[Footnotes]

[Footnotes]
1
Arnold Schoenberg, "Composition With Twelve Tones" [1941], in Style and Idea: Selected Writings of Arnold Schoenberg, trans. Leo Black, ed. Leonard Stein (Berkeley and Los Angeles, 1984), pp. 214-44
Schoenberg
"Composition With Twelve Tones" [1941]
214
Style and Idea: Selected Writings of Arnold Schoenberg
1984
Schoenberg, "Vortrag / 12TK / Princeton," trans. and ann. Claudio Spies, Perspectives of New Music 13 (1974), 58- 136
Schoenberg
581
Vortrag / 12TK / Princeton
1974
2
Fred Lerdahl, "Cognitive Constraints on Compositional Systems," in Generative Processes in Music: The Psychol- ogy of Performance, Improvisation, and Composition, ed. John A. Sloboda (Oxford, 1988), pp. 231-59 (p. 251).
Lerdahl
Cognitive Constraints on Compositional Systems
231
Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition
1988
3
Martha M. Hyde, Schoenberg's Twelve-Tone Harmony: The Suite Op. 29 and the Compositional Sketches (Ann Arbor, 1982), p. 25.
Hyde
25
Schoenberg's Twelve-Tone Harmony: The Suite Op. 29 and the Compositional Sketches
1982
4
Schoenberg, "Composition with Twelve Tones," in Style and Idea, pp. 214-15.
Schoenberg
Composition with Twelve Tones
214
Style and Idea
5
Carl Dahlhaus, "Schönbergs ästhetische Theologie," in Bericht über den 2. Kongress der Internationalen Schönberg-Gesellschaft 1984, ed. Rudolf Stephan and Sigrid Weismann (Vienna, 1986)
Dahlhaus
Schonbergs ästhetische Theologie
Bericht über den 2. Kongress der Internationalen Schénberg-Gesellschaft 1984
1986
"Schoenberg's Aes- thetic Theology," in Schoenberg and the New Music: Es- says by Carl Dahlhaus, trans. Derrick Puffett and Alfred Clayton (Cambridge, 1987), pp. 81-93
Schoenberg's Aesthetic Theology
81
Schoenberg and the New Music: Essays by Carl Dahlhaus
1987
6
Die Idee der absoluten Musik (Kassel, 1978)
Die Idee der absoluten Musik
1978
The Idea of Absolute Music, trans. Roger Lustig (Chicago, 1989)
The Idea of Absolute Music
1989
Zwischen Romantik und Moderne: Vier Studien zur Musikgeschichte des spä teren 19. Jahrhunderts (Munich, 1974)
Zwischen Romantik und Moderne: Vier Studien zur Musikgeschichte des spditeren 19. Jahrhunderts
1974
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Cen- tury, trans. Mary Whittall (Berkeley and Los Angeles, 1980)
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century
1980
Bryan Magee, The Philosophy of Schopenhauer (Oxford, 1983)
Magee
The Philosophy of Schopenhauer
1983
7
Theodor W. Adorno, Philosophy of Modern Music [1949], trans. Anne G. Mitchell and Wesley V. Blomster (New York, 1973)
Adorno
Philosophy of Modern Music [1949]
1973
8
Truth and Method [1960], trans. Joel Weinsheimer and Donald G. Marshall (2nd rev. edn. New York, 1989)2
Truth and Method]
1989
Dahlhaus's writing in his "The Dahlhaus Project and Its Extra-musicological Sources," this journal 14 (1991), 221-4610.2307/746536
221
The Hermeneutic Tradition: From Ast to Ricoeur, ed. Gayle L. Ormiston and Alan D. Schrift (Albany, N.Y., 1990)
Ormiston
The Hermeneutic Tradition: From Ast to Ricoeur
1990
Transforming the Hermeneutic Context: From Nietzsche to Nancy, ed. Ormiston and Schrift (Albany, N.Y., 1990)
Ormiston
Transforming the Hermeneutic Context: From Nietzsche to Nancy
1990
9
Charlotte M. Cross, "Three Levels of 'Idea' in Schoenberg's Thought and Writings," Current Musicology 30 (1980), 24-36
Cross
24
30
Current Musicology
1980
Schoenberg, The Musical Idea and the Logic, Technique, and Art of Its Presentation, ed. and trans. Patricia Carpenter and Severine Neff (New York, 1995), pp. 369-77
Schoenberg
369
The Musical Idea and the Logic, Technique, and Art of Its Presentation
1995
10
"Schoenberg and the Occult: Some Reflections on the 'Musical Idea'," Theory and Practice 17 (1992), 103-18
103
17
Theory and Practice
1992
11
Schoenberg, "The Relationship to the Text" [1912], in Style and Idea, pp. 141-45.
Schoenberg
The Relationship to the Text
141
Style and Idea
1912
12
Wassily Kandinsky and Franz Marc, The Blaue Reiter Almanac, ed. Klaus Lankheit (new edn. New York, 1974)
Kandinsky
The Blaue Reiter Almanac
1974
Wassily Kandinsky, Concerning the Spiritual in Art, trans. M. T. H. Sadler (New York, 1977)
Kandinsky
Concerning the Spiritual in Art
1977
Arnold Schoenberg- Wassily Kandinsky: Letters, Pictures and Documents, ed. Jelena Hahl-Koch, trans. John C. Crawford (London, 1984)
Sixten Ringbom, The Sounding Cosmos: A Study in the Spiritu- alism of Kandinsky and the Genesis of Abstract Painting, Acta Academiae Aboensis, Ser. A, vol. 38, no. 2 (Abo, 1970)
Ringbom
2
Ser. A
38
Acta Academiae Aboensis
1970
"Art in 'The Epoch of the Great Spiritual': Occult Elements in the Early Theory of Ab- stract Painting," Journal of the Warpurg and Courtauld Institutes 29 (1966), 386-418
386
29
Journal of the Warpurg and Courtauld Institutes
1966
Roger Lipsey, An Art of Our Own: The Spiritual in Twentieth-Century Art (Boston, 1988)
Lipsey
An Art of Our Own: The Spiritual in Twentieth-Century Art
1988
13
Schoenberg, "Composition with Twelve Tones," in Style and Idea, p. 215.
Schoenberg
Composition with Twelve Tones
215
Style and Idea
14
Schoenberg, "New Music, Outmoded Music, Style and Idea" [1946], in Style and Idea, pp. 122-23.
Schoenberg
New Music, Outmoded Music, Style and Idea
122
Style and Idea
1946
15
Schoenberg, "Franz Liszt's Work and Being" [1911], in Style and Idea, p. 446.
Schoenberg
Franz Liszt's Work and Being
446
Style and Idea
1911
16
Severine Neff, "Schoenberg and Goethe: Organicism and Analysis," in Music Theory and the Exploration of the Past, ed. Christopher Hatch and David W. Bernstein (Chi- cago, 1993), pp. 409-33.
Neff
Schoenberg and Goethe: Organicism and Analysis
409
Music Theory and the Exploration of the Past
1993
17
Erich Heller, "Goethe and the Idea of Scientific Truth," in The Disinherited Mind: Essays in Modern German Lit- erature and Thought (New York, 1975), p. 7.
Heller
Goethe and the Idea of Scientific Truth
7
The Disinherited Mind: Essays in Modern German Literature and Thought
1975
18
Sig Synnestvedt, The Essential Swedenborg: Basic Teachings of Emanuel Swedenborg, Scientist, Philosopher, and Theo- logian (New York, 1970)
Synnestvedt
The Essential Swedenborg: Basic Teachings of Emanuel Swedenborg, Scientist, Philosopher, and Theologian
1970
John Howard Spalding, An Introduction to Swedenborg's Religious Thought (New York, 1956)
Spalding
An Introduction to Swedenborg's Religious Thought
1956
Wilson Van Dusen, The Presence of Other Worlds: The Psychological/Spiritual Findings of Emanuel Swedenborg (London, 1974)
Van Dusen
The Presence of Other Worlds: The Psychological/Spiritual Findings of Emanuel Swedenborg
1974
The Natural Depth in Man (New York, 1972)
The Natural Depth in Man
1972
19
Anna Balakian, The Symbolist Movement: A Critical Ap- praisal (New York, 1967), pp. 29-53.
Balakian
29
The Symbolist Movement: A Critical Appraisal
1967
20
Dore Ashton, A Fable of Modern Art (Berkeley and Los Angeles, 1991).
Ashton
A Fable of Modern Art
1991
21
H. H. Stuckenschmidt (Schoenberg: His Life and Work, trans. Humphrey Searle [London, 1977], pp. 234-35)
Stuckenschmidt
234
Schoenberg: His Life and Work
1977
letter from Berg to Schoenberg, dated 21 December 1912
The Berg-Schoenberg Correspondence: Selected Letters, ed. Juliane Brand, Christopher Hailey, and Donald Harris (New York, 1987), pp. 134-36
22
Immanuel Kant, Dreams of a Spirit Seer, trans. and com. John Manolesco (New York, 1969).
Kant
Dreams of a Spirit Seer
1969
23
Ernst Cassirer, Kant's Life and Thought [1918], trans. James Haden (New Haven, 1981)
Cassirer
Kant's Life and Thought
1981
Immanuel Kant, Prolegomena to Any Future Metaphysics that Can Qualify as a Science (La Salle, Illi- nois, 1902)
Kant
Prolegomena to Any Future Metaphysics that Can Qualify as a Science
1902
24
Walter Kaufmann, Discovering the Mind: Goethe, Kant, and Hegel (New York, 1980).
Kaufmann
Discovering the Mind: Goethe, Kant, and Hegel
1980
25
Schopenhauer's engagement with Goethe's color theory may be found in his Über das Sehen und die Farben of 1815
Schopenhauer
Über das Sehen und die Farben
1815
Rüdiger Safranski, Schopenhauer and the Wild Years of Philoso- phy, trans. Ewald Osers (Cambridge, Mass., 1990), pp. 177- 90
Safranski
177
Schopenhauer and the Wild Years of Philosophy
1990
Karl Löwith in his From Hegel to Nietzsche: The Revolution in Nineteenth-Century Thought, trans. David E. Green (New York, 1964), pp. 3-29
3
Karl Léwith in his From Hegel to Nietzsche: The Revolution in Nineteenth-Century Thought
1964
Goethe and the Sci- ences: A Reappraisal, ed. Frederick Amrine, Francis J. Zucker, and Harvey Wheeler, Boston Studies in the Phi- losophy of Science, vol. 97 (Dordrecht, 1987)
Goethe and the Sciences: A Reappraisal
97
Boston Studies in the Philosophy of Science
1987
27
Steiner's writing on Goethean science can be found in his Science of Knowing: Outline of an Epistemology Im- plicit in the Goethean World View [1886], trans. William Lindeman (Spring Valley, N.Y., 1988)
Steiner
Science of Knowing: Outline of an Epistemology Implicit in the Goethean World View [1886]
1988
Goethe as the Founder of a New Science of Aesthetics [1888], trans. G. Metaxa (London, 1922)
Goethe as the Founder of a New Science of Aesthetics [1888]
1922
Goethe's World View [1897], trans. William Lindeman (Spring Valley, N.Y., 1985)
Goethe's World View [1897]
1985
Kürschner edition (1884-91)
Goethean Science, trans. William Lindeman (Spring Valley, N.Y., 1988)
Goethean Science
1988
Steiner's biography is recounted in The Essential Steiner: Basic Writings of Rudolf Steiner, ed. Robert A. McDermott (New York, 1984)
Steiner
The Essential Steiner: Basic Writings of Rudolf Steiner
1984
Steiner's own autobiography, The Course of My Life [1925], trans. Olin D. Wannamaker (New York, 1951)
Steiner
Steiner's own autobiography, The Course of My Life [1925]
1951
28
Steiner, The Sci- ence of Knowing
Steiner
The Science of Knowing
29
Schoenberg, "Hauer's Theories" [1923], in Style and Idea, pp. 209-10.
Schoenberg
Hauer's Theories
209
Style and Idea
1923
30
Arthur Schopenhauer, The World as Will and Repre- sentation, trans. E. F. J. Payne, 2 vols. (New York, 1969)
Schopenhauer
The World as Will and Representation
1969
third book of vol. I, bk. 3, par. 52 (pp. 255-67)
vol. II, chap. 39, "On the Metaphysics of Music" (pp. 447-57)
Magee, The Phi- losophy of Schopenhauer and Safranski, Schopenhauer and the Wild Years of Philosophy
Magee
The Philosophy of Schopenhauer and Safranski
Schopenhauer and the Wild Years of Philosophy
31
Schopenhauer, The World as Will and Representation, vol. I, p. 260
Schopenhauer
260
I
The World as Will and Representation
Schoenberg comments to this passage in "The Relationship to the Text," in Style and Idea, pp. 141-42
Schoenberg
The Relationship to the Text
141
Style and Idea
32
Pamela C. White has explored Schoenberg's study of Schopenhauer's philosophy in her Schoenberg and the God- Idea: The Opera Moses und Aron (Ann Arbor, 1985)
White
Schoenberg and the GodIdea: The Opera Moses und Aron
1985
"Schoenberg and Schopenhauer," Journal of the Arnold Schoenberg Institute 8 (1984), 39-57
39
8
Journal of the Arnold Schoenberg Institute
1984
33
William J. McGrath, Dionysian Art and Populist Politics in Austria (New Ha- ven, 1974)
McGrath
Dionysian Art and Populist Politics in Austria
1974
James Webb, The Occult Establishment (La Salle, Ill., 1985)
Webb
The Occult Establishment
1985
The Occult Underground (La Salle, Ill., 1988)
The Occult Underground
1988
34
Schoenberg, "New Music, Outmoded Music," in Style and Idea, p. 123.
Schoenberg
New Music, Outmoded Music
123
Style and Idea
35
Arnold Schoenberg: The Composer as Jew (Oxford, 1990)
Arnold Schoenberg: The Composer as Jew
1990
36
The Music and Theories of Josef Matthias Hauer (Ph.D. diss., University of Michigan, 1990)
"The Quest of the Ab- solute: Schoenberg, Hauer, and the Twelve-Tone Idea," Black Sacred Music: A Journal in Theomusicology 8 (1994), 157-77
157
8
Black Sacred Music: A Journal in Theomusicology
1994
37
Dieter Bogner, "Schönberg-Hauer: Vom Chaos zum Ordnung," Parnass Sonderheft 2 (1987), 48-55
Bogner
48
2
Parnass Sonderheft
1987
"Josef Matthias Hauers 'Zwölftonteppich: Zur geistesgeschichtlichen Stellung des Komponisten," Morgen 5 (1981), 273-80
273
5
Morgen
1981
38
James Webb, The Harmonious Circle: The Lives and Work of G. I. Gurdjieff, P. D. Ouspensky, and Their Followers (Boston, 1987)
Webb
The Harmonious Circle: The Lives and Work of G. I. Gurdjieff, P. D. Ouspensky, and Their Followers
1987
Thomas and Olga de Hartmann, Our Life with Mr. Gurdjieff (rev. and expanded edn. San Francisco, 1964)
de Hartmann
Our Life with Mr. Gurdjieff
1964
39
Sound and Symbol: Music and the External World (trans. Willard R. Trask [New York, 1956], pp. 145-48)
145
Sound and Symbol: Music and the External World
1956
p. 147
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