[Footnotes]

[Footnotes]
1
"Narrative and Lyric: Fundamental Poetic Forms of Composition," in Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca, ed. N. K. Baker and B. R. Hanning (Stuyvesant, N.Y., 1992), pp. 451-70
Baker
Narrative and Lyric: Fundamental Poetic Forms of Composition
451
Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca
1992
2
"Diegesis and Mi- mesis: The Poetic Modes and the Matter of Artistic Pre- sentation," Journal of Musicology 12 (1994), 407-3310.2307/763970
407
"Toward a History of Hearing: The Classic Concerto, A Sample Case," in Convention in Eigh- teenth- and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner, ed. W. J. Allanbrook, J. M. Levy, and W. P. Mahrt (Stuyvesant, N.Y., 1992), pp. 405-29
Allanbrook
Toward a History of Hearing: The Classic Concerto, A Sample Case
405
Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner
1992
3
Fryderyk Chopin, Korespondencia, ed. Bronislaw Edward Sydow, vol. I [Warsaw, 1955], p. 198
Fryderyk
198
I
Korespondencia
1955
4
"Chopin's Ballade Op. 23 and the Revolution of the Intellectuals," in Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge, 1994), pp. 72-83
Rink
Korespondencia
72
2
Chopin Studies
1994
5
"The First-Movement Punctuation Form in Mozart's Piano Concertos," in Mozart's Piano Concer- tos: Text, Context, Interpretation, ed. N. Zaslaw (Ann Ar- bor, 1996), pp. 239-59
Zaslaw
The First-Movement Punctuation Form in Mozart's Piano Concertos
239
Mozart's Piano Concertos: Text, Context, Interpretation
1996
6
Carl Dahlhaus, "Das rhetorische Formbegriff H. Chr. Kochs und die Theorie der Sonatenform," Archiv für Musikwissenschaft 35 (1978), 155-77.10.2307/930814
155
7
Heinrich Christoph Koch, Versuch einer Anleitung zur Composition, 3 vols. (Leipzig, 1782-93).
Koch
Versuch einer Anleitung zur Composition
1793
9
collection of Gregor Piatigorski, Los Angeles
collection of Gregor Piatigorski
French first edition (Paris, 1836)
French first edition
1836
German first edition (Leipzig, 1836)
German first edition
1836
"Kritischer Bericht" accompanying Frédéric Chopin, Balladen, ed. Ewald Zimmermann [Munich, 1976], p. 3
Zimmermann
Kritischer Bericht
3
Balladen
1976
"Critical Notes" to Frédéric Chopin, Balladen, ed. Jan Ekier [Vienna, 1986], p. xxi
Ekier
Critical Notes
xxi
Balladen
1986
Komentarze źróddowe published with Fryderyk Chopin, Ballady, Wydanie Narodowe A.1, ed. Jan Ekier [Cracow, 1970]
Ekier
Komentarze źróddowe
Ballady
1970
Zofia Chechlińfska, "The National Edition of Chopin's Works," Chopin Studies 2 [1987], 7-19
Chechlińfska
7
2
Chopin Studies
1987
letter to Chopin's sister, Izabela Barcińska, dated Leipzig, 1 February 1878, quoted and discussed in Krystyna Kobylańska, Rekopisy Utworów Chopina: Katalog, vol. I [Cracow, 1977], p. 126
Letter
126
I
Rekopisy Utworów Chopina: Katalog
1977
Kobylańska, Frédéric Chopin: Thematisch- bibliographisches Werkverzeichnis, ed. Ernst Herttrich, trans. Helmut Stolze [Munich, 1979], p. 46
Kobylańska
46
Frédéric Chopin: Thematischbibliographisches Werkverzeichnis
1979
n. 19 below
Jeffrey Kallberg ("Chopin in the Marketplace: Aspects of the International Music Publishing Industry in the First Half of the Nine- teenth Century," Notes 39 [1982-83], 535-69, 795-82410.2307/940141
535
1835- 41
p. 551
pp. 808-09
pp. 815-16
Kobylańska, Rçkopisy, I, 127
Kobylańska
127
I
Rçkopisy
idem, Werkverzeichnis, p. 46
Kobylańska
46
Werkverzeichnis
Frédéric Chopin, CEuvres pour pi- ano: facsimilé de l'exémplaire de Jane W. Stirling, ed. Jean- Jacques Eigeldinger and Jean-Michel Nectoux [Paris, 1982]
Chopin
CEuvres pour piano: facsimilé de l'exémplaire de Jane W. Stirling
1982
Kobylańska, Werkverzeichnis, "Ergänzungen: Berichtigungen," Musikantiquariat Hans Schneider, Bedeutende Musikerautographen, Catalog No. 241 [Tutzing, 1980], p. 16
Kobylańska
Ergänzungen: Berichtigungen
16
Bedeutende Musikerautographen
1980
Schenker, Der freie Satz (2nd edn. Vienna, 1956), p. 110 and fig. 64, ex. 2
Schenker
2
110
Der freie Satz
1956
10
Jim Samson, Chopin: The Four Ballades (Cambridge, 1992), pp. 45-50
Samson
45
Chopin: The Four Ballades
1992
John Daverio, Nine- teenth-Century Music and the German Romantic Ideol- ogy (New York, 1993), pp. 39-41
Daverio
39
Nineteenth-Century Music and the German Romantic Ideology
1993
Charles Rosen, The Romantic Generation (Cambridge, Mass., 1995), pp. 323- 28
Rosen
323
The Romantic Generation
1995
13
Adam Mickiewicz's collection of Ballady i Romanse (Ballads and Romances) of 1822
Mickiewicz
Ballady i Romanse
1822
Schumann, Gesammelte Schriften fiber Musik und Musiker, vol. II, ed. M. Kreisig [5th edn. Leipzig, 1914], p. 32
Schumann
5
32
II
Gesammelte Schriften fiber Musik und Musiker
1914
Christiane Engelbrecht, "Zur Vorgeschichte der Chopinschen Klavierballade," in The Book of the First International Musicological Con- gress Devoted to the Works of Frederick Chopin, Warszawa 16th-22nd February 1960, ed. Zofia Lissa (Warsaw, 1963), pp. 519-21
Christiane
Zur Vorgeschichte der Chopinschen Klavierballade
519
The Book of the First International Musicological Congress Devoted to the Works of Frederick Chopin, Warszawa 16th-22nd February 1960
1963
Günther Wagner, Die Klavierballade um die Mitte des 19. Jahrhunderts, Berliner Musikwissen- schaftliche Arbeiten 9 (Munich-Salzburg, 1976), pp. 42-48
Wagner
42
9
Die Klavierballade um die Mitte des 19. Jahrhunderts
1976
Anselm Gerhard, "Ballade und Drama: Frederic Chopins Ballade opus 38 und die franzbsische Oper um 1830," Archiv ffir Musikwissenschaft 48 (1991), 110-25
Anselm
110
48
Archiv ffir Musikwissenschaft
1991
James Parakilas, Ballads Without Words: Chopin and the Tradition of the Instrumental Ballade (Portland, Or., 1992), pp. 26-27
Parakilas
26
Ballads Without Words: Chopin and the Tradition of the Instrumental Ballade
1992
Chopin, Korespondencia, I, 420
Chopin
420
I
Korespondencia
Jean-Jacques Eigeldinger, Chopin: Pianist and Teacher as Seen by His Pupils, ed. Roy Howat, trans. Naomi Shohet with Krysia Osostowicz and Roy Howat (Cambridge, 1986), p. 268
Eigeldinger
268
Chopin: Pianist and Teacher as Seen by His Pupils
1986
Gastone Belotti, F. Chopin l'uomo, 3 vols. (Milan and Rome, 1974), pp. 571-74
Belotti
571
F. Chopin l'uomo
1974
14
Johann Wolfgang von Goethe, "Ballade, Betrachtung und Auslegung," Werke, Hamburger Ausgabe, vol. I [Munich, 1981], p. 400
von Goethe
Ballade, Betrachtung und Auslegung
400
I
Werke
1981
15
Gerhard, "Ballade und Drama," pp. 110-25
Gerhard
110
Ballade und Drama
16
Frederick Chopin as a Man and a Musician, vol. II [London, 1888; rpt. Neptune City, N.J., n.d.], p. 268
Chopin
268
II
Frederick Chopin as a Man and a Musician
1888
Anatoly Leikin, The Dissolution of Sonata Structure in Romantic Piano Music (1820-1850) (Ph.D. diss., Univer- sity of California, Los Angeles, 1986), p. 242
17
n. 9 above
18
Leichtentritt, Analyse von Chopin'schen Klavierwerke, vol. II (Berlin, 1921), p. 2
Leichtentritt
2
II
Analyse von Chopin'schen Klavierwerke
1921
Wagner, Die Klavierballade um die Mitte des 19. Jahr- hunderts, pp. 13-16
Wagner
13
Die Klavierballade um die Mitte des 19. Jahrhunderts
Leikin, The Dissolution of Sonata Structure, p. 250
Leikin
250
The Dissolution of Sonata Structure
19
n. 9 above
20
"Ballades, Fantasy and Scherzos," in The Chopin Companion: Profiles of the Man and the Musi- cian, ed. Alan Walker [New York, 1973], p. 47
Walker
Ballades, Fantasy and Scherzos
47
The Chopin Companion: Profiles of the Man and the Musician
1973
21
Mahler's Fifth Symphony (mm. 137-41)
Mahler's Fifth Symphony
Theodor W. Adorno, Mahler: Eine musikalische Physiognomik, Gesam- melte Schriften, vol. 13 (Frankfurt am Main, 1971), pp. 224-25
Adorno
224
Mahler: Eine musikalische Physiognomik
1971
22
ex. 11
26
"Ballades, Fantasy and Scherzos," p. 48
48
Ballades, Fantasy and Scherzos
27
Rosen, Arnold Schoenberg (New York, 1975), pp. 57-59
Rosen
57
Arnold Schoenberg
1975
28
Igor Belza in Fryderyk F. Chopin (2nd edn. Warsaw, 1980), p. 184
Igor
2
184
Fryderyk F. Chopin
1980
Leikin, The Dissolution of Sonata Structure, p. 256
Leikin
256
The Dissolution of Sonata Structure
29
Eigeldinger, Chopin: Pianist and Teacher
Eigeldinger
Chopin: Pianist and Teacher
30
Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley and Los Angeles, 1989), p. 148.
Dahlhaus
148
Nineteenth-Century
1989
31
Ibid., p. 149.
149
32
Chopin, Korespondencia, I, 81-85
Chopin
81
I
Korespondencia
33
The Music of Chopin [London, 1985], p. 133
133
The Music of Chopin
1985
34
Emile Bosquet, "Chopin precurseur le poeme pianistique," Annales Chopin 3 (1958), 63-67
Bosquet
63
3
Annales Chopin
1958
Józef M. Chomiński, Fryderyk Chopin, trans. Bolko Schweinitz (Leipzig, 1980), p. 100
Chomiński
100
Fryderyk Chopin
1980
Samson, The Music of Chopin, p. 175
Samson
175
The Music of Chopin
35
Chopin, Korespondencia, I, 420
Chopin
420
I
Korespondencia
Eigeldinger, Chopin: Pianist and Teacher, p. 268
Eigeldinger
268
Chopin: Pianist and Teacher
op. 23
op. 38
Belotti, F. Chopin l'uomo, pp. 571-74
Belotti
571
F. Chopin l'uomo
36
Niecks, Frederick Chopin as a Man and a Musician, I, pp. 276-78
Niecks
276
I
Frederick Chopin as a Man and a Musician
37
Schumann, Gesammelte Schriften, II, 343
Schumann
343
II
Gesammelte Schriften
38
discussion of the Ballade, Dahlhaus (Nineteenth- Century Music, p. 148)
Dahlhaus
148
Ballade
39
Reinhold Brinkmann, Late Idyll: The Second Symphony of Johannes Brahms, trans. Peter Palmer [Cambridge, Mass., 1995], p. 203)
Reinhold
203
Late Idyll: The Second Symphony of Johannes Brahms
1995
40
The Classical Style: Haydn, Mozart, Beethoven [New York, 1972], p. 379
379
The Classical Style: Haydn, Mozart, Beethoven
1972
41
Eugéne Delacroix, Journal, vol. I, ed. André Joubin (Paris, 1932), p. 284
Delacroix
284
I
Journal
1932
Walter Pach (New York, 1961), p. 195
42
Dahlhaus, Nineteenth-Century Music, pp. 8-15.
Dahlhaus
8
Nineteenth-Century Music
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