[Footnotes]

[Footnotes]
1
William C. Mickelson, Hugo Riemann's Theory of Har- mony and History of Music Theory, Book III (Lincoln, Neb., 1977), p. 82
Mickelson
82
Hugo Riemann's Theory of Harmony and History of Music Theory, Book III
1977
Riemann, Harmony Simplified, trans Rev. H. Bewerunge (Verein- fachte Harmonielehre, oder die Lehre von den Tonalen Funktionen der Akkorde) (London, 1893)
Riemann
Harmony Simplified
1893
François-Joseph Fétis, Traité complet de la théorie et de la pratique de l'harmonie [1844] (2nd edn. Paris, 1853), p. 253
Francois-Joseph Fetis
2
253
Traite complet de la theorie et de la pratique de l'harmonie [1844]
1853
Riemann, Geschichte der Musiktheorie (Leipzig, 1898), p. 479n
Riemann
479
Geschichte der Musiktheorie
1898
2
Ernst Kurth: Selected Writings, ed. and trans. Lee A. Rothfarb (Cambridge, 1991), p. 136
Rothfarb
136
Ernst Kurth: Selected Writings
1991
Kurth's Romantische Harmonik und ihre Krise in Wagners "Tristan" (Berne, 1920), pp. 334-35
Kurth
334
Romantische Harmonik und ihre Krise in Wagners "Tristan"
1920
Selected Writings, pp. 119-24
119
Selected Writings
3
Mozart's Piano Concerto No. 21 in C, K. 467 (movt. II), mm. 45-50
4
Percy Goetschius, The Material Used in Musical Compo- sition [1889] (14th edn. New York, 1913), p. 113
Goetschius
14
113
The Material Used in Musical Composition [1889]
1913
Ebenezer Prout (Harmony: Its Theory and Practice [New York, 1903], p. 51)
Prout
51
Harmony: Its Theory and Practice
1903
5
Ludwig Bussler, Musikalische Formenlehre, trans. J. H. Cornell (New York, 1883), p. 88.
Bussler
88
Musikalische Formenlehre
1883
6
George F. McKay, The Technique of Modern Harmony (Ann Arbor, 1948), p. 65.
McKay
65
The Technique of Modern Harmony
1948
7
Arnold Schoenberg, Theory of Harmony (Harmonielehre) [1911], trans. Roy E. Carter (Berkeley and Los Angeles, 1978), p. 283.
Schoenberg
283
Theory of Harmony (Harmonielehre) [1911]
1978
8
Schoenberg, "Criteria for the Evaluation of Music" [1946], in Style and Idea: Selected Writings of Arnold Schoenberg, ed. Leonard Stein, trans. Leo Black (Berkeley and Los An- geles, 1984), p. 129.
Schoenberg
"Criteria for the Evaluation of Music" [1946]
129
Style and Idea: Selected Writings of Arnold Schoenberg
1984
9
Carl Dahlhaus, "Issues in Composition," in Between Ro- manticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Mary Whittall (Ber- keley and Los Angeles, 1980), pp. 45-52
Dahlhaus
Issues in Composition
45
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century
1980
Walter Frisch, Brahms and the Principle of Developing Variation (Berke- ley and Los Angeles, 1984), pp. 27-28
Frisch
Brahms and the Principle of Developing Variation
1984
10
William Rothstein (Phrase Rhythm in Tonal Music [New York, 1989], pp. 75-77)
Rothstein
75
Phrase Rhythm in Tonal Music
1989
Haydn's Symphony No. 42 (movt. II), mm. 77-96
11
Allen Forte and Steven E. Gilbert, Introduction to Schenkerian Analysis (New York, 1982), p. 100.
Forte
100
Introduction to Schenkerian Analysis
1982
12
Walter Piston, Harmony, rev. Mark DeVoto (5th edn. New York, 1987), pp. 315-27
Piston
5
315
Harmony, rev. Mark DeVoto
1987
13
Daniel Harrison, Harmonic Function in Chromatic Mu- sic: A Renewed Dualist Theory and an Account of Its Precedents (Chicago, 1994), p. 5.
Harrison
5
Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents
1994
14
Prout, Harmony, p. 50
Prout
50
Harmony
Piston, Harmony, pp. 315-16
Piston
315
Harmony
Howard Hanson, Harmonic Materials of Modern Music: Resources of the Tempered Scale (New York, 1960)
Hanson
Harmonic Materials of Modern Music: Resources of the Tempered Scale
1960
15
Schoenberg (Theory of Harmony, p. 283)
Schoenberg
283
Theory of Harmony
16
Elie Siegmeister, Harmony and Melody, vol. II (Belmont, Ca, 1977), p. 103
Siegmeister
103
II
Harmony and Melody
1977
William Christ, et al., Materials and Structure of Music (3rd edn. Englewood Cliffs, N.J., 1980), p. 321
Christ
3
321
Materials and Structure of Music
1980
Piston, Harmony, p. 317
Piston
317
Harmony
Roger Sessions, Harmonic Practice (New York, 1951), p. 216
Sessions
216
Harmonic Practice
1951
Heinrich Christoph Koch, Versuch einer Anleitung zur Komposition, 3 vols. (Leipzig, 1782-93)
Christoph Koch
Versuch einer Anleitung zur Komposition
1782
Nancy Kovaleff Baker, Introductory Essay on Composition: The Mechanical Rules of Melody, Sec- tions 3 and 4 (New Haven, 1983), p. 43
Baker
Sections 3 and 4
43
Introductory Essay on Composition: The Mechanical Rules of Melody
1983
17
Prout, Harmony, pp. 50-51
Prout
50
Harmony
18
Piston, Harmony, pp. 318-23.
Piston
318
Harmony
19
Kurth, Selected Writings, p. 136.
Kurth
136
Selected Writings
20
Stanley Chapple, Language of Harmony (New York, 1941), p. 65
Chapple
65
Language of Harmony
1941
21
Kurth, Selected Writings, p. 139n
Kurth
139n
Selected Writings
22
Schubert's Symphony No. 5 (movt. I)
23
Gregory Proctor, Technical Bases of Nineteenth-Century Chromatic Tonality: A Study in Chromaticism (Ph.D. diss., Princeton University, 1978)
Harald Manfred Krebs, Third Relation and Dominant in Late 18th- and Early 19th-Century Music (Ph.D. diss., Yale University, 1980)
24
m. 74
25
A, D. 959 (1828)
28
Grillen from the Fantasiestücke, op. 12
Beethoven's Pi- ano Sonata in C, op. 53
Schubert's Symphony No. 9
Schumann's op. 22
Schumann's Concert sans orchestre, op. 14 (movt. I)
Linda Correll Roesner, "Schumann's 'Parallel' Forms," this journal 14 (1991), 268-70
Roesner
268
14
Ninteenth Century Music
1991
29
Charles Rosen (Sonata Forms [rev. edn. New York, 1988], pp. 369-83)
Rosen
369
Sonata Forms
1988
30
mm. 108 and 288
m. 238
31
Charles J. Smith, "The Functional Extravagance of Chromatic Chords," Music Theory Spectrum 8 (1986), 136n10.2307/746072
136n
32
William Mitchell, "The Tristan Prelude: Techniques and Structure," in The Music Forum, vol. I, ed. William J. Mitchell and Felix Salzer (New York, 1967), pp. 167-81
Mitchell
The Tristan Prelude: Techniques and Structure
167
I
The Music Forum
1967
Rob- ert Bailey (Richard Wagner, Prelude and Transfiguration from Tristan and Isolde, Norton Critical Score [New York, 1985], pp. 126-30)
Bailey
126
Richard Wagner, Prelude and Transfiguration from Tristan and Isolde, Norton Critical Score
1985
Forte ("New Approaches to the Linear Analysis of Music," Journal of the American Musicological Society 41 [1988], 324-38)10.2307/831436
324
John Rothgeb, "The Tristan Chord: Iden- tity and Origin," Music Theory Online 1.1 (1995)
Rothgeb
1
1
Music Theory Online
1995
Forte, "Tristan Redux: Comments on John Rothgeb's Article on the Tristan Chord in MTO 1.1," Mu- sic Theory Online 1.2 (1995)
Forte
2
1
Music Theory Online
1995
Rothstein, "The Tristan Chord in Historical Context: A Response to John Rothgeb," Music Theory Online 1.3 (1995)
Rothstein
3
1
Music Theory Online
1995
33
Schoenberg, Harmonielehre (Vienna, 1911; 3rd edn. 1922), pp. 308-10
Schoenberg
3
308
Harmonielehre
1911
Smith ("Functional Extravagance," pp. 136-39)
Smith
136
Functional Extravagance
Deryck Cooke (The Language of Music [Oxford, 1959], pp. 187-94)
Cooke
187
The Language of Music
1959
Rothstein ("The Tristan Chord in Historical Context,"
Rothstein
The Tristan Chord in Historical Context
34
Bailey, Prelude and Transfiguration, p. 126
Bailey
126
Prelude and Transfiguration
Edward T. Cone, "Sound and Syntax: An In- troduction to Schoenberg's Harmony," Perspectives of New Music 13 (1974), 23-2410.2307/832367
23
35
Bailey (Prelude and Transfiguration, p. 128)
Bailey
128
Prelude and Transfiguration
36
ex. 4 ("The Tristan Prelude," pp. 170-71)
170
The Tristan Prelude
Bailey's ex. 10 (Prelude and Transfiguration, p. 129)
Bailey
129
Prelude and Transfiguration
Rothgeb, "The Tristan Chord," [13-15]
Rothgeb
13
The Tristan Chord
37
Bailey, Prelude and Transfiguration, p. 124.
Bailey
124
Prelude and Transfiguration
38
Ibid., pp. 131-33
131
39
Beethoven's "Pathétique" Sonata (op. 13)
m. 207
40
Mayrberger, which attempts to explain the sonority in m. 10
Wason, Viennese Harmonic Theory, pp. 91-93
Wason
91
Viennese Harmonic Theory
41
Bailey (Prelude and Transfiguration, p. 133)
Bailey
133
Prelude and Transfiguration
42
Rothgeb ("The Tristan Chord," [2-6])
Rothgeb
2
The Tristan Chord
Forte ("Tristan Redux," [4])
Forte
4
Tristan Redux
Rudolph Louis and Ludwig Thuille, Harmonielehre (Stuttgart, 1907), p. 232
Louis
232
Harmonielehre
1907
no. 234
43
Wagner's earlier sketch of mm. 1-17
Bailey, Prelude and Transfiguration, p. 131
Bailey
131
Prelude and Transfiguration
Charles Rosen, The Romantic Genera- tion (Cambridge, Mass., 1995), pp. 474-75
Rosen
474
The Romantic Generation
1995
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