[Footnotes]

[Footnotes]
1
Gerald Abraham, A Hundred Years of Music (Chicago, 1967), pp. 159-73
Abraham
159
A Hundred Years of Music
1967
Francesco Bussi, La musica strumentale di Johannes Brahms (Torino, 1989)
Bussi
La musica strumentale di Johannes Brahms
1989
Robert H. Schauffler, The Unknown Brahms: His Life, Character and Works (New York, 1933; rpt., Westport, Conn., 1972), p. 372
Schauffler
372
The Unknown Brahms: His Life, Character and Works
1933
Carl Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley and Los Angeles, 1989), pp. 252-61
Dahlhaus
252
Nineteenth-Century Music
1989
Dahlhaus, "Brahms und die Idee der Kammermusik," in Brahms-Studien, vol. I, ed. Constantin Floros (Hamburg, 1974), pp. 45-57
Dahlhaus
Brahms und die Idee der Kammermusik
45
I
Brahms-Studien
1974
Ivor Keys, Brahms Chamber Music (Lon- don, 1974)
Keys
Brahms Chamber Music
1974
Daniel Gregory Mason, The Chamber Mu- sic of Brahms (New York, 1933; rpt., 1970)
Mason
The Chamber Music of Brahms
1970
2
Vier ernste Gesänge, op. 121
Heather Anne Platt, Text- Music Relationships in the Lieder of Johannes Brahms (Ph.D. diss., City University of New York, 1992)
Janet M. Levy, "Covert and Casual Values in Recent Writings About Mu- sic," Journal of Musicology 5 (1987), 3-2710.2307/763822
3
Kevin Korsyn, "Brahms Research and Aesthetic Ideology," Music Analysis 12 (1993), 89-10310.2307/854077
89
3
George Bozarth's preface to Brahms Studies: Analytical and Historical Perspectives, ed. George S. Bozarth (Oxford, 1990)
Bozarth
Brahms Studies: Analytical and Historical Perspectives
1990
Brahms Studies; Brahms: Biographical, Documentary and Analytical Studies, ed. Robert Pascall (Cambridge, 1983)
Brahms Studies; Brahms: Biographical, Documentary and Analytical Studies
1983
Brahms und seine Zeit, ed. Constantin Floros, Hans Joachim Marx, and Peter Petersen (Hamburg, 1984)
Brahms und seine Zeit
1984
Brahms 2: Bio- graphical, Documentary and Analytical Studies, ed. Michael Musgrave (Cambridge, 1987)
Brahms 2: Biographical, Documentary and Analytical Studies
1987
Brahms and His World, ed. Walter Frisch (Princeton, 1990)
Brodbeck
Brahms and His World
1990
Michael Musgrave, The Music of Brahms (Lon- don, 1985)
Musgrave
The Music of Brahms
1985
Ivor Keys, Johannes Brahms (London, 1989)
Keys
Johannes Brahms
1989
Malcolm MacDonald, Brahms (London, 1990)
MacDonald
Brahms
1990
Brahms-Bibliographie, ed. Siegfried Kross (Tutzing, 1983)
Brahms-Bibliographie
1983
Johannes Brahms: Thematisch-bibliographisches Werkver- zeichnis, ed. Margit L. McCorkle (Munich, 1984)
Johannes Brahms: Thematisch-bibliographisches Werkverzeichnis
1984
Tho- mas Quigley, Johannes Brahms: An Annotated Bibliogra- phy of the Literature through 1982 (Metuchen, N.J., 1990)
Quigley
Johannes Brahms: An Annotated Bibliography of the Literature through 1982
1990
4
Bozarth, "Brahms's Lieder ohne Worte: The 'Poetic' Andantes of the Piano Sonatas," in Brahms Studies, pp. 348-52
Bozarth
Brahms's Lieder ohne Worte: The Poetic Andantes of the Piano Sonatas
348
Brahms Studies
5
Paul Mies, "Herd- ers Edward-Ballade bei Joh. Brahms," Zeitschrift für Musikwissenschaft 2 (1919-20), 225-32
Mies
1919
225
2
Zeitschrift für Musikwissenschaft
Bozarth, "Brahms's Lieder ohne Worte," pp. 353-58
Bozarth
353
Brahms's Lieder ohne Worte
Bozarth, "Brahms's Lieder Inventory of 1859- 60 and Other Documents of His Life and Work," Fontes Artis Musicae 30 (1983), 111
Bozarth
111
30
Fontes Artis Musicae
1983
Albert Dietrich, Erinnerungen an Johannes Brahms in Briefen besonders aus seiner Jugendzeit (Leipzig, 1898), pp. 3-4
Dietrich
3
Erinnerungen an Johannes Brahms in Briefen besonders aus seiner Jugendzeit
1898
Max Kalbeck, Johannes Brahms, vol. I (Berlin, 1912-21; rpt., Tutzing, 1976), p. 212
Kalbeck
212
I
Johannes Brahms
1976
op. 117
Wiegenlieder meiner Schmerzen
Wiegenlied der Schmerzen
Wiegenlieder meinem Schmerze
Kalbeck, IV, 285
285
Johannes Brahms: Briefwechsel [1919; rpt. Tutzing, 1974], XII, 89
89
XII
Johannes Brahms: Briefwechsel
1974
7
Robert Bailey, "Musical Language and Structure in the Third Symphony," in Brahms Studies, ed. Bozarth, pp. 405-09
Bailey
Musical Language and Structure in the Third Symphony
405
Brahms Studies
David Brodbeck, "Brahms, the Third Symphony, and the New German School," in Brahms and His World, p. 67
Brodbeck
Brahms, the Third Symphony, and the New German School
67
Brahms and His World
8
Kenneth Hull, Brahms the Allusive: Extra-Compositional Reference in the Instrumental Music of Johannes Brahms (Ph.D. diss., Princeton University, 1989), pp. 210-11
10
Max Friedlaender, Brahms's Lieder: An Introduction to the Songs for One and Two Voices, trans. C. Leonard Leese (London, 1928; rpt., New York, 1976), p. 153
Friedlaender
153
Brahms's Lieder: An Introduction to the Songs for One and Two Voices
1976
11
Hull, Brahms the Allusive, pp. 62-65
Hull
62
Brahms the Allusive
Nicholas Marston, Schumann: Fantasie, Op. 17 (Cambridge, 1992), pp. 34-37
Marston
34
Schumann: Fantasie
1992
13
Dietrich, Erinnerungen, pp. 3-4
Dietrich
3
Erinnerungen
Siegmund Helms, Die Melodiebildung in den Liedern von Johannes Brahms und ihr Verhältnis zu Volksliedern und volkstämlichen Weisen (Ph.D. diss., Freie Universität Berlin, 1968)
Werner Morik, Johannes Brahms und sein Verhältnis zum deutschen Volkslied (Tutzing, 1965)
Morik
Johannes Brahms und sein Verhältnis zum deutschen Volkslied
1965
14
Franz Liszt, "Berlioz und seine 'Harold-Symphonie'," Neue Zeitschrift für Musik 43 (1855), 25-26, 40-46, 49-55, 77-79, and 80-81
Liszt
25
43
Neue Zeitschrift für Musik
1855
Franz Liszt, Gesammelte Schriften, ed. L. Ramann (Leipzig, 1882), IV, 1-102
Liszt
1
IV
Gesammelte Schriften
1882
Source Readings in Music History: From Classical Antiquity through the Romantic Era, selected and annotated Oliver Strunk (New York, 1950), pp. 847-73
847
Source Readings in Music History: From Classical Antiquity through the Romantic Era
1950
15
Lawrence Kramer, Music and Poetry: The Nineteenth Century and After (Berkeley and Los An- geles, 1984)
Kramer
Music and Poetry: The Nineteenth Century and After
1984
Roland Jordan and Emma Kafalenos, "The Double Trajectory: Ambiguity in Brahms and Henry James," this journal 13 (1989), 129-4410.2307/746651
129
16
"Feminist Theory and Music II: A Continuing Dialogue" conference in Rochester, N. Y., 1993
Feminist Theory and Music II: A Continuing Dialogue
Conference in Rochester, N. Y., 1993
1993
Music as Cultural Practice, 1800-1900 (Berkeley and Los Ange- les, 1990), pp. 9-10
Kramer
9
Music as Cultural Practice, 1800-1900
1990
17
Harold C. Schonberg, The Lives of the Great Composers (New York, 1981), p. 296.
Schonberg
296
The Lives of the Great Composers
1981
18
Kalbeck, Brahms, I, 121
Kalbeck
121
I
Brahms
IV, 280 and 552
I, 212
Dietrich, Erinnerungen, pp. 3-4
3
Bozarth, "Brahms's Lieder Inventory," p. 111
Bozarth
111
Brahms's Lieder Inventory
Bozarth, "Brahms's Lieder ohne Worte," pp. 353-58
Bozarth
353
Brahms's Lieder ohne Worte
19
James Webster, "Brahms's Tragic Overture: The Form of Tragedy," in Brahms: Biographical, Documentary and Ana- lytical Studies, pp. 99-124
Webster
Brahms's Tragic Overture: The Form of Tragedy
99
Brahms: Biographical, Documentary and Analytical Studies
20
Johannes Brahms: Thematisch-bibliographisches Werkverzeichnis, p. 28
Brahms
28
Johannes Brahms: Thematisch-bibliographisches Werkverzeichnis
Constantin Floros, Brahms und Bruckner: Studien zur musikalischen Exegetik (Wiesbaden, 1980), p. 147
Floros
147
Brahms und Bruckner: Studien zur musikalischen Exegetik
1980
pp. 79-83
21
Brahms, Briefwechsel, XIV, 5
Brahms
5
XIV
Briefwechsel
E6 Major, op. 117, no. 1
Bozarth, "Brahms's Lieder ohne Worte," pp. 376-77
Bozarth
376
Brahms's Lieder ohne Worte
Kalbeck, Brahms, IV, 280
Kalbeck
280
IV
Brahms
Bozarth, "Brahms's Lieder Inventory," p. 111
Bozarth
111
Brahms's Lieder Inventory
22
Billroth und Brahms im Briefwechsel, ed. Otto Gottlieb-Billroth (Berlin, 1935), p. 211
211
Billroth und Brahms im Briefwechsel
1935
Brahms, Briefwechsel, IX, 201
Brahms
201
IX
Briefwechsel
XIII, 22 and 24-25
Clara Schumann-Johannes Brahms: Briefe aus den Jahren 1853-1896, ed. Berthold Litzmann [Leipzig, 1927], I, 198
198
I
Clara Schumann-Johannes Brahms: Briefe aus den Jahren 1853-1896
1927
23
Adolf Schubring, "Five Early Works by Brahms," trans. Frisch in Brahms and His World, p. 114
Schubring
Five Early Works by Brahms
114
Frisch in Brahms and His World
"Schumanniana Nr. 8: Die Schumann'sche Schule: IV. Johannes Brahms," Neue Zeitschrift für Musik 56 (1862), 109-12
Hollander
109
56
Neue Zeitschrift für Musik
1862
Walter Frisch, "Brahms and Schubring: Musical Criticism and Politics at Mid-Century," this journal 7 (1984), 271-81
Frisch
271
7
Nineteeth-Century Music
1984
24
mm. 37-44
25
Wilhelm Hauff, appears in Friedrich Silcher, 100 Volkslieder für eine Singstimme mit Begleitung des Pianoforte, p. 76
Hauff
76
100 Volkslieder für eine Singstimme mit Begleitung des Pianoforte
Bozarth, "Brahms's Lieder ohne Worte, " p. 365
Bozarth
365
Brahms's Lieder ohne Worte
26
Briefwechsel, XIV, 5.
5
XIV
Briefwechsel
27
Detlef Kraus, Johannes Brahms als Klavierkomponist: Wege und Hinweise zu seiner Klaviermusik (Wilhelmshaven, 1986), pp. 29-34
Kraus
29
Johannes Brahms als Klavierkomponist: Wege und Hinweise zu seiner Klaviermusik
1986
28
Kalbeck, Brahms, I, 121.
Kalbeck
121
I
Brahms
29
Bozarth, "Brahms's Lieder ohne Worte," pp. 358-68
Bozarth
358
Brahms's Lieder ohne Worte
"Brahms and the Poetic Motto: A Hermeneutic Aid?" (forthcoming)
30
Gottlieb- Billroth, Billroth und Brahms, p. 283
Gottliebbillroth
283
Billroth und Brahms
Johannes Brahms and Theodor Billroth: Letters from a Musical Friendship, trans. and ed. Hans Barkan (Norman, Okla., 1957), p. 80
80
Johannes Brahms and Theodor Billroth: Letters from a Musical Friendship
1957
Another letter (Sep- tember 1879)
op. 78
op. 78
Briefwechsel, XVI, 218
218
XVI
Briefwechsel
A third letter (31 August 1879)
"Hüten Sie sich aber, sie kann Ihnen einen Nachdrucksprozeβ zuziehen!" (Briefwechsel, X, 128)
Hüten Sie sich aber, sie kann Ihnen einen Nachdrucksprozeβ zuziehen
128
Briefwechsel
31
Gottlieb-Billroth, Billroth und Brahms, pp. 283-84
Gottlieb-Billroth
283
Billroth und Brahms
Barkan, Brahms and Billroth, pp. 80-81
Barkan
80
Brahms and Billroth
32
Gottlieb-Billroth, Billroth und Brahms, p. 284
Gottlieb-Billroth
284
Billroth und Brahms
Barkan, Brahms and Billroth, p. 81
Barkan
81
Brahms and Billroth
34
Hans Hollander, "Der melodische Aufbau in Brahms' Regenlied Sonate," Neue Zeitschrift für Musik 125 (1964), 5-7
Hollander
5
125
Neue Zeitschrift für Musik
1964
35
Edwin Evans, Handbook to the Chamber and Orchestral Works of Johannes Brahms, vol. II (Lon- don, 1912; rpt. New York, 1970), p. 64
Evans
64
II
Handbook to the Chamber and Orchestral Works of Johannes Brahms
1912
36
Gustav Jenner, "Johannes Brahms as Man, Teacher, and Artist," trans. Susan Gillespie, in Brahms and His World, p. 197.
Jenner
Johannes Brahms as Man, Teacher, and Artist
197
Brahms and His World
37
Des jungen Kreislers Schatzkästlein: Aussprüche von Dichtern, Philosophen und Künstlern, ed. Carl Krebs (Berlin, 1909)
Des jungen Kreislers Schatzkästlein: Aussprüche von Dichtern, Philosophen und Künstlern
1909
Karl Geiringer, "Brahms' zweites Schatzkästlein des jungen Kreisler," Zeitschrift für Musik 100 (1933), 443-46
Geiringer
443
100
Zeitschrift für Musik
1933
Kurt Hofmann, Die Bibliothek von Johannes Brahms: Bücher- und Musikalienverzeichnis (Hamburg, 1974)
Hofmann
Die Bibliothek von Johannes Brahms: Bücher- und Musikalienverzeichnis
1974
Musgrave, "The Cultural World of Brahms," in Brahms: Biographical, Documentary and Analytical Stud- ies, pp. 1-26
Musgrave
The Cultural World of Brahms
1
Brahms: Biographical, Documentary and Analytical Studies
38
Keys, Brahms Chamber Music, p. 52
Keys
52
Brahms Chamber Music
Frisch, Brahms and the Principle of Developing Variation (Berkeley and Los Angeles, 1984), p. 117
Frisch
117
Brahms and the Principle of Developing Variation
1984
MacDonald, Brahms, p. 282
Macdonald
282
Brahms
39
Schauffler, The Unknown Brahms, p. 373
Schauffler
373
The Unknown Brahms
Brahms and the Principle, p. 117
117
Brahms and the Principle
40
Ab major (mm. 99-102)
41
Brahms Chamber Music, p. 54
Keys
54
Brahms Chamber Music
mm. 91-122
mm. 95-110
42
mm. 11-14
165-68
43
Dietrich Fischer- Dieskau, The Fischer-Dieskau Book of Lieder, trans. George Bird and Richard Stokes (New York, 1980), pp. 319-20
Fischerdieskau
319
The Fischer-Dieskau Book of Lieder
1980
44
Ibid., p. 302.
302
45
Groth's Nachklang
Groth
Nachklang
Regenlied
46
Kalbeck, Brahms, III, 383-84, n. 1
Kalbeck
383
III
Brahms
Imogen Fellinger, "Brahms's View of Mozart," in Brahms: Biographical, Documentary and Analytical Studies, p. 53
Fellinger
Brahms's View of Mozart
53
Brahms: Biographical, Documentary and Analytical Studies
K. 379
op. 96
m. 145
m. 164
m. 217
47
Eduard Hanslick, "Brahms's Symphony No. 1 (1876)," in Hanslick's Music Criticisms, trans. Henry Pleasants (Toronto, 1950; rpt. New York, 1980), p. 126
Hanslick
Brahms's Symphony No. 1 (1876)
126
Hanslick's Music Criticisms
1950
The Music of Brahms, p. 134
Musgrave
134
The Music of Brahms
48
Musgrave, The Music of Brahms, pp. 188-90
Musgrave
188
The Music of Brahms
Kalbeck, Brahms, IV, 17-18
Kalbeck
17
IV
Brahms
I, 152 and 155
49
Kalbeck, Brahms, I, 83-84.
Kalbeck
83
I
Brahms
50
Roger Fiske, "Brahms and Scotland," Musical Times 109 (1968), 1106-07 and 1109-1110.2307/954227
1106
51
German folk songs (WoO 33)
52
mm. 72-85
53
August Kretzschmer and Anton Wilhelm von Zuccalmaglio, Deutsche Volkslieder mit ihren Original- Weisen (Berlin, 1838; rpt. Hildesheim, 1969), I, 56-57
Kretzschmer
56
I
Deutsche Volkslieder mit ihren OriginalWeisen
1969
54
Bozarth, "Brahms's Lieder ohne Worte," p. 348.
Bozarth
348
Brahms's Lieder ohne Worte
55
Ibid., pp. 348-52.
348
56
Hull, Brahms the Allusive, pp. 60-91.
Hull
60
Brahms the Allusive
58
Hull, Brahms the Allusive, pp. 62, 65, and 66.
Hull
62
Brahms the Allusive
59
Ibid., pp. 71-72, 78, and 84.
71
60
Horn Trio, op. 40
Eb major
61
J. A. Fuller-Maitland, Brahms (London, 1911; rpt. 1972), pp. 107-08
Fuller-Maitland
107
Brahms
1911
62
Ernst Herttrich, "Johannes Brahms-Klaviertrio H-dur Opus 8, Frühfassung und Spätfassung-ein analytischer Vergleich," in Musik, Edition, Interpretation: Gedenkschrift Günter Henle, ed. Martin Bente (Munich, 1980), pp. 218-36
Herttrich
Johannes Brahms-Klaviertrio H-dur Opus 8, Frühfassung und Spätfassung-ein analytischer Vergleich
218
Musik, Edition, Interpretation: Gedenkschrift Günter Henle
1980
63
Musgrave, Music of Brahms, pp. 195- 97
Musgrave
195
Music of Brahms
64
Briefwechsel, V, 31-32, 36, and 47.
31
V
Briefwechsel
65
Briefwechsel, XI, 177
177
XI
Briefwechsel
66
Schumann-Brahms Briefe, II, 393
393
II
Schumann-Brahms Briefe
Briefwechsel, XII, 37
37
XII
Briefwechsel
67
Briefwechsel, XII, 39
39
XII
Briefwechsel
68
Kalbeck, Brahms, I, 155.
Kalbeck
155
I
Brahms
69
Hull, Brahms the Allusive, pp. 237-38.
Hull
237
Brahms the Allusive
70
Kalbeck; Brahms, I, 152, 155
Kalbeck
152
I
Brahms
January of 1854 (p. 149)
Briefwechsel, V, 32
32
V
Briefwechsel
71
Philip Miller, The Ring of Words: An Anthology of Song Texts (New York, 1973), p. 122
Miller
122
The Ring of Words: An Anthology of Song Texts
1973
72
Nancy B. Reich, "Clara Schumann and Johannes Brahms," in Brahms and His World, pp. 37-47
Reich
Clara Schumann and Johannes Brahms
37
Brahms and His World
73
Eric Sams, "Brahms and His Clara Themes," Musical Times 112 (1971), 433-34.10.2307/955945
433
74
Sams, "Did Schumann Use Ciphers?" Musical Times 106 (1965), 584-9110.2307/949301
584
"The Schumann Ciphers," Musical Times 107 (1966), 392-40010.2307/954112
392
The Songs of Robert Schumann (London, 1969), pp. 22-26
22
The Songs of Robert Schumann
1969
"Schumann and the Tonal Analogue," in Robert Schumann: The Man and His Mu- sic, ed. Alan Walker (London, 1972), pp. 390-405
Schumann and the Tonal Analogue
390
Robert Schumann: The Man and His Music
1972
75
Eric Sams, "Brahms and His Musical Love Letters," Musical Times 112 (1971), 329-3010.2307/955894
329
"Brahms and His Clara Themes," 432-34
432
Brahms and His Clara Themes
76
Kalbeck, Brahms, I, 153-54.
Kalbeck
153
I
Brahms
77
Joseph Kerman, "A Romantic Detail in Schubert's Schwanengesang," in Schubert: Critical and Analytical Studies, ed. Walter Frisch (Lincoln, 1986), p. 52.
Kerman
A Romantic Detail in Schubert's Schwanengesang
52
Schubert: Critical and Analytical Studies
1986
78
Edward T. Cone, The Composer's Voice (Berkeley and Los Angeles, 1974), p. 5
Cone
5
The Composer's Voice
1974
79
Carolyn Abbate, Unsung Voices: Opera and Musical Narrative in the Nine- teenth Century (Princeton, 1991), pp. 3-29
Abbate
3
Unsung Voices: Opera and Musical Narrative in the Nineteenth Century
1991
80
Schauffler, The Un- known Brahms, p. 383
Schauffler
383
The Unknown Brahms
Musgrave, The Music of Brahms, p. 196
Musgrave
196
The Music of Brahms
MacDonald, Brahms, p. 78
MacDonald
78
Brahms
81
Karl Geiringer asserts that it endangers the "unitary character of the move- ment" in Brahms: His Life and Work (2nd edn. London, 1947), p. 226
Geiringer
2
Unitary character of the movement
226
Brahms: His Life and Work
1947
82
Kalbeck, Brahms, 1, 231.
Kalbeck
231
1
Brahms
83
Kramer, "The Musicology of the Future," Repercus- sions 1 (1992), 5-18
Kramer
5
1
Repercussions
1992
84
Ralph P. Locke, "Ab- solute music," The New Harvard Dictionary of Music, ed. Don M. Randel (Cambridge, 1986), p. 1
Locke
Absolute music
1
The New Harvard Dictionary of Music
1986
Roger Scruton, "Absolute music," The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie (London, 1980), vol. 1, pp. 26-27
Scruton
Absolute music
26
1
The New Grove Dictionary of Music and Musicians
1980
Dahlhaus, The Idea of Absolute Music, trans. Roger Lustig (Chicago, 1989)
Dahlhaus
The Idea of Absolute Music
1989
Susan McClary, "Narrative Agendas in 'Absolute' Music: Iden- tity and Difference in Brahms's Third Symphony," in Mu- sicology and Difference: Gender and Sexuality in Music Scholarship, ed. Ruth A. Solie (Berkeley and Los Angeles, 1993), pp. 326-44
McClary
Narrative Agendas in Absolute Music: Identity and Difference in Brahms's Third Symphony
326
Musicology and Difference: Gender and Sexuality in Music Scholarship
1993
85
Liszt, "Berlioz und seine 'Harold-Symphonie'," in Gesammelte Schriften, IV, 50
Liszt
50
IV
Gesammelte Schriften
Locke, "Program music," The New Harvard Dictionary of Music, pp. 656-59
Locke
Program music
656
The New Harvard Dictionary of Music
Scruton, "Programme music," The New Grove Dictionary, vol. 15, pp. 283-87
Scruton
Programme music
283
15
The New Grove Dictionary
86
Walter Wiora, "Zwischen absoluter und Programmusik," in Festschrift Friedrich Blume zum 70. Geburtstag, ed. Anna Amalie Abert and Wilhelm Pfannkuch (Kassel, 1963), pp. 381-88
Wiora
Zwischen absoluter und Programmusik
381
Festschrift Friedrich Blume zum 70. Geburtstag
1963
87
Hull, Brahms the Allusive, p. 11
Hull
11
Brahms the Allusive
Bozarth, "Brahms's Lieder ohne Worte," p. 377
Bozarth
377
Brahms's Lieder ohne Worte
Floros, Brahms und Bruckner, pp. 71-151
Floros
71
Brahms und Bruckner
Siegfried Kross, "Brahms und Schumann," Brahms-Studien 4 (1981), 7-44
Kross
7
4
Brahms-Studien
1981
A. Peter Brown, "Brahms's Third Symphony and the New German School," Journal of Musicology 2 (1983), 434-5210.2307/763689
434
Christopher Reynolds, "A Choral Symphony by Brahms?" this journal 9 (1985), 3-25
Reynolds
3
9
Nineteeth-Century Music
1985
88
"Between Public and Private: Symbolic Motifs in the Mu- sic of Brahms" (forthcoming)
89
Susan R. Suleiman, "Introduction: Varieties of Audience- Oriented Criticism," in The Reader in the Text: Essays on Audience and Interpretation, ed. Susan R. Suleiman and Inge Crosman (Princeton, 1980),. p. 4.
Suleiman
Introduction: Varieties of AudienceOriented Criticism
4
The Reader in the Text: Essays on Audience and Interpretation
1980
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