[Footnotes]

[Footnotes]
1
Maynard Solomon, "Franz Schubert and the Peacocks of Benvenuto Cellini," this journal 12 (1989), 193-206.10.2307/746501
193
2
Rita Steblin, "The Peacock's Tale: Schubert's Sexuality Reconsidered," this issue, 5-33.10.2307/746778
5
3
Music and Discourse: Toward a Semiology of Mu- sic, trans. Carolyn Abbate (Princeton, 1990), pp. 3-37.
Abbate
3
Music and Discourse: Toward a Semiology of Music
1990
4
Edward T. Cone, "Schubert's Promissory Note: An Exer- cise in Musical Hermeneutics," this journal 5 (1982), 233- 4110.2307/746462
233
5
Carl Dahlhaus, "Die Sonatenform bei Schubert: Der erste Satz des G-dur-Quartetts D. 887," Musica 32 (1978), 125- 30
Dahlhaus
125
32
Musica
1978
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