[Footnotes]

[Footnotes]
1
"Tympan," the intro. to Margins of Philosophy, trans. Alan Bass (Chicago, 1982), pp. ix-xxix
Tympan
ix
Margins of Philosophy
1982
Derrida's Of Grammatology, trans. Gayatri Chakravorty Spivak (paperback edn. Baltimore, 1976)
Derrida
Of Grammatology
1976
Essai sur l'origine des langues (1754)
Essai sur l'origine des langues
1754
Of Grammatology, pp. 200-16
200
Rousseau's Treatises on Music
Rousseau
Treatises on Music
Of Grammatology, p. 171
171
Of Grammatology, pp. 195-200
195
Derrida, Spurs: Nietzsche's Styles, trans. Barbara Harlow (Chicago, 1979)
Derrida
Spurs: Nietzsche's Styles
1979
2
Music and Poetry: The Nine- teenth Century and After (paperback edn. Berkeley and Los Angeles, 1986), pp. 125-70
125
Music and Poetry: The Nineteenth Century and After
1986
3
Heinrich Heine: Historisch-kritische Gesamt- ausgabe der Werke (Diisseldorf edn.), ed. Manfred Windfuhr, vol. 1/2 Buch der Lieder: Apparat, ed. Pierre Grappin (Hamburg, 1975), pp. 856-75 and 904-05
Heinrich Heine: Historisch-kritische Gesamtausgabe der Werke
856
1
Buch der Lieder: Apparat
1975
Derrida, Of Grammatology, p. 313
313
4
Richard Kramer, Distant Cycles: Schubert and the Conceiving of Song (Chicago, 1994), p. 146
Kramer
146
Distant Cycles: Schubert and the Conceiving of Song
1994
Jack M. Stein, "Schubert's Heine Songs," Journal of Aesthetics and Art Criticism 24 (1966), 559-6610.2307/428781
559
Gernot Gruber, "Romantische Ironie in den Heine-Liedern?" in Schubert-Kongre& #x03B2; Wien 1978: Bericht, ed. Otto Brusatti (Graz, 1979), pp. 321-34
Gruber
Romantische Ironie in den Heine-Liedern?
321
Schubert-Kongre& #x03B2; Wien 1978: Bericht
1979
Lawrence Kramer, "The Schubert Lied: Romantic Form and Romantic Consciousness," in Schubert: Critical and Analytical Studies, ed. Walter Frisch (Lincoln, Neb., 1986), pp. 200-36
Kramer
The Schubert Lied: Romantic Form and Romantic Consciousness
200
Schubert: Critical and Analytical Studies
1986
Richard Kramer, "Schubert's Heine," this jour- nal 8 (1985), 213-2510.2307/746512
213
6 in his Distant Cycles, pp. 125-47
125
David Loberg Code, "Listening for Schubert's Doppelgängers," Music Theory Online 1.4 (1995)
Code
Listening for Schubert's Doppelgängers
1.4
Music Theory Online
1995
5
Otto zur Linde, Heinrich Heine und die Deutsche Romantik (inaugural diss., Freiburg, 1899), pp. 166-73
Linde
166
Heinrich Heine und die Deutsche Romantik
1899
S. S. Prawer discusses the Doppelgänger theme in various poems from Buch der Lieder in his short but useful book Heine: Buch der Lieder (London, 1960), pp. 36-40
Prawer
36
Heine: Buch der Lieder
1960
Otto Rank's The Double, trans. Harry Tucker, Jr. (Chapel Hill, 1971)
Rank
The Double
1971
Freud's essay "The Uncanny," in Freud, Studies in Parapsychology, ed. Philip Rieff (New York, 1963)
Freud
The Uncanny
Freud, Studies in Parapsychology
1963
Lawrence Kramer works with "The Uncanny" in Music as Cultural Practice, 1800-1900 (Berkeley and Los Angeles, 1990), pp. 203-09
Kramer
The Uncanny
203
Music as Cultural Practice, 1800-1900
1990
Michael Cherlin also uses "The Uncanny," in "Schoenberg and Das Unheimlich: Spectres of Tonality," Journal of Musicology 11 (1993), 357-7310.2307/763964
357
Kramer, Mu- sic as Cultural Practice, pp. 87-88
87
6
in- stance, Of Grammatology, pp. 68-69
68
7
Michael Perraudin, Heinrich Heine: Poetry in Context: A Study of Buch der Lieder (Oxford, 1989), pp. 72-80
Perraudin
72
Heinrich Heine: Poetry in Context: A Study of Buch der Lieder
1989
Jacques Derrida, "White Mythology: Metaphor in the Text of Philosophy," in Margins of Philosophy, p. 253
Derrida
White Mythology: Metaphor in the Text of Philosophy
253
Margins of Philosophy
8
Derrida, Of Grammatology, p. 141
141
9
Michael Riffaterre, Semiotics of Poetry (Bloomington, 1978)
Riffaterre
Semiotics of Poetry
1978
Jonathan Culler's essay on Riffaterre, in The Pursuit of Signs: Semiotics, Literature, Deconstruction (Ithaca, 1981), pp. 80-99
Culler
80
The Pursuit of Signs: Semiotics, Literature, Deconstruction
1981
Derrida's essay, "La pharmacie de Platon," Tel Quel 32 and 33 (1968), 3-48 and 18-59
Derrida
3
32
Tel Quel
1968
"Plato's Pharmacy," in Dissemi- nation, trans. Barbara Johnson [Chicago, 1981], pp. 61- 171, esp. pp. 128-34
Plato's Pharmacy
61
Dissemination
1981
Christopher Norris, Derrida (London, 1987), chap. 3, esp. pp. 42-45
Norris
42
Derrida
1987
10
Ferdinand de Saussure, Cours de linguistique générale, ed. Tullio de Mauro (critical edn. Paris, 1972), p. 99
Saussure
99
Cours de linguistique générale
1972
11
John Neubauer, The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics (New Haven, 1986)
Neubauer
The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics
1986
12
Carolyn Abbate, Unsung Voices: Opera and Musical Nar- rative in the Nineteenth Century (Princeton, 1991), p. xi.
Abbate
xi
Unsung Voices: Opera and Musical Narrative in the Nineteenth Century
1991
13
Ibid, p. 27.
27
14
William Kinderman, "Schubert's Tragic Perspective," in Schubert: Critical and Analytical Studies, pp. 72-75
Kinderman
Schubert's Tragic Perspective
72
Schubert: Critical and Analytical Studies
15
Walter Pater, The Renaissance: Studies in Art and Po- etry (4th edn. London, 1893), p. 141.
Pater
4
141
The Renaissance: Studies in Art and Poetry
1893
16
Kevin Barry, Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge (Cambridge, 1987), pp. 134-35
Barry
134
Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge
1987
James Anderson Winn, who cites Dryden and Addison on "The Threat of the Visual Aesthetic," in Unsuspected Eloquence: A History of the Relations between Poetry and Music (New Haven, 1981), pp. 228-32
Winn
The Threat of the Visual Aesthetic
228
Unsuspected Eloquence: A History of the Relations between Poetry and Music
1981
17
"The Double Session," in Dissemination, pp. 173-285
The Double Session
173
Dissemination
The Republic, bk. 10
18
Gérard Genette, Mimologiques: Voyage en Cratylie (Paris, 1976)
Genette
Mimologiques: Voyage en Cratylie
1976
Mimologics, trans. Thais E. Morgan (Lincoln, Neb., 1994)
19
Derrida's discussion surrounding the remark, "The first writing is thus a painted image" (Of Grammatology, p. 283)
Derrida
The first writing is thus a painted image
283
Of Grammatology
20
Walter Kaufmann is repub- lished as an appendix in Carl Dahlhaus, Between Roman- ticism and Modernism, trans. Mary Whittall (Berkeley and Los Angeles, 1980), pp. 103-19
Kaufmann
103
Between Romanticism and Modernism
1980
Nietzsche Werke: Kritische Gesamtausgabe: Volume 111.3: Nachgelassene Fragmente: Herbst 1869 bis Herbst 1872, ed. Giorgio Colli and Mazzino Montinari (Berlin, 1978), pp. 193-98 and 377-87
Nietzsche Werke: Kritische Gesamtausgabe
193
Nachgelassene Fragmente:Herbst 1869 bis Herbst 1872
1978
Basic Writings of Nietzsche, trans. Walter Kaufmann (New York, 1992), p. 24
Kaufmann
24
Basic Writings of Nietzsche
1992
Dahlhaus's essay "The Twofold Truth in Wagner's Aes- thetics: Nietzsche's Fragment 'On Music and Words'," in Between Romanticism and Modernism, pp. 19-39
Dahlhaus
The Twofold Truth in Wagner's Aesthetics: Nietzsche's Fragment 'On Music and Words'
19
Between Romanticism and Modernism
Dahlhaus also comments on Nietzsche's fragments in The Idea of Absolute Music, trans. Roger Lustig (Chicago, 1989), pp. 30-34
Dahlhaus
30
The Idea of Absolute Music
1989
21
"On Music and Words," p. 115
115
23
Nietzsche, Birth of Tragedy, p. 36.
Nietzsche
36
Birth of Tragedy
24
Ibid., p. 50
50
Dionysian, for "the origin of music lies beyond all individuation" (p. 111, with Nietzsche's emphasis)
Dionysian
111
the origin of music lies beyond all individuation
"Apollonian world of the eye" (p. 110)
110
Apollonian world of the eye
25
Basic Writings of Nietzsche, p. 701 (emphasis in the original)
701
Walter Kaufmann, Nietzsche: Philoso- pher, Psychologist, Antichrist (Princeton, 1974)
Kaufmann
Nietzsche: Philosopher, Psychologist, Antichrist
1974
Basic Writings of Nietzsche, p. 681
681
"Otobiographies: The Teaching of Nietzsche and the Politics of the Proper Name," in The Ear of the Other: Otobiography, Transference, Translation, ed. Christie McDonald, trans. Avital Ronell (Lincoln, Neb., 1988), pp. 1-38
Otobiographies: The Teaching of Nietzsche and the Politics of the Proper Name
1
The Ear of the Other: Otobiography
1988
26
Nietzsche, "On Music and Words," p. 109.
109
27
Ibid., p. 110.
110
28
Ibid. (original emphasis)
Dahlhaus, Klassische und romantische Musikästhetik (Laaber, 1988), p. 12
Dahlhaus
12
Klassische und romantische Musikästhetik
1988
29
E. T. A. Hoffmann, Schriften zur Musik, ed. Friedrich Schnapp (Munich, 1963), p. 238 (emphasis added)
Hoffmann
238
Schriften zur Musik
1963
Walter Frisch, from Schubert: Critical and Analytical Stud- ies, p. 116
Frisch
116
Schubert: Critical and Analytical Studies
30
"On Music and Words," p. 111
111
31
Ibid., p. 111 (emphasis added), and p. 115
111
33
Goethe, Maximen, no. 314, trans. René Wellek, A History of Modern Criticism: 1750-1950, vol. I [New Haven, 1955], p. 211
Goethe
Maximen
211
I
A History of Modern Criticism: 1750-1950
1955
"The Rhetoric of Tem- porality," in Interpretation: Theory and Practice, ed. C. S. Singleton [Baltimore, 1969], pp. 190-91
The Rhetoric of Temporality
190
Interpretation: Theory and Practice
1969
Kevin Barry, in Language, Music and the Sign, pp. 14-15
Barry
14
Language, Music and the Sign
34
Nietzsche, Birth of Tragedy, p. 107
Nietzsche
107
Birth of Tragedy
Nietzsche Werke, I11.1, pp. 108-09
108
35
Nietzsche, "On Music and Words," pp. 115 and 116
115
36
Ibid., pp. 117 and 113
117
Nietzsche Werke, 111.3, p. 384
384
37
Derrida, Of Grammatology, p. 270.
270
38
Nietzsche, Birth of Tragedy, pp. 129, 126-27
Nietzsche
129
Birth of Tragedy
"the Dionysian power of the music strikes the listener like lightning" (pp. 117-18)
117
The Dionysian power of the music strikes the listener like lightning
39
Abbate, Unsung Voices, p. 11.
11
40
Music and Poetry, pp. 132, 136, 138, 141, and 142
132
Music and Poetry
41
The Romantic Tra- dition: German Literature and Music in the Nineteenth Century, ed. Gerald Chapple, Frederick Hall, and Hans Schulte [Lanham, Md., 1992], pp. 309-32
309
The Romantic Tradition: German Literature and Music in the Nineteenth Century
1992
Spaethling, "Music in Goethe's Thought and Writing," p. 123
Spaethling
123
Music in Goethe's Thought and Writing
43
The Birth of Tragedy, p. 50
50
The Birth of Tragedy
44
"On Music and Words," p. 112
112
Friedrich Nietzsche, Der musikalische Nachlass, ed. Curt Paul Janz (Basel, 1976)
Nietzsche
Der musikalische Nachlass
1976
"On Music and Words" (pp. 103-04)
103
45
John H. Moran and Alexander Gode, On the Origin of Language: Jean-Jacques Rousseau, Essay on the origin of languages; Johann Gottfried Herder, Essay on the origin of language (New York, 1966)
Moran
On the Origin of Language: Jean-Jacques Rousseau, Essay on the origin of languages; Johann Gottfried Herder, Essay on the origin of language
1966
Dahlhaus, "The Two- fold Truth in Wagner's Aesthetics," p. 36
Dahlhaus
36
The Twofold Truth in Wagner's Aesthetics
Arnold Schoenberg, "The Relationship to the Text," in Style and Idea: Selected Writings of Arnold Schoenberg, ed. Leonard Stein, trans. Leo Black (Berkeley and Los Angeles, 1984), p. 144
Schoenberg
The Relationship to the Text
144
Style and Idea: Selected Writings of Arnold Schoenberg
1984
Schoenberg's essay also begins with a critique of what I have called the "mimetic" relation between music and poetry (pp. 141-43)
46
Nietzsche, Birth of Tragedy, p. 49 (with some emphasis added)
Nietzsche
49
Birth of Tragedy
Nietzsche Werke, III.1, pp. 39-40
39
Birth of Tragedy, p. 38
38
Birth of Tragedy
47
Nietzsche, Birth of Tragedy, p. 49 (emphasis added)
Nietzsche
49
Birth of Tragedy
49
"The Schubert Lied: Ro- mantic Form and Romantic Consciousness," p. 218
218
The Schubert Lied: Romantic Form and Romantic Consciousness
50
"On Music and Words," p. 112.
112
51
"Schubert's Heine Poems," p. 560
560
Schubert's Heine Poems
52
Derrida in Of Grammatology, pp. 65-73
65
54
Birth of Trag- edy, p. 137
137
Birth of Tragedy
Werner Thomas, Schubert- Studien (Frankfurt am Main, 1990), p. 128
128
Schubert Studien
1990
The Well-Tempered Clavier, bk. 1
The Well-Tempered Clavier
55
Lawrence Kramer, "The Schubert Lied: Romantic Form and Romantic Consciousness," p. 219.
Kramer
219
The Schubert Lied: Romantic Form and Romantic Consciousness
57
Of Grammatology, pp. 190- 91
190
58
Distant Cycles, p. 133
133
66
Heinrich Heine: Historisch-kritische Gesamtausgabe der Werke, vol. 1/2, p. 905
905
1
Heinrich Heine: Historisch-kritische Gesamtausgabe der Werke
67
Derrida, "The Linguistic Circle of Geneva," in Margins of Philosophy, p. 146
Derrida
The Linguistic Circle of Geneva
146
Margins of Philosophy
Essai sur l'origine des langues of 1754
Essai sur l'origine des langues
1754
Of Grammatology, p. 7
7
Paul de Man, "The Rhetoric of Blindness: Jacques Derrida's Reading of Rous- seau," in Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (New York, 1971), pp. 102-41
Man
The Rhetoric of Blindness: Jacques Derrida's Reading of Rousseau
102
Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism
1971
Birth of Tragedy, p. 31, emphasis added
31
Birth of Tragedy
Of Grammatology, pp. 143, 150
143
68
Lawrence Kramer, "The Schubert Lied: Romantic Form and Romantic Consciousness," p. 203 (emphasis added)
Kramer
203
The Schubert Lied: Romantic Form and Romantic Consciousness
69
"Linguistics and Grammatology," pp. 27-73
27
Grammatology, but is briefly summarized in "The Linguistic Circle of Geneva," Margins of Philosophy, p. 151
The Linguistic Circle of Geneva
151
Margins of Philosophy
Of Grammatology, pp. 7 and 238 respectively
7
"The Supple- ment of Copula," in Margins of Philosophy, pp. 175-205
The Supplement of Copula
175
Margins of Philosophy
70
"The Schubert Lied: Romantic Form and Romantic Consciousness," p. 223
223
The Schubert Lied: Romantic Form and Romantic Consciousness
72
"On Music and Words," p. 114
114
Schoenberg, "Opera: Aphorisms," in Style and Idea, p. 338
Schoenberg
Opera: Aphorisms
338
Style and Idea
74
Of Grammatology, p. 56
56
Christo- pher Norris, Deconstruction: Theory and Practice (rev. edn. London, 1991), p. 31
Norris
31
Deconstruction: Theory and Practice
1991
75
Vom Musikalisch- Schönen [Leipzig, 1854; rpt. edn. Darmstadt, 1981], p. 34
34
Vom Musikalisch-Schönen
1981
Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cambridge, 1992), pp. 93-117
93
Music and Text: Critical Inquiries
1992
Unsung Voices, p. xiv
xiv
76
"precession of simulacra" is greatly enlarged by Baudrillard in Simulations, trans. Paul Foss, Paul Patton, and Philip Beitchman (New York, 1983)
precession of simulacra
Simulations
1983
78
Idea of Absolute Music, p. 9
9
79
"On Music and Words," p. 112.
112
80
Derrida's "Form and Meaning: A Note on the Phenom- enology of Language," in Margins of Philosophy, esp. pp. 161, 165, 167-68, and 173
Derrida
Form and Meaning: A Note on the Phenomenology of Language
161
Margins of Philosophy
81
Derrida's discussion of the mystic writing-pad in "Freud and the Scene of Writing," in Writing and Difference, trans. Alan Bass (Chicago, 1978), esp. pp. 221-29
Derrida
Freud and the Scene of Writing
221
Writing and Difference
1978
82
Kramer, Music and Poetry, p. 129
129
83
"Differance," in Margins of Philoso- phy, pp. 1-27
Differance
1
Margins of Philosophy
"Semiology and Grammatology" in Positions, trans. Alan Bass (Chicago, 1981), pp. 17-36
Semiology and Grammatology
17
Positions
1981
"Plato's Pharmacy," p. 168
168
Derrida in the essay "Posi- tions," in Positions, esp. pp. 43-44
Derrida
Positions
43
Positions
84
David Lewin, "Musical Analysis as Stage Direction," in Music and Text: Critical Inquiries, pp. 163-76
Lewin
Musical Analysis as Stage Direction
163
Music and Text: Critical Inquiries
"Auf dem Flusse: Image and Background in a Schubert Song," in Schubert: Critical and Analytical Studies, pp. 126-52
Auf dem Flusse: Image and Background in a Schubert Song
126
Schubert: Critical and Analytical Studies
85
Prawer, Heine: Buch der Lieder, p. 37
Prawer
37
Heine: Buch der Lieder
86
Cone, "Schubert's Promissory Note: An Exer- cise in Musical Hermeneutics," in Schubert: Critical and Analytical Studies, pp. 17-18
Cone
Schubert's Promissory Note: An Exercise in Musical Hermeneutics
17
Schubert: Critical and Analytical Studies
87
Werner Thomas, Schubert-Studien, p. 125
Thomas
125
Schubert-Studien
Richard Kramer, Distant Cycles, p. 141
141
Franz Schubert: Schwanengesang: 13 Lieder nach Gedichten von Rellstab und Heine, D. 957: Faksimile nach dem Autograph, ed. Walter Dürr (Hildesheim, 1978)
Franz Schubert: Schwanengesang: 13 Lieder nach Gedichten von Rellstab und Heine, D. 957: Faksimile nach dem Autograph
1978
90
Kramer, Music and Poetry, p. 169 (emphasis added).
169
91
Ibid., p. 146 (emphasis added), pp. 146-60.
146
92
Ibid., p. 127 (emphasis added on "counter-reading").
127
93
Ibid., p. 170.
170
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