[Footnotes]

[Footnotes]
1
Richard Tarnas, The Passion of the Western Mind: Un- derstanding the Ideas that Have Shaped Our World View (New York, 1991)
Tarnas
The Passion of the Western Mind: Understanding the Ideas that Have Shaped Our World View
1991
the epilogue, pp. 416-45
2
E. J. Dijksterhuis, The Mechanization of the World Picture, trans. C. Dikshoorn (Oxford, 1961)
Dijksterhuis
The Mechanization of the World Picture
1961
3
Beethoven's Missa solemnis and Ninth Symphony is found in chap. 10 of my study, Beethoven (Berkeley and Los Angeles, 1995)
4
Charles Rosen, The Romantic Generation (New York, 1995), p. 147.
Rosen
147
The Romantic Generation
1995
5
The Modern World as part of the series Landmarks of the World's Art, ed. Norbert Lynton (London, 1965), plate 15
6
Peter Gülke, Franz Schubert und seine Zeit (Laaber, 1991), esp. pp. 235-40
Gülke
235
Franz Schubert und seine Zeit
1991
7
David Lewin, "Aufdem Flusse" and Anthony Newcomb, "Structure and Expression" in Schubert: Critical and Analytical Studies, ed. Walter Frisch (Lincoln, Neb., 1986), pp. 126-52, 153-74
Lewin
Aufdem Flusse
126
Schubert: Critical and Analytical Studies
1986
9
Schubert: Die Dokumente seines Lebens, ed. Otto Erich Deutsch (Basel, 1964), p. 159
Schubert
159
Die Dokumente seines Lebens
1964
10
"Schubert's Tragic Perspective," in Schubert: Critical and Analytical Studies, pp. 65-83
Schubert's Tragic Perspective
65
Schubert: Critical and Analytical Studies
"Der thema- tische Kontrast in Schuberts Instrumentalmusik und die Dichotomie von innerer und ÄuΒerer Erfahrung," Musiktheorie 3 (1988), 157-70
Der thematische Kontrast in Schuberts Instrumentalmusik und die Dichotomie von innerer und ÄuΒerer Erfahrung
157
3
Musiktheorie
1988
11
Werner Thomas, "Die fast verlorene Zeit: Zum Adagio in Schuberts Streichquintett in C," in his Schubert-Studien (Frankfurt, 1990), pp. 137-58
Thomas
Die fast verlorene Zeit: Zum Adagio in Schuberts Streichquintett in C
137
Schubert-Studien
1990
12
Maynard Solomon, Mozart: A Life (New York, 1995), pp. 187-90
Solomon
187
Mozart: A Life
1995
13
Donald F. Tovey, Beethoven (London, 1944), p. 44.
Tovey
44
Beethoven
1944
14
Hans Heinrich Eggebrecht, "Klaviersonate f-Moll op. 57," in Beethoven: Interpretationen seiner Werke, ed. Albrecht Riethmüller, Carl Dahlhaus, and Alexander Ringer (Laaber, 1994), I, 414.
Eggebrecht
Klaviersonate f-Moll op. 57
414
Beethoven: Interpretationen seiner Werke
1994
15
Lawrence Kramer, Music and Poetry: The Nineteenth Century and After (Berkeley and Los Angeles, 1984), p. 45
Kramer
45
Music and Poetry: The Nineteenth Century and After
1984
Gregory Karl in "Structuralism and Musical Plot," Music Theory Spectrum 19 (1997), 20-3410.2307/745997
20
16
Gülke, Franz Schubert und seine Zeit, pp. 294-99
Gülke
294
Franz Schubert und seine Zeit
Theodor W. Adorno in his classic book Mahler: Fine musikalische Physio- gnomik (Frankfurt, 1960)
Adorno
Mahler: Fine musikalische Physiognomik
1960
17
Gülke, Franz Schubert und seine Zeit, p. 297.
Gülke
297
Franz Schubert und seine Zeit
18
Personal communication.
19
Edward T. Cone, "Schubert's Beethoven," in The Creative World of Beethoven, ed. Paul Henry Lang (New York, 1970), pp. 277-91
Cone
Schubert's Beethoven
277
The Creative World of Beethoven
1970
Charles Rosen, The Classical Style (New York, 1972), pp. 456-58
Rosen
456
The Classical Style
1972
20
Robert S. Hatten, "Schubert the Progressive: The Role of Resonance and Gesture in the Piano Sonata in A, D. 959," Integral 7 (1993), 38-81
Hatten
38
7
Integral
1993
21
Beethoven, pp. 68-72
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