[Footnotes]

[Footnotes]
1
László Somfai, Joseph Haydn: His Life in Contemporary Pictures
Somfai
Joseph Haydn: His Life in Contemporary Pictures
Mari Kuttna and Károly Ravasz (London, 1969), p. 141
Johann Friedrich Rochlitz, "Monumente deutscher Tonkünstler," Allgemeine musikalische Zeitung 24 (12 March 1800), cols. 418-23
Rochlitz
Monumente deutscher Tonkünstler
24
Allgemeine musikalische Zeitung
1800
2
Albert Christoph Dies, Biographische Nach- richten von Joseph Haydn
Dies
Biographische Nachrichten von Joseph Haydn
Vernon Gotwals as Haydn: Two Contemporary Portraits (Madison, 1968), p. 162
Georg Germann, Gothic Revival in Europe and Britain: Sources, Influences and Ideas
Germann
Gothic Revival in Europe and Britain: Sources, Influences and Ideas
Gerald Onn (London, 1972), section 2, chaps. 1 and 3
Thomas Nipperdey, "Nationalidee und Nationaldenkmal in Deutschland im 19. Jahrhundert," Historische Zeitschrift 206 (1968), 529-85
Nipperdey
Nationalidee und Nationaldenkmal in Deutschland im 19. Jahrhundert
529
206
Historische Zeitschrift
1968
Germann, Gothic Revival, identifies Christian Cay Laurenz Hirschfeld, Theorie der Gartenkunst, 5 vols. (Leipzig, 1779- 85)
Germann
Gothic Revival, identifies Christian Cay Laurenz Hirschfeld, Theorie der Gartenkunst
1779
"English pre-Romantics" (p. 81)
81
English pre-Romantics
Christopher Thacker, The History of Gardens (London, 1979), pp. 184- 87
Thacker
184
The History of Gardens
1979
Thacker describes William Kent's gardens at Stowe (1730-48)
"In the lower half of the valley . . is Kent's temple of British Worthies (ca. 1735), a strange and unique building in which busts of noble Britons are dis- played" (p. 188)
3
H. C. Robbins Landon, Haydn in England 1791-1795, vol. III of Haydn: Chronicle and Works (Lon- don, 1976), p. 200
Landon
200
Haydn in England 1791-1795
1976
Dies, Biographische Nachrichten
Dies
Biographische Nachrichten
Gotwals in Haydn: Two Contemporary Portraits, p. 162
Gotwals
162
Haydn: Two Contemporary Portraits
4
"Rohrau / Gab ihm das Leben / Im Jahr 1732, den 1. April, / Europa [gab ihm] / Ungetheilten Beyfall."
Rochlitz, "Monumente deutscher Tonkünstler," Allgemeine musikalische Zeitung 24 (12 March 1800), col. 420
Rochlitz
Monumente deutscher Tonkünstler
24
Allgemeine musikalische Zeitung
1800
5
Gabriela von Baumberg. The translation is slightly modified from Griesinger, Biographische Notizen
von Baumberg
Biographische Notizen
Gotwals in Haydn: Two Contemporary Portraits, p. 227
Gotwals
227
Haydn: Two Contemporary Portraits
6
Zelter to Goethe, 13 July 1819
Chronicle, V, 417.
Landon
417
V
Chronicle
7
Martha Bigenwald, Die Anfdinge der Leipziger Allgemeinen musikalischen Zeitung (Diss. Freiburg, 1938)
Bigenwald
Die Anfdinge der Leipziger Allgemeinen musikalischen Zeitung
1938
Leon Plantinga, Schumann as Critic (New Haven, 1967), pp. 43-47
Plantinga
43
Schumann as Critic
1967
Sanna F. Pederson, Enlightened and Romantic German Music Criticism (Ph.D. diss., University of Penn- sylvania, 1995), pp. 62-67
8
Rochlitz, "Monumente deutscher Tonkünstler," Allgemeine musikalische Zeitung 24 [12 March 1800], col. 420
Rochlitz
Monumente deutscher Tonkünstler
24
Allgemeine musikalische Zeitung
1800
9
Jean Baudrillard, The Illusion of the End
Baudrillard
The Illusion of the End
Chris Turner (Cambridge, 1994), p. 8.
l0
Leon Botstein, "The Consequences of Presumed Inno- cence: The Nineteenth-Century Reception of Joseph Haydn," in Cambridge Haydn Studies, ed. W. Dean Sutcliffe (Cambridge, 1998), pp. 1-34 (1)
Botstein
The Consequences of Presumed Innocence: The Nineteenth-Century Reception of Joseph Haydn
1
Cambridge Haydn Studies
1998
Karl and Irene Geiringer, Haydn: A Creative Life in Music (Berkeley and Los Angeles, 1982), pp. 182-83
Karl
182
Haydn: A Creative Life in Music
1982
Botstein's stimulating article appears as "The Demise of Philosophical Listening: Haydn in the Nine- teenth Century," in Haydn and His World, ed. Elaine Sisman (Princeton, N.J., 1997), pp. 255-85
Botstein
The Demise of Philosophical Listening: Haydn in the Nineteenth Century
255
Haydn and His World
1997
11
Joseph Muller, "Haydn Portraits," Musical Quarterly 18 (1932), 282-98.10.2307/738738
282
12
Allgemeine musikalische Zeitung (June 1799), Intelligenz- Blatt 14
14
Allgemeine musikalische Zeitung
1977
Chronicle, IV, 470
470
IV
Chronicle
13
Landon, Chronicle, IV, 466-67
Landon
466
IV
Chronicle
14
"An das scheidende Jahrhundert," Allgemeine musikalische Zeitung 13 [24 December 1800], cols. 201-11 [209]
An das scheidende Jahrhundert
13
Allgemeine musikalische Zeitung
1800
15
Graun in his centennial "Remarks on the Devel- opment of the Art of Music in Germany [1801],"
Remarks on the Development of the Art of Music in Germany [1801]
1801
Susan Gillespie, in Haydn and His World, pp. 321-94 (341)
Gillespie
321
Haydn and His World
16
Triest, "Remarks,"
Triest
Remarks
Gillespie in Haydn and His World, pp. 373-74
Carl Dahlhaus, "Zur Entstehung der romantischen Bach- Deutung," Bach-Jahrbuch 64 (1978), 192-210
Dahlhaus
Zur Entstehung der romantischen Bach-Deutung
192
64
Bach-Jahrbuch
1978
17
"The Creation, Haydn's Late Vocal Style, and the Musical Sublime," in Haydn and His World, pp. 57-97 [97]
The Creation, Haydn's Late Vocal Style, and the Musical Sublime
57
Haydn and His World
18
"Wann füngt das XIX. Jahrhundert an?" Allgemeine musikalische Zeitung 5 (18 September 1799), cols. 860- 61. The article is signed "Wr."
Wann füngt das XIX. Jahrhundert an?
5
Allgemeine musikalische Zeitung
1799
19
W. C. Sellar and R. J. Yeatman, 1066 and All That (Lon- don, 1960), p. 61.
Sellar
61
All That
1960
20
Music and Aesthetics in the Eigh- teenth and Early-Nineteenth Centuries
Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries
Pe- ter le Huray and James Day (Cambridge, 1981)
Edward A. Lippman, Musical Aesthetics: A Historical Reader, vol. II, The Nineteenth Century (Stuyvesant, N.Y., 1988)
Lippman
Musical Aesthetics: A Historical Reader
1988
Con- templating Music: Source Readings in the Aesthetics of Music, ed. Ruth Katz and Carl Dahlhaus, vol. I, Substance (Stuyvesant, N.Y., 1987)
Contemplating Music: Source Readings in the Aesthetics of Music
1987
"Birdsong and the Origins of Music" (Journal of the Royal Musical Association 122 [1997], 1-23)10.2307/766551
1
21
Rochlitz, "Monumente deutscher Tonkünstler," Allgemeine musikalische Zeitung 24 (12 March 1800), col. 418.
Rochlitz
Monumente deutscher Tonkünstler
24
Allgemeine musikalische Zeitung
1800
22
Piano, op. 17
"Obolum auf Beethovens Denkmal" (p. 20)
20
Obolum auf Beethovens Denkmal
"As Schumann put it in his 'Monument für Beethoven: Vier Stimmen darüber,' a brief article for the 24 June 1836 issue of the Neue Zeitschrift für Musik, 'a monument is a ruin twisted forward, just as a ruin is a monument twisted backward"' (p. 20)
Beethoven's An die ferne Geliebte
Beethoven
An die ferne Geliebte
"Beethovenian classicism" (p. 47)
47
Beethovenian classicism
"a musical critique of the very idea of unity" (p. 46)
46
a musical critique of the very idea of unity
John Daverio, Nineteenth-Century Music and the German Romantic Ideology (New York, 1993)
Daverio
Nineteenth-Century Music and the German Romantic Ideology
1993
23
Noted in Landon, Chronicle, IV, 464 with reference to the September 1799 issue of Allgemeine musikalische Zeitung.
24
Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford, 1992).
Goehr
The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music
1992
26
Dies, Biographische Nachrichten
Dies
Biographische Nachrichten
Gotwals in Haydn: Two Contemporary Portraits, p. 161.
Gotwals
161
Haydn: Two Contemporary Portraits
27
Allgemeine musikalische Zeitung 24 [1800], cols. 417- 18
24
Allgemeine musikalische Zeitung
1800
28
Landon, Chronicle, IV, 489.
Landon
489
IV
Chronicle
29
Ibid., pp. 448-49
448
Allgemeine musikalische Zeitung (16 January 1799)
Allgemeine musikalische Zeitung
1799
Landon, Chronicle, IV, 449
Landon
449
IV
Chronicle
30
Roland Barthes, "The Death of the Author," in Image- Music-Text
Barthes
The Death of the Author
Image-Music-Text
Stephen Heath (London, 1977), pp. 42-48
Michel Foucault, "What is an Author,"
Foucault
What is an Author
Josué V. Harari, in Textual Strategies: Perspectives in Post- Structuralist Criticism, ed. Josue V. Harari (Ithaca, N.Y., 1979), pp. 141-60
Harari
141
Textual Strategies: Perspectives in Post-Structuralist Criticism
1979
Seán Burke, The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida (2nd edn. Edinburgh, 1998)
Burke
2
The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida
1998
"A Prehistory of the Death of the Author," pp. 8-19
A Prehistory of the Death of the Author
31
Franz Brendel, "Zur Enleitung," Neue Zeitschrift för Musik 22 [1845], 3
Brendel
Zur Enleitung
3
22
Neue Zeitschrift för Musik
1845
32
Paul Robinson, Opera and Ideas: From Mozart to Strauss (Ithaca, N.Y., 1986), 107-08.
Robinson
107
Opera and Ideas: From Mozart to Strauss
1986
33
Germann, Gothic Revival
Germann
Gothic Revival
34
Katherine Ellis, Music Criticism in Nineteenth-Century France: La revue et gazette musi- cale de Paris, 1834-80 [Cambridge, 1995], p. 5
Ellis
5
Music Criticism in Nineteenth-Century France: La revue et gazette musicale de Paris, 1834-80
1995
visual arts (p. 4)
35
Rochlitz, "Vorerinnerung" to Hans Georg Ndigeli, "Versuch einer Norm fuir die Recensenten der musi- kalischen Zeitung," Allgemeine musikalische Zeitung 5 (1802), cols. 225-26
Rochlitz
Versuch einer Norm fuir die Recensenten der musikalischen Zeitung
5
Allgemeine musikalische Zeitung
1802
Pederson, En- lightened and Romantic German Music Criticism, p. 66
Pederson
66
Enlightened and Romantic German Music Criticism
36
Mary Sue Morrow, German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Mu- sic (Cambridge, 1997), p. 71
Morrow
71
German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music
1997
Pederson, Enlightened and Romantic Ger- man Music Criticism, with reference to Habermas, The Structural Transformation of the Public Sphere
Pederson
Enlightened and Romantic German Music Criticism, with reference to Habermas, The Structural Transformation of the Public Sphere
Tho- mas Burger (Cambridge, Mass., 1989)
37
"Birdsong and the Origins of Music," pp. 21-22
21
Birdsong and the Origins of Music
38
Enrico Fubini, Music and Culture in Eighteenth-Century Europe
Fubini
Music and Culture in Eighteenth-Century Europe
Bonnie J. Blackburn (Chicago, 1994), pp. 155-56.
39
Stephen Bann, Romanticism and the Rise of History (New York, 1995)
Bann
Romanticism and the Rise of History
1995
40
Friedrich Nietzsche, The Use and Abuse of History
Nietzsche
The Use and Abuse of History
Adrian Collins (Indianapolis, 1978), p. 18
41
Michel Foucault, Les Mots et les choses
Foucault
251
Les Mots et les choses
1989
The Order of Things: An Archaeology of the Human Sciences (London, 1989), p. 251.
251
The Order of Things: An Archaeology of the Human Sciences
1989
42
Pederson, Enlightened and Romantic German Music Criticism, pp. 71-72.
Pederson
71
Enlightened and Romantic German Music Criticism
43
Johann Philipp Kirnberger, The Art of Strict Musical Com- position [1771-79]
Kirnberger
The Art of Strict Musical Composition
1771
David Beach and Jurgen Thym (New Haven, 1982), p. 99
99
David Beach and Jurgen Thym
1982
44
Georgia Cowart, The Origins of Mod- ern Musical Criticism: French and Italian Music 1600- 1750 (Ann Arbor, Mich., 1981), chap. 2
Cowart
The Origins of Modern Musical Criticism: French and Italian Music 1600-1750
1981
45
W. H. Hadow, The Oxford History of Music (6 vols., Oxford, 1901-05), vol. V, The Viennese Period, in Andrew McNeillie, The Essays of Virginia Woolf, vol. I, 1904-1912 (London, 1986), pp. 373-74 (374)
46
Foucault, The Order of Things, p. 368
Foucault
368
The Order of Things
47
Hawkins, A General History of the Science and Practice of Music, 3 vols. [1776; new edn., London, 1853]
Hawkins
A General History of the Science and Practice of Music
1853
"Conclu- sion," vol. II, p. 917, col. 1, p. 919, col. 2)
ibid
"corrupt taste in music" (p. 919, col. 2)
"natural course and order of things" (p. 918, col. 2)
"who af- fect tastes and propensities that they do not possess" (p. 919, col. 2)
48
The Art of Art History: A Critical Anthology, ed. Donald Preziosi (Oxford, 1998), pp. 21-30
21
The Art of Art History: A Critical Anthology
1998
49
Antoine de Rivarol (1753-1801), Mgmoires, ed. Berville (Paris, 1924)
Antoine de Rivarol (1753-1801)
1924
Reinhart Koselleck, Critique and Crisis: Enlightenment and the Pathogenesis of Modern Society (Oxford, 1988), p. 5
Koselleck
5
Critique and Crisis: Enlightenment and the Pathogenesis of Modern Society
1988
50
Lawrence Kramer, "Haydn's Chaos, Schenker's Order; or Hermeneutics and Musical Analysis: Can They Mix?," this journal 16 (1992), 3-17 (9).10.2307/746616
3
51
Jean-Frangois Lyotard, Lemons sur l'analytique du sub- lime (Paris, 1991).
Lyotard
Lemons sur l'analytique du sublime
1991
52
Triest, "Remarks,"
Triest
Remarks
Gillespie, in Haydn and His World, p. 358.
Gillespie
358
Haydn and His World
53
Landon, Chronicle, IV, 587.
Landon
587
IV
Chronicle
54
Foucault, "What is Enlightenment?" in The Foucault Reader, ed. Paul Rabinow (London, 1984), p. 39.
Foucault
What is Enlightenment?
39
The Foucault Reader
1984
55
Landon, Chronicle, IV, pp. 449, 454
Landon
449
IV
Chronicle
"Kurze Nachrichten," Allgemeine musikalische Zeitung 19 (5 Feb. 1800), 329 (trans. mine)
Kurze Nachrichten
19
Allgemeine musikalische Zeitung
1800
56
Ibid., pp. 586-87, 588, 586.
586
57
Ibid., p. 587.
587
58
Scott Burnham, Beethoven Hero (Princeton, N.J., 1995), p. xviii
Burnham
xviii
Beethoven Hero
1995
59
Fantasy in the Instrumental Music of C. P. E. Bach (Ph.D. diss., Yale University, 1995; UMI, 1996), pp. 96-112
"a collection of momentary ideas, thoughts, capriccios" (p. 67)
60
Carl Dahlhaus, The Idea of Absolute Music
Dahlhaus
The Idea of Absolute Music
Roger Lustig (Chicago, 1989).
61
Landon, Chronicle, IV, 587, 593, 595.
Landon
IV
Chronicle
62
Fantasy in the Instrumental Music of C. P. E. Bach, pp. 76-77
Peter Schleuning, Die freie Fantasie: Ein Beitrag zur Erforschung der klassischen Klaviermusik, Göppinger Akademische Beitrüge 76 (Göppingen, 1973), pp. 358-59
Schleuning
358
76
Die freie Fantasie: Ein Beitrag zur Erforschung der klassischen Klaviermusik, Göppinger Akademische Beitrüge
1973
63
Arthur Schopenhauer, Die Welt als Wille und Vorstellung (1819-44), in Musical Aesthetics, ed. Lippman, vol. II, The Nineteenth Century, pp. 170-71
Schopenhauer
Die Welt als Wille und Vorstellung (1819-44)
170
Musical Aesthetics
Vorlesungen über die Philosophie der Kunst (1802-03)
Vorlesungen über die Philosophie der Kunst
1802
Musical Aesthetics, ed. Lippman, vol. II, The Nineteenth Century, p. 73
73
Musical Aesthetics
64
Wilhelm Seidel, "Absolute Musik" in Musik in Geschichte und Gegenwart, ed. Ludwig Finscher (2nd edn. Kassel, 1994), Sachteil, I, 15-24
Seidel
2
Absolute Musik
15
Musik in Geschichte und Gegenwart
1994
65
Triest, "Remarks,"
Triest
Remarks
Gillespie, in Haydn and His World, p. 374
Gillespie
374
Haydn and His World
66
Zeitung för die elegante Welt (20 October 1801)
Zeitung för die elegante Welt
1801
Landon, Chronicle, IV, 600
Landon
600
IV
Chronicle
Adolf Sandberger, "Mehr Ausdruck der Empfindungen als Malerei," in Ausgewühlte Aufsütze zur Musikgeschichte, 2 vols. (Munich, 1924), II, 201-12
Sandberger
Mehr Ausdruck der Empfindungen als Malerei
201
II
Ausgewühlte Aufsütze zur Musikgeschichte
1924
Richard Will, "Expression or Tone-Painting? The Critical Fortunes of the Programmatic Symphony," chap. 2 in Programmatic Symphonies of the Classical Period (Ph.D. diss., Cornell University, 1994), pp. 98-165
"Time, Morality, and Humanity in Beethoven's Pastoral Symphony," Journal of the Ameri- can Musicological Society 50 (1997), 271-32910.2307/831836
271
67
De l'Allemange (1810)
Peter Le Huray and James Day, Music and Aesthetics in the Eighteenth and Early- Nineteenth Centuries (abridged edn. Cambridge, 1988), pp. 213-15 (215)
Le Huray
213
Peter Le Huray and James Day, Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries
1988
68
Die Welt als Wille und Vorstellung (1819-44), in Musi- cal Aesthetics, ed. Lippman, vol. II, The Nineteenth Cen- tury, pp. 170-71.
Die Welt als Wille und Vorstellung (1819-44)
170
Musical Aesthetics
69
J. F. Reichardt, "Kirchenmusik," in Musikalisches Kunstmagazin, 2 vols. (Berlin, 1782 and 1791), vol. I, part 4, p. 179
Reichardt
Kirchenmusik
179
I
Musikalisches Kunstmagazin
1791
E. T. A. Hoffmann, "Old and New Church Mu- sic,"
Hoffmann
Old and New Church Music
Martyn Clarke in E. T. A. Hoffmann's Musical Writings
Kreisleriana, The Poet and the Composer, Musi- cal Criticism, ed. David Charlton (Cambridge, 1989), pp. 351-76
Kreisleriana
351
The Poet and the Composer, Musical Criticism
1989
Allgemeine musikalische Zeitung 16 (31 August, 7, 14 September 1814, cols. 577-84, 593-603, 611-19)
70
Hoffmann, "Old and New Church Music" in E. T. A. Hoffmann's Musical Writings, pp. 355, 356, 372-73, 360.
Hoffmann
355
Old and New Church Music
71
Ibid., pp. 370, 371, 370, 372
370
Carl Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley and Los Ange- les, 1989), pp. 178-91
Dahlhaus
178
Nineteenth-Century Music
1989
72
Gottfried van Swieten, Allgemeine musikalische Zeitung 1 [1798-99], cols. 254-55
van Swieten
1
Allgemeine musikalische Zeitung
1798
Edward Olleson, "The Origin and Libretto of Haydn's Creation," Haydn Year- book 4 [1968], 148-66 [149-50]
Olleson
The Origin and Libretto of Haydn's Creation
148
4
Haydn Yearbook
1968
73
Landon, Chronicle, IV, 344.
Landon
344
IV
Chronicle
74
Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought (Cambridge, 1995), pp. 108-26.
Smith
108
Handel's Oratorios and Eighteenth-Century Thought
1995
75
Ibid., pp. 109, 119.
109
76
A. H. Shapiro, "'Drama of an Infinitely Superior Nature': Handel's Early English Oratorios and the Religious Sub- lime," Music & Letters 74 (1993), 215-45.10.2307/735425
215
77
Johann Ferdinand Schönfeld, Jahrbuch der Tonkunst von Wien und Prag (Vienna, 1796), p. 73
Schönfeld
73
Jahrbuch der Tonkunst von Wien und Prag
1796
Mary Sue Morrow, Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution (Stuyvesant, N.Y., 1989), p. 10
Morrow
10
Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution
1989
Howard E. Smither, The Oratorio in the Classical Era, vol. III of A History of the Oratorio (Oxford, 1987), pp. 228-31
Smither
228
The Oratorio in the Classical Era
1987
78
Kramer, "Haydn's Chaos, Schenker's Order," p. 11
Kramer
11
Haydn's Chaos, Schenker's Order
idem, Classical Music and Postmodern Knowledge (Berkeley and Los Angeles, 1995), pp. 84-87
Kramer
84
Classical Music and Postmodern Knowledge
1995
79
Landon, Chronicle, IV, 409.
Landon
409
IV
Chronicle
80
Zeitung fufr die elegante Welt (20 October 1801)
Zeitung fufr die elegante Welt
1801
Landon, Chronicle, IV, 600
Landon
600
IV
Chronicle
81
Compare Kramer, "Haydn's Chaos, Schenker's Order," pp. 15-16
Kramer
15
Haydn's Chaos, Schenker's Order
82
"Haydn's Late Vocal Music" in Haydn and His World, p. 96.
Haydn's Late Vocal Music
96
Haydn and His World
83
Landon, Chronicle, IV, 449
Landon
449
IV
Chronicle
"Haydn's Late Vocal Music" in Haydn and His World, p. 96
Haydn's Late Vocal Music
96
Haydn and His World
Horst Seeger, "Zur musikhistorischen Bedeutung der Haydn-Biographie von Albert Christoph Dies," Beiträge zur Musikwissenschaft 1/3 (1959), 30
Seeger
Zur musikhistorischen Bedeutung der Haydn-Biographie von Albert Christoph Dies
30
1
Beiträge zur Musikwissenschaft
1959
84
Edward Olleson, "Georg August Griesinger's Correspon- dence with Breitkopf & Hirtel," Haydn Yearbook 3 (1965), 47-51
Olleson
Georg August Griesinger's Correspondence with Breitkopf & Hirtel
47
3
Haydn Yearbook
1965
D major is "a profound sense of sadness that Haydn makes no attempt to conceal," Chronicle, V (The Late Years, 1801-1809), p. 276
a profound sense of sadness that Haydn makes no attempt to conceal
276
V
Chronicle
1801
85
Johann Friedrich Reichardt, Vertraute Briefe geschrieben auf einer Reise nach Wien und den österreichischen Staaten zu Ende 1808 und zu Anfang 1809 in Strunk's Source Readings in Music History, rev. edn., vol. V, The Late Eighteenth Century, ed. Wye Jamison Allanbrook (New York, 1998), 27th letter, p. 304.
Reichardt
Vertraute Briefe geschrieben auf einer Reise nach Wien und den österreichischen Staaten zu Ende 1808 und zu Anfang 1809 in Strunk's Source Readings in Music History
304
V
The Late Eighteenth Century
1998
86
Landon, Chronicle, V, 22.
Landon
22
V
Chronicle
87
In a letter to Breitkopf (12 June 1799)
Landon, Chronicle, IV, 468
Landon
468
IV
Chronicle
Griesinger, Biographische Notizen
Griesinger
Biographische Notizen
Gotwals in Haydn: Two Con- temporary Portraits, p. 25
Gotwals
25
Haydn: Two Contemporary Portraits
88
Griesinger, Biographische Notizen
Griesinger
Biographische Notizen
Gotwals in Haydn: Two Contemporary Portraits, p. 47
Gotwals
47
Haydn: Two Contemporary Portraits
89
Landon, Chronicle, V, 47.
Landon
47
V
Chronicle
90
Griesinger, Biographische Notizen
Griesinger
Biographische Notizen
Gotwals, p. 38
91
Concert Life in Haydn's Vienna, p. 64
Concert Life
64
Haydn's Vienna
Allgemeine musikalische Zeitung, 10 April 1799, col. 446
Allgemeine musikalische Zeitung
1799
A. Peter Brown, Performing Haydn's "The Creation": Reconstructing the Earliest Renditions (Bloomington, Ind., 1986)
Brown
Performing Haydn's "The Creation": Reconstructing the Earliest Renditions
1986
Temperley, Haydn: The Creation, app. 1
Temperley
Haydn: The Creation
92
Griesinger, Biographische Notizen
Griesinger
Biographische Notizen
Gotwals in Haydn: Two Contemporary Portraits, pp. 48-49
Gotwals
48
Haydn: Two Contemporary Portraits
93
Botstein, "The Demise of Philosophical Listening," in Haydn and His World, pp. 262, 281
Botstein
The Demise of Philosophical Listening
262
Haydn and His World
Friedrich Nietzsche Werke, ed. Alfred Baeumler, vol. V (Leipzig, 1930), pp. 58-59
Walter Kauffman in his Portable Nietzsche (New York, 1954), pp. 667-69
Kauffman
667
Portable Nietzsche
1954
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