Notes

Notes
1
Walter Benjamin, Moscow Diary, ed. Gary Smith, trans. Richard Sieburth (Cambridge, Mass., 1986), p. 28
Benjamin
28
Walter Benjamin, Moscow Diary
1986
pp. 5-8
p. 9, nn. 2-3
Dieter Hildebrandt, Pianoforte: A Social History of the Piano, trans. Harriet Goodman (New York, 1988), p. 123.
Hildebrandt
123
Pianoforte: A Social History of the Piano
1988
2
Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment, trans. John Cumming (New York, 1972), p. 249.
Horkheimer
249
Dialectic of Enlightenment
1972
3
John Berger, Ways of Seeing (Harmondsworth, 1972)
Berger
Ways of Seeing
1972
Marcia Pointon, Naked Authority: The Body in Western Painting, 1830-1908 (Cambridge, 1990).
Pointon
Naked Authority: The Body in Western Painting
1990
5
Michel Foucault, The History of Sexuality, vol. II: The Use of Pleasure, trans. Robert Hurley (New York, 1990).
Foucault
The History of Sexuality
II
The Use of Pleasure
1990
6
Jacques Derrida, The Truth in Painting, trans. Geoff Bennington and Ian McLeod (Chicago, 1987), pp. 60-79, and passim.
Derrida
60
The Truth in Painting
1987
7
"Concert in a House: Musical Iconography and Musical Thought," Early Music 7 (1979), 3-17.10.2307/3126378
3
8
The Archaeology of Knowledge and the Discourse on Lan- guage, trans. A. M. Sheridan Smith (New York, 1972)
The Archaeology of Knowledge and the Discourse on Language
1972
Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan (New York, 1977).
Sheridan
Discipline and Punish: The Birth of the Prison
1977
9
Simon Schama, The Embarrassment of Riches: An In- terpretation of Dutch Culture in the Golden Age (New York, 1987).
Schama
The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age
1987
10
Thomas McGeary, "Harpsichord Mottoes," Journal of the American Musical Instrument Society 7 (1981), 20, motto no. 8
McGeary
8
Journal of the American Musical Instrument Society
1981
idem, "Harpsichord Decoration - A Reflection of Renaissance Ideas about Mu- sic," Explorations in Renaissance Culture 6 (1980), 1-27
1
6
Explorations in Renaissance Culture
1980
Grant O'Brien, Ruckers: A Harpsichord and Virginal Building Tradition (Cambridge, 1990), pp. 165-67.
165
Grant O'Brien, Ruckers: A Harpsichord and Virginal Building Tradition
1990
11
McGeary, "Harpsichord Mottoes," p. 19, motto no. 4
19
p. 21, no. 15
p. 34, no. 73
12
Ibid., p. 21, motto no. 13.
13
Ibid., p. 23, motto no. 27
14
Jeannine Lambrechts-Douillez, "Documents Dealing with the Ruckers Family and Antwerp Harpsichord-building," Keyboard Instruments: Studies in Keyboard Organology, ed. Edwin M. Ripin (Edinburgh, 1971), pp. 37-41
Lambrechts-Douillez
Documents Dealing with the Ruckers Family and Antwerp Harpsichord-building
37
Keyboard Instruments: Studies in Keyboard Organology
1971
Sheridan Germann, "Monsieur Doublet and His confreres: The Harpsichord Decorators of Paris," Early Music 8 (1980), 435-53, and 9 (1981), 192-207.10.2307/3126531
192
15
Raymond Russell, Vic- toria and Albert Museum Catalogue of Musical Instru- ments, vol. II: Keyboard Instruments (London, 1968), p. 58, no. 28 (illustrated)
Russell
Victoria and Albert Museum Catalogue of Musical Instruments
58
II
Keyboard Instruments
1968
The Belle Skinner Collection of Old Musical Instruments: A Descriptive Catalogue, comp. William Skinner (n.p., 1933), pp. 31-34
Skinner
31
The Belle Skinner Collection of Old Musical Instruments: A Descriptive Catalogue
1933
The Russell Collection and Other Early Keyboard Instruments in Saint Cecilia's Hall, Edinburgh, comp. Sidney Newman and Peter Williams (Edinburgh, 1968), pp. 2-3
2
The Russell Collection and Other Early Keyboard Instruments in Saint Cecilia's Hall
1968
Katalog der Sammlung alter Musikinstrumente, vol. I: Saitenkla- viere (Vienna, 1966), pp. 13-14, cat. no. 10, pl. no. 4
13
I
Katalog der Sammlung alter Musikinstrumente
1966
16
Music and Image: Domesticity, Ideology and Socio-Cultural For- mation in Eighteenth-Century England (Cambridge, 1988)
Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England
1988
esp. pp. 22-25, 107-29
Craig H. Roell, The Piano in America, 1890-1940 (Chapel Hill, 1989), p. 16
Roell
16
The Piano in America
1940
17
Roell, Piano in America, pp. 3-28
3
p. 5
Arthur Loesser, Men, Women and Pi- anos: A Social History (New York, 1954), pp. 267-79
Loesser
267
Men, Women and Pianos: A Social History
1954
"The London Pianoforte School," Musical Times 126 (1985), 25-2710.2307/962440
25
"Lon- don and the Piano, 1760-1860," Musical Times 129 (1988), 289-9310.2307/964880
289
Asa Briggs, Victorian Things (Chi- cago, 1988), regarding the piano, p. 248
Briggs
248
Victorian Things
1988
A History of Private Life, ed. Michelle Perrot, vol. IV: From the Fires of Revolution to the Great War, trans. Arthur Goldhammer (Cambridge, Mass., 1990).
A History of Private Life
IV
From the Fires of Revolution to the Great War, trans
1990
18
Music and Image, fig. 80, pp. 183-88.
183
19
Christoph Rueger, Musical Instruments and Their Decoration: Historical Gems of European Culture, trans. Peter Underwood (London, 1986), p. 58.
Rueger
58
Musical Instruments and Their Decoration: Historical Gems of European Culture, trans
1986
20
F.-C. Legrand, Les Peintres flamands de genre au XVIIe siècle (Brussels, 1963), pp. 189-226
Legrand
189
XVIIe
Les Peintres flamands de genre
1963
Walther Bernt, The Netherlandish Painters of the Seventeenth Century, trans. P. S. Falla (from third German edn.), 3 vols. (New York, 1970), passim.
Bernt
The Netherlandish Painters of the Seventeenth Century
1970
21
Luigi Russolo, The Art of Noises, Monographs in Musi- cology, no. 6, trans. Barclay Brown (New York, 1986), pp. 26-27
Russolo
26
The Art of Noises
1986
22
The New Grove Piano, ed. Edwin M. Ripin et al., The Grove Musical Instrument Series, ed. Stanley Sadie (New York, 1988)
The New Grove Piano
The Grove Musical Instrument Series
1988
Cyril Ehrlich, The Piano: A History (London, 1976)
Ehrlich
The Piano: A History
1976
Loesser, Men, Women and Pianos
Hildebrandt, Pi- anoforte: A Social History
Hildebrandt
Pianoforte: A Social History
pp. 121-27
Andreas Ballstaedt and Tobias Widmaier, Salonmusik: Zur Geschichte und Funktion einer bürgerlichen Musikpraxis, Beihefte zum Archiv ftir Musikwissenschaft, vol. 28 (Stuttgart, 1989), esp. pp. 183- 236.
Ballstaedt
183
28
Salonmusik: Zur Geschichte und Funktion einer bürgerlichen Musikpraxis
1989
23
Ehrlich, Piano, pp. 203-21
203
Social Emulation and Industrial Progress-The Victorian Piano, New Lecture Series, no. 82 (Belfast, 1975).
82
New Lecture Series
1975
p. 7
Roell, Piano in America, pp. 139-82
139
Christine Mer- rick Ayars, Contributions to the Art of Music in America by the Music Industries of Boston, 1640 to 1936 (New York, 1937), pp. 99-101
Ayars
99
Contributions to the Art of Music in America by the Music Industries of Boston
1937
Rosamond E. M. Harding, The Piano-Forte: Its History Traced to the Great Exhibition of 1851 (1933, rpt. New York, 1973), pp. 376-409
Harding
376
The Piano-Forte: Its History Traced to the Great Exhibition
1933
David Wainwright, Broad- wood, by Appointment: A History (London, 1982)
Wainwright
Broadwood, by Appointment: A History
1982
24
Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (Cambridge, Mass., 1984)
Bourdieu
Distinction: A Social Critique of the Judgement of Taste
1984
25
Music and Image, esp. pp. 11-70.
11
26
C. F. Colt, with Antony Miall, The Early Piano (Lon- don, 1981), p. 62
Colt
62
Antony Miall, The Early Piano
1981
27
Norman E. Michel, Historical Pianos, Harpsichords & Clavichords (Pico Rivera, Ca., 1970), p. 164
Michel
Historical Pianos, Harpsichords & Clavichords
1970
Helen Rice Hollis, Pianos in the Smithsonian Institu- tion, Smithsonian Studies in History and Technology, no. 27 (Washington, D.C., 1973), pp. 25-27
Hollis
27
25
Smithsonian Studies in History and Technology
1973
Broad- wood, ca. 1815
Clemens C. J. von Gleich, Pianofortes uit de Lage Landen (The Hague, 1980), pp. 22-23, cat. no. 6 (Dutch and English text)
von Gleich
22
Pianofortes uit de Lage Landen
1980
28
Edwin M. Good, Giraffes, Black Dragons, and Other Pianos: A Technological History from Christo- fori to the Modern Concert Grand (Stanford, Ca., 1982)
Good
Giraffes, Black Dragons, and Other Pianos: A Technological History from Christofori to the Modern Concert Grand
1982
Nicholas Renouf, Musical Instruments in the Viennese Tradition: 1750-1850, exhibition catalogue (New Haven, 1981), p. 22, cat. no. 16
Renouf
22
Musical Instruments in the Viennese Tradition: 1750-1850
1981
Hollis, The Piano: A Pictorial Account of Its Ancestry and Development (Newton Abbot, 1975), p. 83, pl. no. 75
Hollis
83
The Piano: A Pictorial Account of Its Ancestry and Development
1975
Andrew Clements, "Eccentric Pianos," The Book of the Piano, ed. Dominic Gill (Ithaca, N. Y., 1981), pp. 248-57
Clements
Eccentric Pianos
248
The Book of the Piano
1981
Harding, Piano-Forte, pp. 264-66
264
Franz Josef Hirt, Meisterwerke des Klavierbaus: Geschichte der Sait- enklaviere von 1440 bis 1880 (Olten, 1955), pp. 377-80
Hirt
377
Meisterwerke des Klavierbaus: Geschichte der Saitenklaviere von 1440 bis 1880
1955
29
Loesser, Men, Women and Pianos, pp. 560-61
560
p. 564 and p. 245
Michel, Old Pianos (Rivera, Ca., 1954), p. 167
Michel
167
Old Pianos
1954
30
Albert Pomme de Mirimonde, L'Iconographie musicale sous les rois Bourbons: la mu- sique dans les arts plastiques (XVIIk-XVIII siecles), La vie musicale en France sous les rois Bourbons, no. 22 (Paris, 1975), pp. 62-65
de Mirimonde
62
L'Iconographie musicale sous les rois Bourbons: la musique dans les arts plastiques (XVIIk-XVIII siecles)
1975
Dorothy M. Ko- sinski, Orpheus in Nineteenth-Century Symbolism (Ann Arbor, 1989), esp. pp. 5-7, 81-90.
Kosinski
5
Nineteenth-Century Symbolism
1989
31
Victor-Charles Mahillon, Catalogue de- scriptif et analytique du Musée instrumental du Conser- vatoire royal de musique de Bruxelles, vol. III (1900, rpt. Bruxelles, 1978), pp. 158-59, cat. no. 1591
Mahillon
158
III
Musée instrumental du Conservatoire royal de musique de Bruxelles
1900
33
Timothy J. Clark, "Preliminaries to a Possible Treatment of 'Olympia' in 1865," Screen 21 (1980), 36
Clark
36
21
Screen
1980
T. J. Edelstein, "'The Yellow-Haired Fiend'- Rossetti and the Sensational Novel," Library Chronicle 43 (1979), 180-93
Edelstein
180
43
Library Chronicle
1979
Michael Bartram, The Pre-Raphaelite Camera: Aspects of Victorian Photography (London, 1985), pp. 139-41
Bartram
139
The Pre-Raphaelite Camera: Aspects of Victorian Photography
1985
"Hair down, face illuminated by candles, eyes vacant, the female pianist was depicted [by male novelists] as a prey to male desire" (History of Private Life, IV, 533)
Roell, Piano in America, pp. 26-27
26
34
Londa Schiebinger, "Skeletons in the Closet: The First Illustrations of the Female Skeleton in 18th-Century Anatomy," Representations 14 (1986), 42-8210.2307/2928435
42
France Borel, The Seduction of Venus: Artists and Models (New York, 1990), esp. the chap. "In Praise of Flayed Souls," pp. 166-79
Borel
166
The Seduction of Venus: Artists and Models
1990
Pointon, Naked Authority, pp. 35-58
35
"The Gross Clinic" and "The Agnew Clinic," by Thomas Eakins.
Eakins
The Gross Clinic
The Agnew Clinic
36
"Music, Domestic Life and Cultural Chauvinism: Images of British Subjects at Home in India," in Music and So- ciety: The Politics of Composition, Performance and Re- ception, ed. Richard Leppert and Susan McClary (Cam- bridge, 1987), pp. 71-78
Music, Domestic Life and Cultural Chauvinism: Images of British Subjects at Home in India
71
Music and Society: The Politics of Composition, Performance and Reception
1987
Susan McClary, Feminine Endings: Music, Gender, and Sexu- ality (Minneapolis, 1991).
McClary
Feminine Endings: Music, Gender, and Sexuality
1991
38
Taft Museum, Cincinnati, reproduced in Hollis, The Piano, p. 97, pl. no. 82
Museum
97
The Piano
39
Graham Reynolds, Victorian Painting (rev. edn. New York, 1987), p. 93, cat. no. 59.
Reynolds
93
Victorian Painting
1987
40
A History of Pri- vate Life, IV, 512-18.
512
41
Roland Barthes, "Listening," The Responsibility of Forms: Critical Essays on Music, Art, and Representation, trans. Richard Howard (New York, 1985), p. 257.
Barthes
Listening
257
The Responsibility of Forms: Critical Essays on Music, Art, and Representation, trans
1985
42
Penelope Fitzgerald, Edward Burne-Jones: A Biography (London, 1975), p. 71.
Fitzgerald
71
Edward Burne-Jones: A Biography
1975
42
Michael I. Wilson, "The Case of the Victorian Piano," in Victoria and Albert Museum Yearbook, vol. III (London, 1972), p. 140
Wilson
The Case of the Victorian Piano
140
III
Victoria and Albert Museum Yearbook
1972
Russell, Victoria and Albert, pp. 65-66, cat. no. 41 (illustrated)
Russell
41
65
Victoria and Albert
44
Wilson, "Case of the Victorian Piano," p. 140
140
p. 141
Burne-Jones adopted the subject from the fresco "The Tri- umph of Death" in Campo Santo, Pisa, which he saw in 1859
Burne-Jones adopted the subject from the fresco
The Triumph of Death
1859
The Pre-Raphaelites and Their Circle in the National Gallery of Victoria (Mel- bourne, 1978), cat. no. 11
The Pre-Raphaelites and Their Circle in the National Gallery of Victoria
1978
Fitzgerald, Edward Burne-Jones, p. 71
71
pp. 140-50
Wainwright, Broadwood, by Appointment, pp. 209-12
209
Wainwright, The Piano Makers (London, 1975), pp. 113-18.
Wainwright
113
The Piano Makers
1975
45
Fitzgerald, Edward Burne-Jones, p. 71.
71
47
Jan Marsh, The Pre-Raphaelite Sisterhood (New York, 1985), p. 176, and passim
Jan
176
The Pre-Raphaelite Sisterhood
1985
pp. 149, 151
48
Frank Mort, Dangerous Sexualities: Medico-Moral Politics in England since 1830 (London, 1987)
Mort
Dangerous Sexualities: Medico-Moral Politics in England since 1830
1987
Cynthia Eagle Russett, Sexual Science: The Victo- rian Construction of Womanhood (Cambridge, Mass., 1989)
Russett
Cynthia Eagle Russett
Sexual Science: The Victorian Construction of Womanhood
1989
Jeffrey Weeks, Sex, Politics and Society: The Regulation of Sexuality since 1800 (2nd edn. London, 1989)
Weeks
2
Politics and Society: The Regulation of Sexuality since 1800
1989
49
Rudolf Wittkower, Gian Lorenzo Bernini: The Sculptor of the Roman Baroque (2nd edn. London, 1966), "Pluto and Proserpine," pl. 12, cat. no. 10, p. 178
Wittkower
2
178
Gian Lorenzo Bernini: The Sculptor of the Roman Baroque
1966
"Apollo and Daphne," pl. 14, cat. no. 18, pp. 183-84
18
183
Apollo and Daphne
Nicholas Poussin, "The Rape of the Sab- ines" in the Metropolitan Museum of Art10.2307/3257295
50
Horkheimer and Adorno, Dialectic of Enlighten- ment, pp. 32-37 and 43-80
Horkheimer
32
Dialectic of Enlightenment
Richard Dellamora, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill, 1990)
Dellamora
Masculine Desire: The Sexual Politics of Victorian Aestheticism
1990
Rueger, Musical Instruments and Their Decoration, pp. 87-88
87
Loesser, Men, Women, and Pianos, pp. 167-74, 243-44, 252-53, 448-50
167
Al- bert E. Wier, The Piano: Its History, Makers, Players and Music (London, 1941), pp. 42-45.
Wier
42
The Piano: Its History, Makers, Players and Music
1941
51
Lawrence Kramer, "Cul- ture and Musical Hermeneutics: The Salome Complex," Cambridge Opera Journal 2 (1990), 269-9410.2307/823687
269
Bram Dijkstra, Idols of Perversity: Fantasies of Feminine
Dijkstra
Idols of Perversity: Fantasies of Feminine
52
Theme of Music in Flemish Paintings of the Seventeenth Century, 2 vols. (Munich, 1977), I, 201-13, 220-23
201
I
Theme of Music in Flemish Paintings of the Seventeenth Century
1977
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