[Footnotes]

[Footnotes]
1
David Kimbell, Verdi in the Age of Italian Romanticism (Cambridge, 1981), pp. 597-98.
Kimbell
597
Verdi in the Age of Italian Romanticism
1981
2
Piero Weiss, "Verdi and the Fusion of Genres," Journal of the American Musicological Society 35 (1982), 138-56 (146- 47).10.2307/831289
138
3
Alessandro Roccatagliati, Drammaturgia romantica verdiana. "Luisa Miller" e "Rigoletto" (Bari, 1989), p. 42
Roccatagliati
42
Drammaturgia romantica verdiana. "Luisa Miller" e "Rigoletto"
1989
Peter Ross advances similar considerations in his "Luisa Miller--ein 'kantiger Schiller-Verschnitt'? Sozialkontext und isthetische Autonomie der Opernkomposition im Ottocento," Zwischen Opera buffa und Melodramma: Italienische Oper im 18. und 19. Jahrhundert, ed. Jürgen Maehder and Jürg Stenzl (Frankfurt, 1994), pp. 159-78, esp. 164-65
Ross
Luisa Miller--ein 'kantiger Schiller-Verschnitt'? Sozialkontext und isthetische Autonomie der Opernkomposition im Ottocento
159
Zwischen Opera buffa und Melodramma: Italienische Oper im 18. und 19. Jahrhundert
4
Franco Abbiati, Giuseppe Verdi, 4 vols. (Milan, 1959), II, 10-16
Abbiati
II
Giuseppe Verdi
1959
5
Giuseppe Verdi, Luisa Miller, ed. Jeffrey Kallberg [Chicago, 1991], pp. xix and xliii
Verdi
xix
Luisa Miller
1991
Weiss, "Verdi and the Fusion of Genres," p. 147
Weiss
147
Verdi and the Fusion of Genres
Markus Engelhardt, "'Something's Been Done to Make Room for Choruses': Choral Conception and Choral Construction in Luisa Miller," in Verdi's Middle Period, 1849-1859: Source Studies, Analysis, and Performance Practice, ed. Martin Chusid (Chicago, 1997), pp. 197-205
Engelhardt
'Something's Been Done to Make Room for Choruses': Choral Conception and Choral Construction in Luisa Miller
197
Verdi's Middle Period, 1849-1859: Source Studies, Analysis, and Performance Practice
1997
6
I Puritani e i Cavalieri, opera-seria in due parti, parole del Signor C. Pepoli, musica del Sr. Maestro Bellini / Les Puritains et les Cavaliers, opera-seria, en deux parties [Paris, 1835], p. 1
1
I Puritani e i Cavalieri, opera-seria in due parti, parole del Signor C. Pepoli, musica del Sr. Maestro Bellini / Les Puritains et les Cavaliers, opera-seria, en deux parties
1835
7
La sonnambula, melodramma di Felice Romani, da rappresentarsi nel Teatro Carcano la Quaresima del 1831 (Milan, 1831), pp. 9-10.
9
La sonnambula, melodramma di Felice Romani, da rappresentarsi nel Teatro Carcano la Quaresima del 1831
1831
8
Linda di Chamounix, melodramma in tre atti, parole di Gaetano Rossi, musica dèl Maestro Cav. Gaetano Donizetti, da rappresentarsi nell'L.R. Teatro di Corte alla Porta Carinzia in Vienna (Vienna, 1842), pp. 6-7
6
Linda di Chamounix, melodramma in tre atti, parole di Gaetano Rossi, musica dèl Maestro Cav. Gaetano Donizetti, da rappresentarsi nell'L.R. Teatro di Corte alla Porta Carinzia in Vienna
1842
Gaetano Donizetti, Linda di Chamounix, ed. Gabriele Dotto [Milan, 1994], p. 74
Donizetti
74
Linda di Chamounix
1994
9
Verdi's Macbeth (1847)
Verdi
Macbeth
1847
Verdi's "Macbeth": A Sourcebook, ed. Andrew Porter and David Rosen (New York, 1984), p. 388
Verdi
388
"Macbeth": A Sourcebook
1984
Abramo Basevi, Studio sulle opere di Giuseppe Verdi (Florence, 1859
Basevi
Studio sulle opere di Giuseppe Verdi
1859
Bologna [1978]), p. 67
11
Giuseppe Verdi, "Re Lear" e "Ballo in maschera": Lettere di Giuseppe Verdi ad Antonio Somma, ed. Alessandro Pascolato [Città di Castello, 1902], p. 77 [letter not dated, but postmarked 5 April 1855]
Verdi
77
"Re Lear" e "Ballo in maschera": Lettere di Giuseppe Verdi ad Antonio Somma
1902
12
letter from Busseto dated 7 April 1856, ibid., p. 78
13
Federico Ricci's Rolla in the Gazzetta musicale di Milano, 12 May 1847
Ricci
12 May
Rolla in the Gazzetta musicale di Milano
1847
14
La Scala in the Gazzetta privilegiata di Milano, 2 October 1834
Scala
2 October
Gazzetta Privilegiata Di Milano
1834
15
Virgins of the Rocks: Alpine Landscape and Female Purity in Early-Nineteenth- Century Italian Opera (Ph.D. diss., Cornell University, 1998)
16
Guilbert de Pixérécourt, "Le Mélodrame," in Paris, ou Le Livre des cent-et-un, vol. 6 (Paris, 1832), pp. 319-52 (332-33)
de Pixérécourt
Le Mélodrame
319
Paris, ou Le Livre des cent-et-un
1832
Sedaine at p. 325
17
FranÇois Levy, "Bellini et l'école frénétique: de Bertram (1822) à Il Pirata (1827)," Revue de musicologie (forthcoming)10.2307/924938
18
Charles Nodier, "In- troduction," in Guilbert de Pixérécourt, Théâtre choisi, 4 vols. [Paris, 1841-43], I, i-xvi [vii-viii]
Nodier
Introduction
I
Guilbert de Pixérécourt, Théâtre choisi
1843
Pierre Reboul, "Peuple Enfant, Peuple Roi, ou Nodier, mélodrame et révolution," Revue des sci- ences humaines 41 (1976), 247-56
Reboul
247
41
Revue Des Sciences Humaines
1976
19
Anne Ubersfeld, "Les Bons et le méchant," Revue des sciences humaines 41 (1976), 193-203
Ubersfeld
193
41
Revue Des Sciences Humaines
1976
Jean-Marie Thomasseau, Le Mélodrame sur les scènes parisiennes de "Coelina" (1800) à "L'Auberge des Adrets" (1823) (Lille, 1974), pp. 173-321
Thomasseau
173
Le Mélodrame sur les scènes parisiennes de "Coelina" (1800) à "L'Auberge des Adrets" (1823)
1974
Le Mélodrame (Paris, 1984), pp. 31-40
31
Mélodrame
1984
20
Ubersfeld, "Les Bons et le méchant," p. 200.
Ubersfeld
200
Les Bons et le méchant
22
Marjorie Hope Nicolson, Mountain Gloom and Moun- tain Glory: The Development of the Aesthetics of the Infi- nite (Ithaca, 1959
Nicolson
Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite
1959
Seattle, 1997), chap. 1
"The Literary Heritage," pp. 34-71
34
The Literary Heritage
23
Edmund Burke, Philosophical Inquiry into the Ori- gin of Our Ideas of the Sublime and Beautiful, ed. James T. Boulton (London, 1958)
Burke
Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful
1958
Immanuel Kant, Critique of Aes- thetic Judgement, trans. and ed. James Creed Meredith (Oxford, 1911)
Kant
Critique of Aesthetic Judgement
1911
Kant, Observations on the Feeling of the Beautiful and Sublime [1764], trans. John T. Goldthwait (Berkeley and Los Angeles, 1960)
Kant
Observations on the Feeling of the Beautiful and Sublime
1960
Friedrich Schiller, Naive and Sen- timental Poetry, and On the Sublime, trans. and ed. Julius A. Elias (New York, 1966)
Schiller
Naive and Sentimental Poetry, and On the Sublime
1966
Samuel H. Monk, The Sub- lime: A Study of Critical Theories in Eighteenth-Century England (Ann Arbor, 1960; 1st edn., New York, 1935)
Monk
1
The Sublime: A Study of Critical Theories in Eighteenth-Century England
1960
Thomas Weiskel, The Romantic Sublime: Studies in the Structure and Psychology of Transcendence (Baltimore, 1976)
Weiskel
The Romantic Sublime: Studies in the Structure and Psychology of Transcendence
1976
Hope Nicolson, Mountain Gloom and Mountain Glory, and Simon Schama, Landscape and Memory (Lon- don, 1995), pp. 447-78
Nicolson
447
Mountain Gloom and Mountain Glory, and Simon Schama, Landscape and Memory
1995
24
Paul Guichonnet, "L'Homme devant les Alpes," Histoire et civilisation des Alpes, ed. Paul Guichonnet, 2 vols. (Toulouse, 1980), II, 169-248
Guichonnet
L'Homme devant les Alpes
II
Histoire et civilisation des Alpes
1980
Richard Noble, Language, Subjectivity, and Freedom in Rousseau's Moral Philosophy (New York, 1991), pp. 90-132
Noble
90
Language, Subjectivity, and Freedom in Rousseau's Moral Philosophy
1991
Alessandro Ferrara, Modernity and Authenticity: A Study in the So- cial and Ethical Thought of Jean-Jacques Rousseau (Al- bany, 1993), esp. pp. 29-50
Ferrara
29
Modernity and Authenticity: A Study in the Social and Ethical Thought of Jean-Jacques Rousseau
1993
Peter France, Politeness and Its Discontents: Problems in French Classical Culture (Cambridge, 1992), pp. 204-37 (chap. 12, "Frontiers of Civilization")
France
204
Politeness and Its Discontents: Problems in French Classical Culture
1992
25
Jean-Jacques Rousseau, Julie, ou La Nouvelle HéloÏse, ed. Henri Coulet and Ber- nard Guyon (Paris, 1969), pp. 78-79
Rousseau
78
Julie, ou La Nouvelle HéloÏse
1969
William Kenrick as Eloisa, or A Series of Original Letters Collected and Published by Mr. J. J. Rousseau (London, 1803
Kenrick
Eloisa, or A Series of Original Letters Collected and Published by Mr. J. J. Rousseau
1803
Oxford, 1989), pp. 119-21
26
Jean Starobinski, Jean-Jacques Rousseau: Transparency and Obstruction, trans. Arthur Goldhammer (Chicago, 1988), p. 83.
Starobinski
83
Jean-Jacques Rousseau: Transparency and Obstruction
1988
27
Michael Fend, "Literary Motifs, Musical Form and the Quest for the 'Sublime': Cherubini's Eliza ou le Voyage aux glaciers du Mont St Bernard," Cambridge Opera Jour- nal 5 (1993), 17-3810.2307/823748
17
28
Peter Brooks, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (New Haven, 1995), pp. 62-68
Brooks
62
The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess
1995
29
Stefano Castelvecchi, Sentimental Opera: The Emer- gence of a Genre, 1760-1790 (Ph.D. diss., University of Chicago, 1996), chap. 2
30
Brooks, The Melodramatic Imagination, p. 66.
Brooks
66
The Melodramatic Imagination
31
J.-B.-A. de Pongerville, "Notice sur l'Homme à trois visages," in Pixérécourt, Théâtre choisi, I, 164
de Pongerville
Notice sur l'Homme à trois visages
I
Théâtre choisi
Gabrielle Hyslop, "Pixérécourt and the French Melodrama Debate: Instructing Boulevard Theatre Audiences," Themes in Drama 14: Melodrama, ed. James Redmond (Cambridge, 1992), pp. 61-85 [65]
Hyslop
Pixérécourt and the French Melodrama Debate: Instructing Boulevard Theatre Audiences
61
Themes in Drama 14: Melodrama
1992
32
Cesare Ripa, Iconologia, ed. Piero Buscaroli (Turin, 1986), pp. 369- 70
Ripa
369
Iconologia
1986
Gigliotti, 1593
Facij, 1603
34
Michelle Perrot, "The Family Triumphant," A His- tory of Private Life, ed. Philippe Ariès and Georges Duby, vol. IV
Perrot
The Family Triumphant
IV
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From the Fires of Revolution to the Great War, ed. Michelle Perrot, trans. Arthur Goldhammer (Cambridge, Mass., 1990), pp. 99-165 (150)
Perrot
99
From the Fires of Revolution to the Great War
1990
35
Yvonne Knibiehler, "Bodies and Hearts," A History of Women in the West, ed. Georges Duby and Michelle Perrot, vol. IV
Knibiehler
Bodies and Hearts
IV
A History of Women in the West
Emerging Feminism from Revolution to World War, ed. Genevieve Fraisse and Michelle Perrot, trans. Arthur Goldhammer (Cambridge, Mass., 1993), pp. 325-69 (340)
325
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1993
36
Michela De Giorgio, "The Catholic Model," in Emerg- ing Feminism from Revolution to World War, pp. 166-97 (pp. 169-72)
De Giorgio
The Catholic Model
166
Emerging Feminism from Revolution to World War
Alain Corbin, "The Secret of the Individual," in From the Fires of Revolution to the Great War, pp. 457-547 (492)
Corbin
The Secret of the Individual
457
From the Fires of Revolution to the Great War
37
Isabelle Bricard, Saintes ou pouliches. L'Education des jeunes filles au XIXe siècle (Paris, 1985), pp. 264-74
Bricard
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38
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Mise en scène de "Linda de Chamouny," Opéra en trois actes, Paroles de M. Hyppolyte Lucas, Musique de M. GaËtan Donizetti, Mise en scène de M. L. Palianti
1844
39
Ubersfeld, "Les Bons et le méchant," p. 197
Ubersfeld
197
Les Bons et le méchant
Thomasseau, Le Mélodrame sur les scenes parisiennes, pp. 170-71
Thomasseau
170
Le Mélodrame sur les scenes parisiennes
40
(Abel Hugo, Armand Malitourne and Jean-Joseph Ader), Traité du mélodrame (Paris, 1817), p. 21
Hugo
21
Traité du mélodrame
1817
41
Annie Le Brun, Les Châteaux de la subversion (Paris, 1982), pp. 205-06.
Brun
205
Les Châteaux de la subversion
1982
42
Julian Budden, "Opera Semiseria," in The New Grove Dictionary of Opera, ed. Stanley Sadie, 4 vols. (London, 1992), vol. 4, pp. 697-98
Budden
Opera Semiseria
697
4
The New Grove Dictionary of Opera
1992
idem, "Opera 1850-1890: Italy," The New Oxford History of Music, vol. 9, Romanticism (1830-1890), ed. Gerald Abraham (Oxford, 1990), pp. 409- 38 (415)
Budden
Opera 1850-1890: Italy
9
The New Oxford History of Music
44
Basevi, Studio sulle opere di Giuseppe Verdi, p. 300
Basevi
300
Studio sulle opere di Giuseppe Verdi
45
John Black, Donizetti's Operas in Naples (London, 1982), p. 69
Black
69
Donizetti's Operas in Naples
1982
46
1l teatro di San Carlo, 1737-1987, vol. 2, La cronologia, ed. Carlo Marinelli Roscioni (Naples, 1988)
1l teatro di San Carlo, 1737-1987
2
La Cronologia
1988
47
John Black, The Italian Romantic Libretto: A Study of Salvadore Cammarano (Edinburgh, 1984), pp. 272-90
Black
272
The Italian Romantic Libretto: A Study of Salvadore Cammarano
1984
Kallberg, Luisa Miller, pp. xxiii and xliii
Kallberg
xxiii
Luisa Miller
48
Luisa Miller: Melodramma tragico, in tre atti. . . da rappresentarsi nel Real Teatro S. Carlo (Naples, 1849), p. 5.
5
Luisa Miller: Melodramma tragico, in tre atti. . . da rappresentarsi nel Real Teatro S. Carlo
1849
50
The Signifier and the Signified: Studies in the Operas of Mozart and Verdi (2nd edn. Oxford, 1990), p. 3162
316
The Signifier and the Signified: Studies in the Operas of Mozart and Verdi
1990
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51
Julian Budden, The Operas of Verdi, vol. I, From "Oberto" to "Rigoletto" (2nd edn. Oxford, 1992), p. 425
Budden
2
The Operas of Verdi
425
I
From "Oberto" to "Rigoletto"
1992
52
William Ashbrook, Donizetti and His Operas (Cam- bridge, 1982), p. 468
Ashbrook
468
Donizetti and His Operas
1982
Gioachino Rossini, Guillaume Tell. Opera en quartre actes de Victor Joseph Etienne de Jouy e Hippolyte Louis Florent Bis, ed. M. Elizabeth C. Bartlet, Commento critico (Pesaro, 1992), p. 206
Rossini
206
Guillaume Tell. Opera en quartre actes de Victor Joseph Etienne de Jouy e Hippolyte Louis Florent Bis
1992
S. Carlo, had included the aria since the first Viennese revival of Linda (1 April 1843)
Carlo
Linda
1843
ibid., p. 170
170
54
Studio sulle opere di Giuseppe Verdi, p. 162
162
Studio sulle opere di Giuseppe Verdi
Kallberg, Luisa Miller, pp. xlii and xviii
Kallberg
xlii
Luisa Miller
57
letter of 17 May 1849
Kallberg, Luisa Miller, pp. xvii and xliii
Kallberg
xvii
Luisa Miller
Weiss, "Verdi and the Fusion of Genres," p. 149
Weiss
149
Verdi and the Fusion of Genres
59
Luisa's cabaletta in act II, sc. 2 (n. 8, mm. 224-26)
The Op- eras of Verdi, I, 436
I
The Operas of Verdi
Péter Pál Várnai, "Contributi per uno studio della tipizzazione negativa nelle opere verdiane: personaggi e situazioni," Atti del primo congresso internazionale di studi verdiani (Parma, 1969), 268-75 (269)
Várnai
Contributi per uno studio della tipizzazione negativa nelle opere verdiane: personaggi e situazioni
268
Atti del primo congresso internazionale di studi verdiani
1969
act II, sc. 2, of Luisa Miller
60
Intrigue et amour, drame en cinq actes et neuf tableaux, traduit de Schiller, par Alexandre Dumas, représenté pour la premiere fois, à Paris, sur le Thé^atre Historique, le 11 Juin 1847 (Paris, 1847)
Intrigue et amour, drame en cinq actes et neuf tableaux, traduit de Schiller, par Alexandre Dumas, représenté pour la premiere fois, à Paris, sur le Théâtre Historique, le 11 Juin 1847
1847
Emilio Sala, "Verdi and the Parisian Boulevard Theatre, 1847-49," Cam- bridge Opera Journal 7 (1995), 185-20510.2307/823639
185
Weiss, "Verdi and the Fusion of Genres," p. 147
Weiss
147
Verdi and the Fusion of Genres
Kallberg, Luisa Miller, p. xvi
Kallberg
xvi
Luisa Miller
61
Weiss, "Verdi and the Fusion of Genres," p. 147
Weiss
147
Verdi and the Fusion of Genres
II barbiere di Siviglia, 30 April 1834
30 April
II barbiere di Siviglia
1834
62
La Presse, 14 June 1847
14 June
La Presse
1847
Gautier, Histoire de l'art dramatique en France depuis vingt-cinq ans, 6 vols. [Paris, 1856-58], V, 112-13
Gautier
112
Histoire de l'art dramatique en France depuis vingt-cinq ans
1858
Weiss, "Verdi and the Fusion of Genres," pp. 147-48
Weiss
147
Verdi and the Fusion of Genres
63
Pixérécourt, "Le Mélodrame," p. 323
Pixérécourt
323
Le Le Mélodrame
64
Levy, "Bellini et l'école frénétique."
Levy
Bellini et l'école frénétique
65
Basevi, Studio sulle opere di Giuseppe Verdi, pp. 231-32
Basevi
231
Studio sulle opere di Giuseppe Verdi
66
Pixérécourt, "Dernières réflexions," pp. 497-98
Pixérécourt
497
Dernières réflexions
Hyslop, "Pixérécourt and the French Melodrama Debate," p. 82
Hyslop
82
Pixérécourt and the French Melodrama Debate
67
Anne Ubersfeld, Le Roi et le bouffon. Étude sur le théâtre de Hugo de 1830 à 1839 (Paris, 1974), pp. 77-89
Ubersfeld
77
Le Roi et le bouffon. Étude sur le théâtre de Hugo de 1830 à 1839
1974
68
II barbiere di Siviglia, 30 April 1834
30 April
II barbiere di Siviglia
1834
Le prime rappresentazioni delle opere di Donizetti nella stampa coeva, ed. Annalisa Bini and Jeremy Commons (Rome, 1998), pp. 366-89
366
Le prime rappresentazioni delle opere di Donizetti nella stampa coeva
1998
69
Histoire de l'art dramatique en France, IV, 356
IV
Histoire de l'art dramatique en France
Thomasseau, Le Mélodrame sur les scenes parisiennes, p. 483
Thomasseau
483
Le Mélodrame sur les scenes parisiennes
70
Victor Hugo, "Préface" to Cromwell, in his Théâtre complet, ed. J.-J. Thierry and Josette Mé1èze, 2 vols. [Paris, 1963-64], I, 409-54 [429, 437]
Hugo
"Préface" to Cromwell
I
Théâtre complet
1964
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Hugo
IX
Dramas
1896
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Œuvres
1957
71
Pixérécourt, "Le Mélodrame," pp. 345-46
Pixérécourt
345
Le Mélodrame
Hyslop, "Pixérécourt and the French Melodrama Debate," p. 76
Hyslop
76
Pixérécourt and the French Melodrama Debate
72
Weiss, "Verdi and the Fusion of Genres"
Weiss
Verdi and the Fusion of Genres
Gary Tomlinson, "Italian Romanticism and Italian Opera: An Essay in Their Affinities," this journal 10 (1986), 43-6010.2307/746748
43
idem, "Opera and Drame: Hugo, Donizetti, and Verdi," in Studies in Music History 2: Music and Drama (New York, 1988), pp. 171-92
Tomlinson
Opera and Drame: Hugo, Donizetti, and Verdi
171
Studies in Music History 2: Music and Drama
1988
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Basevi
191
Studio sulle opere di Giuseppe Verdi
73
Tomlinson, "Opera and Drame"
Tomlinson
Opera and Drame
Weiss, "Verdi and the Fusion of Genres."
Weiss
Verdi and the Fusion of Genres
Letter to Cammarano from Paris dated 24 March 1849
Abbiati, Giuseppe Verdi, II, 4
Abbiati
II
Giuseppe Verdi
Weiss, "Verdi and the Fusion of Genres," p. 144
Weiss
144
Verdi and the Fusion of Genres
74
"Verdi and the Fusion of Genres," p. 155.
155
Verdi and the Fusion of Genres
75
Roger Parker, "Luisa Miller, " The New Grove Dictionary of Opera, III, 82.
Parker
III
"Luisa Miller, " The New Grove Dictionary of Opera
76
"Opera and Drame," pp. 187-90
187
Opera and Drame
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Petrobelli
Verdi's Musical Thought: An Example from Macbeth
141
Music in the Theater: Essays on Verdi and Other Composers
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Chusid
Evil, Guilt, and the Supernatural in Verdi's Macbeth: Toward an Understanding of the Tonal Structure and Key Symbolism
249
Verdi's "Macbeth": A Sourcebook
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Powers
'Aria sfasciata,' 'duetto senza l'insieme': le scene di confronto tenore-soprano nello Stiffelio/Aroldo di Giuseppe Verdi
141
Tornando a Stiffelio: popolarità, rifacimenti, messinscena, effettismo e altre "cure" nella drammaturgia del Verdi romantico. Atti del convegno internazionale di studi (Venezia, 17-20 dicembre 1985)
1986
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Chusid
The Tonality of Rigoletto
241
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1989
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77
James A. Hepokoski, "Genre and Content in Mid-Century Verdi: 'Addio, del passato' (La traviata, act III)," Cam- bridge Opera Journal 1 (1989), 249-7610.2307/823784
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idem, "Ottocento Opera as Cultural Drama: Generic Mixtures in II trovatore," Verdi's Middle Period, pp. 147-96
Hepokoski
Ottocento Opera as Cultural Drama: Generic Mixtures in II trovatore
147
Verdi's Middle Period
78
Marcello Conati, "Verdi per Napoli," in II Teatro di San Carlo, 1737-1987, vol. 2, L'opera, il ballo, ed. Bruno Cagli and Agostino Ziino (Naples, 1987), pp. 225-66 (236-37)
Conati
Verdi per Napoli
225
2
II Teatro di San Carlo, 1737-1987
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79
Basevi, Studio sulle opere di Giuseppe Verdi, pp. 158-59
Basevi
158
Studio sulle opere di Giuseppe Verdi
Gazzeta dei teatri(10 September 1850)
10 September
Gazzeta dei teatri
1850
L'osservatorio (10 October 1850)
10 October
L'osservatorio
1850
Gazzeta dei teatri(15 October)
15 October
Gazzeta dei teatri
80
Tomlinson, "Opera and Drame"
Tomlinson
Opera and Drame
Winton Dean, "Some Echoes of Donizetti in Verdi's Operas," in Atti del Terzo Convegno Interna- zionale di Studi Verdiani (Parma, 1974), pp. 122-47
Dean
Some Echoes of Donizetti in Verdi's Operas
122
Atti del Terzo Convegno Interna-zionale di Studi Verdiani
1974
81
Basevi, Studio sulle opere di Giuseppe Verdi, pp. 159-60
Basevi
159
Studio sulle opere di Giuseppe Verdi
83
Christine Trivulce de Belgiojoso, "La Guerre dans le Tyrol italien," Revue des deux mondes 19 (1849), 201-30
de Belgiojoso
201
19
Revue des deux mondes
1849
84
Mary Jane Phillips-Matz, Verdi: A Biography (Oxford, 1993), p. 50
Phillips-Matz
50
Verdi: A Biography
1993
85
Ibid., pp. 232-33.
232
86
Belgiojoso, "La Guerre dans le Tyrol italien," p. 209
Belgiojoso
209
La Guerre dans le Tyrol italien
87
ibid., p. 222
222
88
ibid., p. 230
230
89
Basevi, Studio sulle opere di Giuseppe Verdi, p. 160
Basevi
160
Studio sulle opere di Giuseppe Verdi
91
Basevi, Studio sulle opere di Giuseppe Verdi, p. 230
Basevi
230
Studio sulle opere di Giuseppe Verdi
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