[Footnotes]

[Footnotes]
1
John Ardoin, jacket notes to Great Galloping Gottschalk, Ivan Davis, piano (London stereo CS-6943)
Ardoin
Great Galloping Gottschalk
William Mowder, "Gottschalk and Dwight: America's First Com- poser vs. America's First Critic," Journal of American Cul- ture 4 (1981), 160
Mowder
160
4
Journal of American Culture
1981
Klaus Geitel, jacket notes to The Lady Fainted, trans. Doreen Lewis, Alan Marks, piano (Nimbus 2145)
Geitel
The Lady Fainted
Gilbert Chase, America's Music: From the Pilgrims to the Present (rev. 3rd edn. Urbana, 1987), p. 292
Chase
3
292
America's Music: From the Pilgrims to the Present
1987
Jeanne Behrend, "Prelude" to Louis Moreau Gottschalk, Notes of a Pianist, trans. Robert E. Peterson, rev. and ed. Jeanne Beh- rend (New York, 1964), p. xvi
Behrend
Prelude
xvi
Notes of a Pianist
1964
Irving Lowens's discussion of The Last Hope in "Gottschalk, Louis Moreau," The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie (London, 1980), vol. 7, p. 571.
Lowens
Gottschalk, Louis Moreau
571
7
The New Grove Dictionary of Music and Musicians
1980
2
Dwight's Journal of Music, 22 October 1853, p. 22.
22 October
22
Dwight's Journal of Music
1853
3
Octavia Hensel [Mary Alice Ives Seymour], Life and Let- ters of Louis Moreau Gottschalk (Boston, 1870), p. 212.
Hensel
212
Life and Letters of Louis Moreau Gottschalk
1870
The Centennial Catalogue of the Published and Unpublished Compositions of Louis Moreau Gottschalk [New York, 1970], p. 8
8
The Centennial Catalogue of the Published and Unpublished Compositions of Louis Moreau Gottschalk
1970
Music and Musicians in Early America [New York, 1964], p. 233
233
Music and Musicians in Early America
1964
Where the Word Ends: The Life of Louis Moreau Gottschalk [Baton Rouge, 19581, p. 251
251
Where the Word Ends: The Life of Louis Moreau Gottschalk
1958
4
Solie, "Whose Life? The Gendered Self in Schumann's Frauenliebe Songs," in Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cambridge, 1992), p. 221.
Solie
Whose Life? The Gendered Self in Schumann's Frauenliebe Songs
221
Music and Text: Critical Inquiries
1992
5
Jane Tompkins, Sensational Designs: The Cultural Work of American Fiction 1790-1860 (New York, 1985), p. 124
Tompkins
124
Sensational Designs: The Cultural Work of American Fiction 1790-1860
1985
Janet Todd, Sensibility: An Introduction (London, 1986), p. 133
Todd
133
Sensibility: An Introduction
1986
Nina Baym, Woman's Fiction: A Guide to Novels by and about Women in America, 1820-1870 (Ithaca, N.Y., 1978)
Baym
Woman's Fiction: A Guide to Novels by and about Women in America, 1820-1870
1978
Robyn Warhol, "As You Stand, So You Feel and Are: The Crying Body and the Nineteenth- Century Text," in Tattoo, Torture, Mutilation, and Adorn- ment: The Denaturalization of the Body in Culture and Text, ed. Frances E. Mascia-Lees and Patricia Sharpe (Al- bany, N.Y., 1992), pp. 100-25
Warhol
As You Stand, So You Feel and Are: The Crying Body and the Nineteenth Century Text
100
Tattoo, Torture, Mutilation, and Adornment: The Denaturalization of the Body in Culture and Text
1992
6
Virginia Caputo and Karen Pegley, "Growing up Fe- male(s): Retrospective Thoughts on Musical Preferences and Meanings," repercussions 1 (1992), 65-80.
Caputo
65
1
repercussions
1992
7
P[aul] Arpin, Life of Louis Moreau Gottschalk, trans. Henry P. Watson (New York [?], 1853), p. 13
Arpin
13
Life of Louis Moreau Gottschalk
1853
Biographie de L. M. Gottschalk, Pianiste Américan [New York, 1853]
Biographie de L. M. Gottschalk, Pianiste Américan
1853
8
Gottschalk's Illustrated Concert Book (New York [?], 1863 [?]), p. 6
6
Gottschalk's Illustrated Concert Book
1863
John G. Doyle, Louis Moreau Gottschalk 1829-1869: A Biblio- graphical Study and Catalog of Works, Bibliographies in American Music, vol. VII (Detroit, 1982), pp. 68-69
Doyle
68
VII
Louis Moreau Gottschalk 1829-1869: A Bibliographical Study and Catalog of Works
1982
Offergeld, Centennial Catalog, pp. 8-11
Offergeld
8
Centennial Catalog
9
Gottschalk's Illustrated Concert Book, p. 6.
6
Gottschalk's Illustrated Concert Book
10
Arpin: "One would almost imagine that a shower of pearls were falling from his fingers. Its effect was electric" (Life of Gottschalk, p. 6)
Arpin
One would almost imagine that a shower of pearls were falling from his fingers. Its effect was electric
6
Life of Gottschalk
11
Lowens, Music and Musicians, p. 223 (the phrase is used as the title of chap. 13)
Lowens
chap. 13
223
Music and Musicians
Music as Cultural Practice, 1800-1900 [Berkeley and Los Angeles, 1990), p. 90
90
Music as Cultural Practice, 1800-1900
1900
12
New-York Daily Times, 12 February 1853, p. 4
12 February
4
New-York Daily Times
1853
New- York Daily Tribune, 12 February 1853, p. 5
12 February
5
New York Daily Tribune
1853
Veritas, re- views in Dwight's Journal, 24 November 1855, p. 61
Veritas
24 November
61
Dwight's Journal
1855
8 December 1855, p. 77
John Sullivan Dwight, in Dwight's Journal, 18 October 1862, p. 231
Dwight
18 October
231
Dwight's Journal
1862
Ada Clare, Only a Woman's Heart (New York, 1866), pp. 117, 141-42
Clare
117
Only a Woman's Heart
1866
13
Clare, Only a Woman's Heart, p. 227
Clare
227
Only a Woman's Heart
Arpin, Life of Gottschalk, p. 13
Arpin
13
Life of Gottschalk
Dwight's Journal, 1 March 1856, p. 173
1 March
173
Dwight's Journal
1856
Loggins, Where the Word Ends, p. 195
Loggins
195
Where the Word Ends
15
Peter J. Rabinowitz and Jay Reise, "The Phonograph Behind the Door: Some Thoughts on Musical Literacy," in Reading World Literature, ed. Sarah Lawall (Austin, Tx., forthcom- ing)
Rabinowitz
The Phonograph Behind the Door: Some Thoughts on Musical Literacy
Reading World Literature
"Chord and Discourse: Listening through the Written Word," in Music and Text, pp. 38-56
Chord and Discourse: Listening through the Written Word
38
Music and Text
"Whit- ing the Wrongs of History: The Resurrection of Scott Jop- lin," Black Music Research Journal 11 (1991), 157-7610.2307/779264
157
16
Dwight's Journal, 19 February 1853, p. 158
19 February
158
Dwight's Journal
1853
Hensel, p. 30
17
Clare, Only a Woman's Heart, p. 132.
Clare
132
Only a Woman's Heart
18
Gottschalk, p. 110
19
Gottschalk's Illustrated Concert Book, p. 9
9
Gottschalk's Illustrated Concert Book
20
Seymour Chatman, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca, N.Y., 1978), pp. 244-45
Chatman
244
Story and Discourse: Narrative Structure in Fiction and Film
1978
21
Gottschalk's Illustrated Concert Book, p. 6
6
Gottschalk's Illustrated Concert Book
22
Loggins, Where the Word Ends, p. 220.
Loggins
220
Where the Word Ends
23
Ibid., p. 223.
223
24
Susan Warner, The Wide, Wide World (New York, n.d.), p. 582 (chap. 52)
Warner
chap. 52
582
The Wide, Wide World
Three Greek Romances, trans. Moses Hadas [Indianapolis, 1953], p. 77
77
Three Greek Romances
1953
25
Warhol, "As You Stand," pp. 112-14
Warhol
112
As You Stand
Zajonc, "Emotion and Facial Efference: A Theory Reclaimed," Science 228 [1985], 1910.2307/1694988
19
Paul Ekman, Robert W. Levenson, and Wallace V. Friesen, "Autonomic Nervous System Activity Distin- guishes among Emotions," Science 221 [1983], 121010.2307/1691002
1210
Kathleen V. Hoover-Dempsey, Jeanne M. Plas, and Barbara Strudler Wallston, "Tears and Weeping among Pro- fessional Women: In Search of New Understanding," Psy- chology of Women Quarterly 10 (1986), 19-33
Hoover-Dempsey
19
10
Psychology of Women Quarterly
1986
Cathe- rine E. Ross and John Mirowsky, "Men Who Cry," Social Psychology Quarterly 47 (1984), 138-4610.2307/3033942
138
Curt Suplee, "The Enduring Mystery of Tears," Washington Post, 19 April 1987, sec. D, p. 3
Suplee
19 April
3
Washington Post
1987
26
Warhol, "As You Stand," p. 113.
Warhol
113
As You Stand
27
George Sand, Indiana, trans. George Burnham Ives (Chi- cago, 1978), p. 40.
40
George Sand, Indiana
1978
28
Hensel (p. 80)
29
Zajonc, "Emotion and Facial Efference," p. 19
Zajonc
19
Emotion and Facial Efference
Janice L. Hastrup, John G. Baker, Deborah L. Kraemer, and Robert F. Bornstein, "Crying and Depression among Older Adults," The Gerontologist 26 [1986], 91
Hastrup
91
26
The Gerontologist
1986
30
Helen Taylor's discussion of Gone with the Wind bonding ("Gone with the Wind," in The Progress of Romance: The Politics of Popular Fiction, ed. Jean Radford [London, 1986])
Taylor
Gone with the Wind
The Progress of Romance: The Politics of Popular Fiction
1986
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