[Footnotes]

[Footnotes]
1
Sebastian Hensel, Die Familie Mendelssohn, vol. I (Berlin, 1882), pp. 111-12
Hensel
111
I
Die Familie Mendelssohn
1882
Allgemeines Theater-Lexikon of 1840
Kirsten Gram Holmström, Monodrama-Attitudes-Tableaux Vi- vants: Studies on Some Trends of Theatrical Fashion 1770- 1815, vol. 1, Stockholm Studies in Theatrical History (Stockholm, 1967), pp. 227-28
Holmström
Monodrama-Attitudes-Tableaux Vivants: Studies on Some Trends of Theatrical Fashion 1770-1815
227
1
Stockholm Studies in Theatrical History
1967
2
(Let- ters of Felix Mendelssohn Bartholdy from 1833 to 1847, ed. Paul and Carl Mendelssohn Bartholdy, trans. Lady Wallace [London, 1863], pp. 8-15)
3
Ibid., p. 14
Diusseldorf Academy of Art in 1863
"Beethoven im Malkasten," in Jahn, Gesammelte Aufsatze über Musik [Leipzig, 1864], pp. 260-70
Beethoven im Malkasten
260
Jahn, Gesammelte Aufsätze Über Musik
1864
Wolfgang Huitt, Die Diisseldorfer Malerschule 1819-1869 (Leipzig, 1984)
Huütt
1819
Die Düsseldorfer Malerschule
1984
4
Holmström, Monodrama-Attitudes-Tableaux Vivants
Holmström
Monodrama-Attitudes-Tableaux Vivants
Gösta M. Bergman, Lighting in the Theatre (Stockholm, 1977), pp. 220-25
Bergman
220
Lighting in the Theatre
1977
Martin Meisel, Realizations: Nar- rative, Pictorial, and Theatrical Arts in Nineteenth-Cen- tury England (Princeton, 1983), pp. 45-49
Meisel
45
Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England
1983
Peter Seibert, "Le Tableau vivant comme composante de la sociabilité dans les salons autours de 1800," in La Lettre et la Figure: La littérature et les arts visuels à l'é poque moderne (Heidel- berg, 1989), pp. 30-45
Seibert
Le Tableau vivant comme composante de la sociabilité dans les salons autours de 1800
30
La littérature et la Figure: La litterature et les arts visuels à l'époque moderne
1989
5
George Arnold, The Sociable; or, One Thousand and One Home Amusements (New York, 1858), p. iii
Arnold
iii
The Sociable; or, One Thousand and One Home Amusements
1858
6
Helmut Börsch-Supan, "there were about 130 of them by 1830. After that point, how- ever, the influx decreased" (Die Deutsche Malerei von Anton Graff bis Hans von Marees 1760-1870 (Munich, 1988), p. 39)
Börsch-Supan
there were about 130 of them by 1830. After that point, however, the influx decreased
39
1760
Die Deutsche Malerei von Anton Graff bis Hans von Marées
1988
7
Leon Botstein, "The Aesthetics of Assimilation and Affirmation: Reconstructing the Career of Felix Mendelssohn," in Mendelssohn and His World, ed. R. Larry Todd (Princeton, 1991), pp. 26-30
Botstein
The Aesthetics of Assimilation and Affirmation: Reconstructing the Career of Felix Mendelssohn
26
Mendelssohn and His World
1991
8
letter of 17 Jan. 1831, Letters from Italy and Swit- zerland, trans. Lady Wallace [London, 1862], pp. 94-103
Horace Vernet and mentions "recent visits with Bunsen to the studios of Cornelius, Koch, Overbeck, etc." (p. 102)
Vernet
102
recent visits with Bunsen to the studios of Cornelius, Koch, Overbeck, etc.
9
Beth Segal Wright, "Scott's Historical Novels and French Historical Painting 1815-1855," Art Bulletin 63 (1981), 268-8710.2307/3050117
268
10
j. W. von Goethe, Italian Journey (1786-1788), trans. W. H. Auden and Elizabeth Mayer (San Francisco, 1982), p. 116.
von Goethe
116
Italian Journey (1786-1788)
1982
11
letter of 10 Aug. 1830, in Die Familie Mendelssohn, I, 231
12
Christopher Hussey, The Picturesque: Studies in a Point of View (London, 1927), pp. 231-32
Hussey
231
The Picturesque: Studies in a Point of View
1927
Mrs. Radcliffe's works, such as A Sicilian Romance (1790)
Radcliffe
A Sicilian Romance
1790
13
letter of 17 Jan. 1831, Letters from Italy and Switzerland, pp. 101-02
14
O. R. von Luterotti, Joseph Anton Koch 1768- 1839 [Berlin, 1940], p. 71
von Luterotti
71
1768
Joseph Anton Koch
1940
15
Munich Neue Pinakothek (Munich, 19821, p. 177
177
Munich Neue Pinakothek
1982
Franz Ludwig [Louis] Catel ("Folk Life near Pozzuoli")
Romantik in der Musik: Analysen, Portraits, Reflexionen [Kassel, 1989], p. 124
124
Romantik in der Musik: Analysen, Portraits, Reflexionen
1989
16
Ferdinand Olivier (1785-1841)
Carl Rottmann (1797-1850)
Julius Schnorr von Carolsfeld (1794-1872)
17
letter to Abraham Mendelssohn of 11 December 1830, Letters from Italy and Switzerland, p. 79
letter of 8 Nov. 1830 to Mendelssohn's family
18
Rheinische Musikzeitung 2 (1851-521), p. 566
566
2
Rheinische Musikzeitung
W. A. Lampadius, Felix Mendelssohn Bartholdy [Leipzig, 1886], p. 190
Lampadius
190
Felix Mendelssohn Bartholdy
1886
"The public has aptly dubbed the Fourth Symphony (in A major) the 'Italian'," writes Richard Pohl in an essay of 1855
The public has aptly dubbed the Fourth Symphony (in A major) the 'Italian'
1855
"Moderne Programm-Musik," rpt. in Hektor Berlioz: Studien und Erinnerungen [Leipzig, 1884], p. 89
Moderne Programm-Musik
89
Hektor Berlioz: Studien und Erinnerungen
1884
19
Berger, "Diegesis and Mimesis: The Poetic Modes and the Matter of Artistic Presentation," Journal of Musicol- ogy 12 (1994), 419-20.10.2307/763970
419
20
Vom Musikalisch-Schönen [Leipzig, 1854], p. 33
33
Vom Musikalisch-Schönen
1854
21
Annette Richards in Fantasy and Fantasia: A Theory of the Musical Pictur- esque (Ph.D. diss., Stanford University, 1995), pp. 17-29
22
"Clois- ter of San Francesco" above (n. 14)
Cloister of San Francesco
Die Grenzen der Musik und Poesie (Leipzig, 1855), p. 176
176
Die Grenzen der Musik und Poesie
1855
23
Charles Rosen in his chapter on "Landscape and Music" in The Romantic Generation (Cambridge, Mass., 1995)
Rosen
Landscape and Music
The Romantic Generation
1995
Anecdotes of Modern Painting [London, 1771], p. 66
66
Anecdotes of Modern Painting
1771
Richards, "Fantasy and Fantasia," pp. 145-57
Richards
145
Fantasy and Fantasia
24
Sir Walter Scott, preface to The Monastery (Edinburgh, 1820).
Scott
The Monastery
1820
25
Goethe's remarks on landscape are from his collection of aphorisms, Maximen und Reflexionen (1809-29)
Goethe
landscape are from his collection of aphorisms
Maximen und Reflexionen
1829
Alice Kuzniar, "The Vanishing Canvas: Notes on German Ro- mantic Landscape Aesthetics," German Studies Review 11 [1988], 35910.2307/1430503
359
Joseph Leo Koerner, Caspar David Friedrich and the Subject of Landscape (New Ha- ven, 1990)
Koerner
Caspar David Friedrich and the Subject of Landscape
1990
26
Sebastian Hensel, Die Familie Mendelssohn, I, pp. 224-25
Hensel
224
I
Die Familie Mendelssohn
27
Jonathan Bellman, "Aus alten Miarchen: The Chivalric Style of Schumann and Brahms," Journal of Musicology 13 (1995), 117-3510.2307/764054
117
28
Robert Rosenblum and H. W. Jansen, 19th-Century Art (New York, 1984), p. 127.
Rosenblum
127
19th-Century Art
1984
29
Helmut and Alison Gernsheim, J. L. M. Daguerre: The History of the Diorama and the Daguerreotype (London, 1956), p. 25
Helmut
25
J. L. M. Daguerre: The History of the Diorama and the Daguerreotype
1956
Walter Scott's The Monastery (1820)
Scott
The Monastery
1820
Boieldieu's immensely popular opéra comique, La Dame blanche of 1825
Boieldieu
opéra comique, La Dame blanche
1825
30
Helmut and Alison Gernsheim J. L. M. Daguerre, pp. 20-45
Helmut
20
J. L. M. Daguerre
Richard D. Altick, The Shows of London (Cambridge, Mass., 1978), chap. 12 ("The Diorama"), pp. 163-72
Altick
163
The Shows of London
1978
letter of 11 Jan. 1832, Letters from Italy and Switzerland, p. 319
31
Altick, "The Theatrical Art of the Panorama," in The Shows of London, pp. 185-97
Altick
The Theatrical Art of the Panorama
185
The Shows of London
Meisel, Realizations: Narrative, Pictorial, and Theatrical Arts
Meisel
Realizations: Narrative, Pictorial, and Theatrical Arts
Anne Hollander's Moving Pictures (Cambridge, Mass., 1991)
Hollander
Moving Pictures
1991
Altick, The Shows of London, chap. 15, "Panoramas in Motion," pp. 198-210
Altick
Panoramas in Motion
198
The Shows of London
32
"Roslyn Chapel," "The effect of fog and snow seen through a ruined Gothic colonnade," "Inte- rior of the Cloister of St. Wandrille" (on view in London during Mendelssohn's first visit in 1829)
Chapel
The effect of fog and snow seen through a ruined Gothic colonnade
Interior of the Cloister of St. Wandrille
1829
Elements of Science and Art [London, 1803], II, 330
330
II
Elements of Science and Art
1803
Gernsheim, J. L. M. Daguerre, p. 20
Gernsheim
20
J. L. M. Daguerre
33
Arnold, The Sociable (n. 5)
Arnold
The Sociable
34
Hussey, The Picturesque, pp. 239-40
Hussey
239
The Picturesque
Bergman, Light- ing in the Theatre, pp. 228-31
Bergman
228
Lighting in the Theatre
Altick, The Shows of London, pp. 117-27
Altick
117
The Shows of London
35
Frank Büttner, "Bildung des Volkes durch Geschichte: Zu den Anfängen öffentlicher Geschichtsmalerei in Deutschland," in Historienmalerei in Europa: Paradigmen in Form, Funktion und Ideologie, ed. Ekkehard Mai and Anke Repp-Eckert (Munich, 1990), pp. 77-94
Büttner
Bildung des Volkes durch Geschichte: Zu den Anfängen öffentlicher Geschichtsmalerei in Deutschland
77
Historienmalerei in Europa: Paradigmen in Form, Funktion und Ideologie
1990
36
Altick, The Shows of London, pp. 219-20
Altick
219
The Shows of London
Bergman, Lighting in the Theatre
Bergman
Lighting in the Theatre
37
Peter Mercer-Taylor, "Mendels- sohn's 'Scottish' Symphony and the Music of German Memory," this journal 19 (1995), 68-8210.2307/746720
68
38
Shakespeare's Midsummer Night's Dream in the 1936
Shakespeare
Midsummer Night's Dream
1936
39
Meisel, Realizations, p. 48
Meisel
48
Realizations
40
G. E. Lessing, Laokoön (Berlin, 1766), chap. 16
Lessing
Laokoön
1766
41
Wendy Steiner, Pictures of Romance: Form against Con- tent in Painting and Literature (Chicago, 1988), p. 13
Steiner
13
Pictures of Romance: Form against Content in Painting and Literature
1988
Murray Krieger's Ekphrasis: The Illusion of the Natural Sign (Bal- timore, 1992)
Krieger
The Illusion of the Natural Sign
1992
42
Rosenblum and Jansen, 19th-Century Art, pp. 26-27
Rosenblum
26
19th-Century Art
Wagner's Musical Prose: Texts and Contexts (Cambridge, 1995), pp. 33-42
Wagner
33
Musical Prose: Texts and Contexts
1995
43
"Corporality and Com- munication: The Gestural Revolution of Diderot, David, and The Oath of the Horatii," Art Bulletin 71 [1989], 9210.2307/3051216
92
44
Leonard Barkan, "The Beholder's Tale: Ancient Sculp- ture, Renaissance Narratives," Representations 44 (1993), 13410.2307/2928642
134
45
While Saverio Mercadante's 1846 opera Orazi e Curiazi
Mercadante
opera Orazi e Curiazi
1846
46
Edward Dannreuther in an interview published in 1877
Dannreuther
interview published
1877
Frederick Niecks in Programme Music in the Last Four Centuries (rpt. New York, 1969), p. 169
Niecks
169
Programme Music in the Last Four Centuries
1969
47
Koerner, Caspar David Friedrich and the Subject of Landscape, pp. 211ff
Koerner
211
Caspar David Friedrich and the Subject of Landscape
48
Ludwig Rellstab, "Ouverture aux Hebrides [Fingals-Höhle], composée par J. Mendelssohn-Bartholdy," Iris im Gebiet der Tonkunst 5 (18341, 50
Rellstab
Ouverture aux Hébrides [Fingals-Höhle], composée par J. Mendelssohn-Bartholdy
50
5
Iris im Gebiet der Tonkunst
1834
49
"Phantasmagoria: Spectral Technology and the Metaphorics of Modem Reverie" (Critical Inquiry 15 [1988], 26-61)
26
15
Phantasmagoria: Spectral Technology and the Metaphorics of Modem Reverie
1988
Weber's Der Freischütz
Weber
Freischütz
"New Light(s) on Weber's Wolf's Glen Scene," in Opera and the Enlightenment, ed. Thomas Bauman and Marita Petzoldt McClymonds (Cam- bridge, 1995), pp. 61-88
New Light(s) on Weber's Wolf's Glen Scene
Opera and the Enlightenment
50
R. Larry Todd, "Of Sea Gulls and Counterpoint: The Early Versions of Mendelssohn's Hebrides Overture," this jour- nal 2 (1979), 205
Todd
205
2
Nineteenth-Century Music
1979
Todd discusses some of the Ossianic background to the piece in Mendelssohn: "The Hebrides" and Other Overtures (Cambridge, 1993), pp. 78-83
Todd
78
Mendelssohn: "The Hebrides" and Other Overtures
1993
51
Patricia Condon, et al., In Pursuit of Perfection: The Art of J.-A.-D. Ingres (exhibition catalog, J. B. Speed Art Museum: Louisville, Ky., 1983), pp. 46-51 and 159
Condon
46
Pursuit of Perfection: The Art of J.-A.-D. Ingres
1983
52
chap. 3, "The Fugitive Effect," in Voyage into Substance (Cambridge, Mass., 1984), esp. pp. 190-203
The Fugitive Effect
190
Voyage into Substance
1984
Horace Vernet's "L'Apotheose de Napoléon" of 1823 (London, Wallace Collection)
Vernet
L'apotheose de Napoléon
1823
Jean-Frangois Lesueur's opera Ossian, ou les bardes (1804)
Lesueur
opera Ossian, ou les bardes
1804
Dean, New Oxford History of Music, vol. 8 [London, 1982], pp. 84-85
Dean
84
8
New Oxford History of Music
1982
P. van Tieghem, Ossian en France (Paris, 1917), II, 115-40 ("Ossian au théâtre, 1796-1817")
Tieghem
115
II
Ossian en France
1917
pp. 141-65 ("La peinture ossianique, 1801-1817")
141
La peinture ossianique
1817
53
Rellstab, "Ouverture aux Hebrides," p. 49
Rellstab
49
Ouverture aux Hebrides
Gade's C-Mi- nor Symphony, op. 5
Gade
C-Minor Symphony
"Nachklinge an Ossian" op. 1
Nachklinge an Ossian
54
Stephen Hinton, in "Adorno's Unfinished Beethoven," Beethoven Forum 5 [1996], 146
Hinton
Adorno's Unfinished Beethoven
146
5
Beethoven Forum
1996
55
Castle, "Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie" (cf. n. 49)
Castle
Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie
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