[Footnotes]

[Footnotes]
1
"Gustav Mahler-Alfred Rosé Collection at the University of Western Ontario," Notes 52 (1995), 385-406, 133710.2307/899028
385
2
Natalie Bauer-Lechner, Gustav Mahler inden Erinnerungen von Natalie Bauer-Lechner, ed. Herbert Killian, notes Knud Martner (rev edn. Hamburg, 1984), p. 175
Bauer-Lechner
175
Gustav Mahler inden Erinnerungen von Natalie Bauer-Lechner
1984
Recollections of Gustav Mahler, trans. Dika Newlin, ed. and ann. Peter Franklin (London, 1980), p. 158
158
Recollections of Gustav Mahler
1980
Annie Mincieux, 2 March 1896
Gustav Mahler Unbekannte Briefe, ed. Herta Blaukopf (Vienna, 1983), p. 123
123
Gustav Mahler Unbekannte Briefe
1983
Mahler's Unknown Letters, ed. Herta Blaukopf, trans. Richard Stokes (Boston, 1987), p. 119
119
Mahler's Unknown Letters
1987
Henry-Louis de La Grange, Gustav Mahler: Chronique d'une vie, vol. I: Vers la Gloire 1860- 1900 [Paris, 1979], p. 965
de La Grange
965
I
Gustav Mahler: Chronique d'une vie
1979
idem, Mahler, vol. I (New York, 1973), p. 746)
de La Grange
746
I
Mahler
1973
Guido Adler likewise gave this date in Gustav Mahler (Vienna, 1916), p. 99
Adler
99
Gustav Mahler
1916
Kassel (Gustav Mahler Briefe, rev. and exp. Herta Blaukopf [Vienna, 1982], p. 413, n. 39)
Kassel
413
Gustav Mahler Briefe
1982
3
Joseph Viktor von Scheffel's Trompeter von SÄikkingen
von Scheffel
Trompeter von SÄikkingen
4
letter to parents of 14 or 21 February 1888, The Mahler-Rosé Collection, Univer- sity of Western Ontario, E2-MF-64
5
Letter to parents, 29 or 30 March 1888, Mahler-Rosé Collection, E21-MF-675
Carl Maria von Weber's Die Drei Pintos, first performed in Leipzig on 20 January 1888. Bauer-Lechner (Erinnerungen, p. 175)
von Weber
175
Die Drei Pintos
1888
6
(E2-MF-67) (Die 1. Auffführung meiner Symphonie in Dresden ist am 7. Dezember)
letter to Max Steinitzer, Gustav Mahler Breife, p. 73
Steinitzer
73
Gustav Mahler Breife
E2-MF-71
Munich (Gustav Mahler-Richard Strauss: Briefwechsel, 1888-1911, ed. Herta Blaukopf [expanded edn. Munich, 1988], p. 13
Munich
13
Gustav Mahler-Richard Strauss: Briefwechsel, 1888-1911
1988
7
Pest press, 1 October 1889
Zoltan Ro- man, Gustav Mahler and Hungary (Budapest, 1991), p. 75
Roman
75
Gustav Mahler and Hungary
1991
8
De La Grange, Vers la Gloire, p. 965
La Grange
965
Vers la Gloire
9
Bauer-Lechner, Erinnerungen, p. 176
Lechner
176
Erinnerungen
idem, Recollec- tions, p. 161
Lechner
161
Recollections
Roman, Mahler and Hungary, pp. 82-83
Roman
82
Mahler and Hungary
10
Donald Mitchell (Gustav Mahler: The Wunderhorn Years: Chronicles and Commentaries [London, 1975], p. 217
Mitchell
217
Gustav Mahler: The Wunderhorn Years: Chronicles and Commentaries
1975
11
De La Grange (Vers la Gloire) includes a facsimile of the 1893 program (photograph insert, pp. 27-28)
Todtenfeier, composed in 1888
12
Weimar. performance of the First Symphony have been published in Richard Strauss Briefe aus dem Archiv des Allgemeinen Deutschen Musikvereins (1888-1909), ed. Irina Kaminiarz (Weimar, 1995), pp. 92-95
Weimar
92
Richard Strauss Briefe aus dem Archiv des Allgemeinen Deutschen Musikvereins
1995
Gutachten, dated 12 March 1894
Gutachten
1894
Draeseke Gutachten, 70/164. Stiftung Weimarer Klassik, Goethe- und Schiller-Archiv, Weimar. Archiv des Allge- meinen Deutschen Musikvereins
Draeseke
Gutachten
13
Letter to Richard Strauss, 15 May 1894, Mahler-Strauss Briefwechsel, pp. 36-37
36
Mahler-Strauss Briefwechsel
1894
Gustav Mahler-Richard Strauss: Correspondence 1888-1911, ed. Herta Blaukopf, trans. Edmund Jephcott (London, 1984), pp. 35-36
35
Gustav Mahler-Richard Strauss: Correspondence 1888-1911
1984
14
Music and Continental Printed Books, Autograph Letters and Manuscripts [London, 1984]
Music and Continental Printed Books, Autograph Letters and Manuscripts
1984
15
Der ursprungliche II. Satz von Gustav Mahlers I. Symphony. (Abschrift)
16
E12-MJp-497
Alfred Rosé, "From Gustav Mahler's Storm and Stress Period," Canadian Music Journal 1 [1957]
Rosé
1
Canadian Music Journal
1957
Mahler Remembered, ed. Norman Lebrecht [London, 1987], pp. 67-71, here 71
67
Mahler Remembered
1987
Hamburger Fremdenblatt, on 5 October 1928
Hamburger Fremdenblatt
1928
Bauer-Lechner, Erinnerungen, p. 109
Lechner
109
Erinnerungen
Recollections, p. 110
110
Recollections
18
De La Grange, Vers la Gloire, pp. 970-71
La Grange
970
Vers la Gloire
19
Henry-Louis de La Grange, Gustav Mahler, vol. II: Vienna: The Years of Chal- lenge (1897-1904) [New York, 1995], p. 755
de La Grange
755
II
Gustav Mahler
1995
21
Bauer-Lechner, Erinnerungen, p. 176
Lechner
176
Erinnerungen
Recollections, p. 160
160
Recollections
22
Bauer-Lechner, Erinnerungen, p. 62
Lechner
62
Erinnerungen
Recollections, p. 68
68
Recollections
23
m. 623
Mahler has written "Ausholen zum Akkord"
Mahler
Ausholen Zum Akkord
25
Mitchell, The Wunderhorn Years, pp. 197-202, here 202.
Mitchell
197
The Wunderhorn Years
27
Mitchell, Wunderhorn Years, p. 202.
Mitchell
202
Wunderhorn Years
28
Mitchell (ibid., pp. 197-99)
Mitchell
197
Wunderhorn Years
30
jack Diether, "Notes on Some Mahler Juvenilia. III: Blumine and the First Symphony," Chord and Discord 3 (1969), 81
Diether
Notes on Some Mahler Juvenilia. III: Blumine and the First Symphony
81
3
Chord and Discord
1969
33
Roman, Mahler and Hungary, p. 80.
Roman
80
Mahler and Hungary
37
Floros, Gustav Mahler: The Sym- phonies, trans. Vernon Wicker (Portland, Ore., 1993), pp. 43-48
Floros
43
Gustav Mahler: The Symphonies
1993
38
Mahler's indication to insert these pages ("Einlage") comes at the end of p. 107 and pp. 106-07
pp. 105-06
39
Mahler's intention in the UWO manu- script is the cancellation of eleven measures on pp. 110- 12
40
Diether, "Blumine and the First Symphony," between pp. 80 and 81
Diether
80
Blumine and the First Symphony
41
Colin Matthews, following Mitchell (Wunderhorn Years, p. 291, n. 88)
Matthews
291
Wunderhorn Years
mm. 54-95
gathering 15
Mahler at Work: Aspects of the Creative Process (New York, 1989), p. 27
27
Mahler at Work: Aspects of the Creative Process
1989
42
gatherings 10-11, the C-D modulation
Mitchell, Wunderhorn Years, pp. 210-12
Mitchell
210
Wunderhorn Years
43
Diether, "Blumine and the First Symphony," p. 81.
44
Likewise, some revisions in red pencil in the first-movement development (cello dou- bling harp, mm. 229-43 and mm. 281-303) must date from 1893
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