[Footnotes]

[Footnotes]
1
Adolph Bernhard Marx, The Music of the Nineteenth Century, and Its Culture, trans. August Heinrich Wehrhan (London, 1855)
Marx
The Music of the Nineteenth Century, and Its Culture, trans
1855
Die Musik des neunzehnten Jahrhunderts und ihre Pflege (Leipzig, 1854)
Die Musik des neunzehnten Jahrhunderts und ihre Pflege
1854
2
Marx, The Music of the Nineteenth Century, pp. iii-iv.
iii
3
Allgemeine Musiklehre: Ein Hülfsbuch für Lehrer und Lernende in jedem Zweige musikalischer Un- terweisung (8th edn. Leipzig, 1869)8
Allgemeine Musiklehre: Ein Hülfsbuch für Lehrer und Lernende in jedem Zweige musikalischer Unterweisung
1869
4
Seeger's work, Studies in Musicology, 1935-1974 (Berkeley and Los Angeles, 1977)
Seeger
Studies in Musicology
1977
5
James Porter surveys these approaches in "Muddying the Crystal Spring: From Idealism and Realism to Marxism in the Study of English and American Folk Song, " in Compar- ative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, ed. Bruno Nettl and Philip V. Bohlman (Chicago, 1991), pp. 113-30.
Porter
Muddying the Crystal Spring: From Idealism and Realism to Marxism in the Study of English and American Folk Song
113
Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology
1991
6
Alan P. Merriam, The Anthropology of Music (Evanston, Ill., 1964)
Merriam
Ill
The Anthropology of Music
1964
John Blacking, How Mu- sical Is Man? (Seattle, 1973)
John
How Musical Is Man?
1973
7
John Shepherd, Phil Virden, Graham Vulliamy, and Trevor Wishart, Whose Music? A Sociology of Musical Languages (London, 1977)
Shepherd
Whose Music? A Sociology of Musical Languages
1977
Music and So- ciety: The Politics of Composition, Performance and Re- ception, ed. Richard Leppert and Susan McClary (Cam- bridge, 1987)
Music and Society: The Politics of Composition, Performance and Reception
Richard Leppert and Susan McClary
1987
8
Catherine Ellis, Aboriginal Music: Education for Living [St. Lucia, Australia, 1985]
Ellis
Aboriginal Music: Education for Living
1985
Marina Roseman, Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine [Berkeley and Los Angeles, 1991]
Roseman
Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine
1991
Polka Happiness [Philadelphia, forthcoming]
Polka Happiness
9
"Stimmen der Völker in Liedern" and Volkslieder [Stuttgart, 1975; first publ. in 1778-79]
Stimmen der Völker in Liedern" and Volkslieder
1975
10
Carl Dahlhaus, The Idea of Absolute Music, trans. Roger Lustig (Chicago, 1989)
Dahlhaus
The Idea of Absolute Music, trans
1989
11
Shepherd, Music as Social Text [Cambridge, 1991]
Shepherd
Music as Social Text
1991
Popular Music (Cambridge, 1981- )
Popular Music
1981
12
Music and Society, p. xiii.
xiii
Music and Society
13
Shepherd, Music as Social Text, p. 4.
4
15
Patrick Brantlinger, Crusoe's Footprints: Cultural Studies in Britain and America (New York, 1990)
Brantlinger
Crusoe's Footprints: Cultural Studies in Britain and America
1990
16
Edward W. Said, Musical Elaborations (New York, 1991), pp. xvi-vii
Said
xvi
Musical Elaborations
1991
17
Gary Tomlinson, "The Web of Culture: A Context for Musicology," this journal 7 [1984], 350-6210.2307/746387
350
19
Hermann Kurzke, Hymnen und Lieder der Deutschen (Mainz, 1990)
Kurzke
Hymnen und Lieder der Deutschen
1990
Jean Comaroff and John Comaroff, Of Revela- tion and Revolution: Christianity, Colonialism, and Con- sciousness in South Africa, vol. I (Chicago, 1991), pp. 3 and 315-16
Comaroff
3
I
Of Revelation and Revolution: Christianity, Colonialism, and Consciousness in South Africa
1991
20
Merriam, The Anthropology of Music, pp. 32-35.
32
21
Steven Feld, "Sound Structure as Social Structure," Ethnomusicology 28 (1984), 383-41010.2307/851232
383
Thomas Turino, "The Coherence of Social Style and Musical Creation among the Aymara of Southern Peru," Ethnomusicology 33 (1989), 1-3010.2307/852167
1
22
Musik im Alltag, ed. Reinhold Brink- mann (Mainz, 1980)
Musik im Alltag
1980
Introduction to the Sociology of Music, trans. E. B. Ashton (New York, 176)
Introduction to the Sociology of Music, trans
1976
"On the Fetish Character of Music and the Regression of Listening," in The Essential Frankfurt School Reader, ed. Andrew Arato and Eike Gebhardt (New York, 1978), pp. 270-99
On the Fetish Character of Music and the Regression of Listening
270
The Essential Frankfurt School Reader
1978
24
Henry Kingsbury, Music, Talent, and Performance: A Conserva- tory Cultural System [Philadelphia, 1988]
Kingsbury
Music, Talent, and Performance: A Conservatory Cultural System
1988
"Of Yekkes and Chamber Music in Israel: Ethnomusicological Meaning in Western Music History," in Ethnomusicology and Modern Music History, ed. Stephen Blum, Philip V. Bohlman, and Dan- iel M. Neuman [Urbana, Ill., 1991], pp. 254-67
Of Yekkes and Chamber Music in Israel: Ethnomusicological Meaning in Western Music History
254
Ill
Ethnomusicology and Modern Music History, ed. Stephen Blum
1991
James Parakilas, "Classical Music as Popular Music," Journal of Musi- cology 3 [1984], 1-18)10.2307/763659
1
26
Tomlinson, "The Web of Culture," pp. 352-53
Tomlinson
352
The Web of Culture
"Cultural Dialogics and Jazz: A White Historian Signi- fies," in Disciplining Music: Musicology and Its Canons, ed. Katherine Bergeron and Philip V. Bohlman (Chicago, 1992), pp. 64-94.
Cultural Dialogics and Jazz: A White Historian Signifies
64
Disciplining Music: Musicology and Its Canons
1992
27
Nicholas Cook, Music, Imagination, and Culture (Ox- ford, 1990).
Cook
Music, Imagination, and Culture
1990
28
Christopher Ballantine, Music and Its Social Meanings (New York, 1984).
Ballantine
Music and Its Social Meanings
1984
29
Shepherd, Music as Social Text, p. 17.
17
30
Claude Levi-Strauss, The Raw and the Cooked: Introduction to a Science of My- thology, trans. John Weightman and Doreen Weightman (New York, 1969)
Lévi-Strauss
The Raw and the Cooked: Introduction to a Science of Mythology, trans
1969
31
Feld, Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression (2nd edn. Philadelphia, 1990).
Feld
2
Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression
1990
32
Alan Lomax, Folk Song Style and Culture (Washington, D.C., 1968).
Lomax
Folk Song Style and Culture
1968
33
Walter Benjamin, Das Passagen-Werk, ed. Rolf Tiede- mann (Frankfurt, 1982)
Benjamin
Das Passagen-Werk
1982
Walter Benjamin 1892- 1940, ed. Rolf Tiedemann, Christoph Gödde, and Henri Lonitz (Marbacher Magazin 55) (1990), 259-75
259
Walter Benjamin 1892-1940
1990
34
Said, Musical Elaborations.
35
Klaus Theweleit, Buch der Konige, vol. I: Orpheus und Eurydike (Basel, 1988).
Theweleit
I
Buch der Konige
1988
36
Shepherd, Whose Music?
37
Dave Harker, Fake- song: The Manufacture of British 'Folksong,' 1700 to the Present Day (Milton Keynes, 1985)
Harker
Harker, Fakesong: The Manufacture of British 'Folksong,' 1700 to the Present Day
1985
All That Is Native and Fine: The Politics of Culture in an American Region (Chapel Hill, N. C., 1983)
All That Is Native and Fine: The Politics of Culture in an American Region
1983
Porter, "Muddying the Crystal Spring."
Porter
Muddying the Crystal Spring
38
William Weber, Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (New York, 1975).
Weber
Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna
1975
39
"Representation and Cultural Critique in the History of Ethnomusicology," in Comparative Musicology and Anthropology of Music, pp. 131-51.
131
Comparative Musicology and Anthropology of Music
41
Customs in Common: Studies in Traditional Popular Culture (Lon- don, 1991), pp. 467-538
467
Customs in Common: Studies in Traditional Popular Culture
1991
42
Blacking, "A Commonsense View of All Music": Reflec- tion on Percy Grainger's Contribution to Ethnomusi- cology and Music Education (Cambridge, 1987), p. x.
Blacking
x
A Commonsense View of All Music": Reflection on Percy Grainger's Contribution to Ethnomusicology and Music Education
1987
43
Music of the Common Tongue: Survival and Cel- ebration in Afro-American Music (London, 1987)
Music of the Common Tongue: Survival and Celebration in Afro-American Music
1987
44
McClary, Feminine Endings: Music, Gender, and Sexu- ality (Minneapolis, 1991), p. 23.
McClary
23
Feminine Endings: Music, Gender, and Sexuality
1991
45
Ibid., p. 25.
25
46
Blacking, "Toward an Anthropology of the Body," in his Anthropology of the Body (London, 1977), pp. 1-28
Blacking
Toward an Anthropology of the Body
1
His Anthropology of the Body
1977
47
Howard S. Becker, Art Worlds (Berkeley and Los Angeles, 1982)
Becker
Art Worlds
1982
48
Michael P. Steinberg, The Meaning of the Salzburg Fes- tival: Austria as Theater and Ideology, 1890-1938 (Ithaca, N. Y., 1990).
Steinberg
The Meaning of the Salzburg Festival: Austria as Theater and Ideology
1990
49
Adorno, "Konzeption eines Wiener Op- erntheaters," in Studien zur Wertungsforschung, vol. II, ed. Harald Kaufmann (Graz, 1969), pp. 7-25
Adorno
Konzeption eines Wiener Operntheaters
7
II
Studien zur Wertungsforschung
1969
Jane F. Fulcher, The Nation's Image: French Grand Opera as Pol- itics and Politicized Art (Cambridge, 1987)
Fulcher
The Nation's Image: French Grand Opera as Politics and Politicized Art
1987
50
Verdi's Don Carlo in this issue, pp. 182-204
182
Verdi's Don Carlo in this issue
51
Marx, Music of the Nineteenth Century, p. 113.
113
52
ibid., p. 107
107
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