[Footnotes]

[Footnotes]
1
Carolyn Abbate, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, 1991)
Abbate
Unsung Voices: Opera and Musical Narrative in the Nineteenth Century
1991
Jeffrey Kallberg, "The Rhetoric of Genre: Chopin's Nocturne in G Minor," this journal 11 (1988), 238-6110.2307/746322
238
Music as Cultural Practice 1800-1900 (Berkeley and Los Angeles, 1990)
Music as Cultural Practice 1800-1900
1990
idem, "Music and Cul- tural Hermeneutics: The Salome Complex," Cambridge Opera Journal 2 (1990), 269-95
269
2
Cambridge Opera Journal
1990
Music and Society: The Politics of Composition, Performance, and Reception, ed. Richard Leppert and Susan McClary (Cambridge, 1987)
Leppert
Music and Society: The Politics of Composition, Performance, and Reception
1987
Susan McClary, Feminine Endings: Music, Gender, and Sexuality (Minneapolis, 1991)
McClary
Feminine Endings: Music, Gender, and Sexuality
1991
Music and the Politics of Culture, ed. Christopher Norris (New York, 1989)
Norris
Music and the Politics of Culture
1989
Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cam- bridge, 1992)
Scher
Music and Text: Critical Inquiries
1992
Musicology and Difference: Gender and Sex- uality and Music Scholarship, ed. Ruth Solie (Berkeley and Los Angeles, forthcoming)
Solie
Musicology and Difference: Gender and Sexuality and Music Scholarship
Rose Rosengard Subotnik, De- veloping Variations: Style and Ideology in Western Music (Minneapolis, 1991)
Subotnik
Developing Variations: Style and Ideology in Western Music
1991
V. Kofi Agawu, Playing with Signs: A Semiotic Interpre- tation of Classic Music (Princeton, 1991)
Agawu
Playing with Signs: A Semiotic Interpretation of Classic Music
1991
Christopher Wintle, "The Numinous in G/:otterd/:ammerung," in Reading Opera, ed. Arthur Groos and Roger Parker (Prin- ceton, 1988), pp. 200-34
Wintle
The Numinous in G/:otterd/:ammerung
200
Reading Opera
1988
Terry Eagleton, Literary Theory: An Introduction (Minneapolis, 1983)
Eagleton
Literary Theory: An Introduction
1983
Vincent Leitch, De- constructive Criticism: An Advanced Introduction (New York, 1983)
Leitch
Deconstructive Criticism: An Advanced Introduction
1983
2
Leo Treitler, "Introduction" and "The Present as His- tory," in his Music and the Historical Imagination (Cam- bridge, Mass., 1989), pp. 1-18, 95-156 respectively.
Treitler
Introduction and The Present as History
1
Music and the Historical Imagination
1989
3
Michel Foucault, "The Discourse on Language," in The Archaeology of Knowledge, trans. A. M. Sheridan Smith (New York, 1972), pp. 217-27.
Foucault
The Discourse on Language
217
The Archaeology of Knowledge
1972
4
Nicholas Cook, A Guide to Musical Analysis (New York, 1987), p. 228.
Cook
228
A Guide to Musical Analysis
1987
5
Arnold Whittall, "The Theorist's Sense of History: Con- cepts of Contemporaneity in Composition and Analysis," Journal of the Royal Musical Association 112 (1987), 19.10.2307/766255
19
6
Alan Street, "Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity," Music Analysis 8 (1989), 99.10.2307/854327
99
7
Treitler, "History, Criticism, and Beethoven's Ninth Symphony," in Music and the Historical Imagination, p. 32.
Treitler
History, Criticism, and Beethoven's Ninth Symphony
32
Music and the Historical Imagination
8
Heinrich Schenker, Das Meisterwerk in der Musik, vol. I (Munich, 1925), p. 194.
Schenker
194
I
Das Meisterwerk in der Musik
1925
9
Jonathan Culler, On Deconstruction (Ith- aca, N. Y., 1982), pp. 85-134, 150-56.
Culler
85
On Deconstruction
1982
10
Jonathan Dunsby and Arnold Whittall, Music Analysis in Theory and Practice (New Haven, 1988), p. 109.
Dunsby
109
Music Analysis in Theory and Practice
1988
11
Stanley Fish, "Normal Circumstances and Other Special Cases," in his Is There a Text in This Class? The Authority of Interpretive Communities (Cam- bridge, Mass., 1980), pp. 268-92
Fish
Normal Circumstances and Other Special Cases
268
His Is There a Text in This Class? The Authority of Interpretive Communities
1980
"Tropes and Win- dows: An Outline of Musical Hermeneutics," in Music as Cultural Practice, pp. 1-20
Tropes and Windows: An Outline of Musical Hermeneutics
1
Music as Cultural Practice
Steven Mailloux, "Interpreta- tion," in Critical Terms for Literary Study, ed. Frank Len- tricchia and Thomas McLaughlin (Chicago, 1990), pp. 121-34
Mailloux
Interpretation
121
Critical Terms for Literary Study
1990
Paul de Man, "Semiology and Rhetoric," in his Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke and Proust (New Haven, 1979), pp. 3-19.
de Man
Semiology and Rhetoric
3
Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke and Proust
1979
12
"Music and Representation: The Instance of Haydn's Cre- ation" in Music and Text, pp. 139-62.
Music and Representation: The Instance of Haydn's Creation
139
Music and Text
13
Schenker, Das Meisterwerk, II [1926], 161
Schenker
161
II
Das Meisterwerk
1926
14
"Mit der Vorstellung des Chaos ist untrennbar ein Werden von Licht und Leben verkntipft" (Das Meister- werk, II, 161).
161
II
Das Meisterwerk
15
Das Meisterwerk, II, 168.
168
II
Das Meisterwerk
16
Das Meisterwerk, II, 167.
167
II
Das Meisterwerk
17
Plato, Timaeus, trans. H. D. P. Lee (Harmondsworth, 1965), p. 44.
Plato
44
Timaeus
1965
19
Treitler, "Introduction," Music and the Historical Imagination, pp. 1-18.
Treitler
Introduction
1
Music and the Historical Imagination
20
Immanuel Kant, Kritik der Reinen Vernunft (1781, -87), ed. Erich Adickes (Berlin, 1889), p. 16
Kant
16
Kritik der Reinen Vernunft
1889
21
Kant, Kritik, p. 15
15
Susan Bordo, "The Cartesian Mas- culinization of Thought," in her The Flight to Objectivity: Essays on Cartesianism and Culture (Albany, N. Y., 1987), pp. 97-118
Bordo
The Cartesian Masculinization of Thought
97
The Flight to Objectivity: Essays on Cartesianism and Culture
1987
L. J. Jor- danova, "Natural Facts: A Historical Perspective on Sci- ence and Sexuality," in Nature, Culture, and Gender, ed. Carol MacCormack and Marilyn Strathern (Cambridge, 1980), pp. 42-69
Jordanova
Natural Facts: A Historical Perspective on Science and Sexuality
42
Nature, Culture, and Gender
1980
Denise Albanese, "New Atlantis and the Uses of Utopia," English Literary History 57 (1990), 503-28.
Albanese
503
57
English Literary History
1990
22
Kant, "Transcendental Dialectic," chap. 3: "The Ideal of Pure Reason," section 6: "The Impossibility of the Phys- ico-theological Proof [of God's Existence]," in Critique of Pure Reason, trans. Norman Kemp Smith (1929; rpt. New York and Toronto, 1965), pp. 518-24.
Kant
chap. 3:Transcendental Dialectic, The Ideal of Pure Reason, section 6: "The Impossibility of the Physico-theological Proof
518
Critique of Pure Reason
1929
23
Robert Markey, "Sentimen- tality as Performance: Shaftesbury, Sterne, and the Theat- rics of Virtue," in The New Eighteenth Century: Theory. Politics. English Literature, ed. Felicity Nussbaum and Laura Brown (New York, 1987), pp. 210-30.
Markey
Sentimentality as Performance: Shaftesbury, Sterne, and the Theatrics of Virtue
210
The New Eighteenth Century: Theory. Politics. English Literature
1987
24
"Music and Representation" in Music and Text.
25
On the Morning of Christ's Nativity, lines 120-24
On the Morning of Christ's Nativity
Milton, Paradise Regained, The Minor Poems, and Samson Agonistes, ed. Merritt Y. Hughes (New York, 1937)
Milton
Paradise Regained, The Minor Poems, and Samson Agonistes
1937
26
Das Meisterwerk, II, 168.
168
II
Das Meisterwerk
27
Foucault, The Order of Things: An Archaeology of the Human Sciences (New York, 1970).
Foucault
The Order of Things: An Archaeology of the Human Sciences
1970
28
Foucault, Order, pp. 115-20.
115
29
Simon Schaffer, "Self Evidence," Critical Inquiry 18 (1992), 327-62.10.2307/1343787
327
30
AmZ, 24 March 1799
24 March
AmZ
1799
H. C. Robbins Landon, Haydn: Chronicle and Works, vol. IV, The Years of 'The Creation,' 1796-1800 (Bloomington, Ind., 1977), p. 454.
Landon
454
Haydn: Chronicle and Works, vol. IV, The Years of 'The Creation,' 1796-1800
1977
This content is only available via PDF.

Article PDF first page preview

Article PDF first page preview