin
28
Susan McClary, "Sexual Politics in Classical Mu- sic," in Feminine Endings: Music, Gender, and Sexuality (Minneapolis, 1991), pp. 53-79
McClary
Sexual Politics in Classical Music
53
Feminine Endings: Music, Gender, and Sexuality
1991
Lawrence Kramer; "Liszt, Goethe, and the Discourse of Gender" and "Musi- cal Form and Fin-de-Siécle Sexuality," in Music as Cul- tural Practice, 1800-1900 (Berkeley and Los Angeles, 1990), pp. 102-75
Kramer
Liszt, Goethe, and the Discourse of Gender
102
Musical Form and Fin-de-Siécle Sexuality
1990
29
"New Ap- proaches to the Linear Analysis of Music," Journal of the American Musicological Society 41 (1988), 34510.2307/831436
345
30
Bowers, New Scriabin, p. 180.
Bowers
180
New Scriabin
31
The Poéme satanique, op. 36 (1903)
Ironies, op. 56, no. 2 (1908)
Prométhée, op. 60 (1908-10)
Sixth Sonata, op. 62 (1911- 12)
Masque and Etrangete, op. 63 (1911-12)
Flammes sombres, op. 73, no. 2 (1914)
Bowers, Scriabin, II, 207
Bowers
II
Scriabin
32
Bowers, New Scriabin, pp. 55, 177.
Bowers
55
New Scriabin
33
mm. 82-84
34
Hugh Macdonald, Skryabin (London, 1978), pp. 7-8.
Macdonald
7
Skryabin
1978
35
West, Russian Symbolism, pp. 64-65.
West
64
Russian Symbolism
36
Schloezer, Scriabin: Artist and Mystic, p. 223.
Schloezer
223
Scriabin: Artist and Mystic
37
Bowers, New Scriabin, p. 118.
Bowers
118
New Scriabin
38
Schloezer, Scriabin: Artist and Mystic, p. 213.
Schloezer
213
Scriabin: Artist and Mystic
39
Bowers, Scriabin, II, 265
Bowers
II
Scriabin
40
Bowers, Scriabin, I, 331.
Bowers
I
Scriabin
41
Anthony Newcomb, "Once More 'Between Absolute and Program Music': Schumann's Second Symphony," this jour- nal 7 (1984), 234.10.2307/746379
234
42
Bowers, New Scriabin, p. 97.
Bowers
New Scriabin
43
Scott Burnham, "A. B. Marx and the Gendering of Sonata Form," in Music Theory in the Age of Romanticism, ed. Ian Bent [Cambridge, 1996], p. 163
Burnham
A. B. Marx and the Gendering of Sonata Form
163
Music Theory in the Age of Romanticism
1996
44
McClary, "Introduction: A Material Girl in Bluebeard's Castle," Feminine Endings, p. 14
14
Feminine Endings
ibid.
Marcia J. Citron, Gender and the Musi- cal Canon (Cambridge, 1993), pp. 120-64
Citron
120
Gender and the Musical Canon
1993
James Hepokoski, "Masculine-Feminine," Musical Times 135 (August 1994), 494-9910.2307/1003328
494
45
Burnham, "Gendering," p. 210
Burnham
210
Gendering
46
Macdonald, "Words and Music," p. 23.
Macdonald
23
Words and Music
47
A. Eaglefield Hull, A Great Russian Tone-Poet: Scriabin (London, 1916), p. 235.
Hull
235
A Great Russian Tone-Poet: Scriabin
1916
49
Baker, Music of Scriabin, p. 210.
Baker
210
Music of Scriabin
50
Bowers, New Scriabin, p. 180.
Bowers
180
New Scriabin
51
Eero Tarasti, Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music, Especially that of Wagner, Sibelius and Stravinsky (The Hague, 1970), p. 68
Tarasti
68
Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music, Especially that of Wagner, Sibelius and Stravinsky
1970
52
Scott G. Burnham, Aesthetics, Theory and History in the Works of Adolph Bernhard Marx (Ph.D. diss., Brandeis University, 1988), p. 216
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