[Footnotes]

[Footnotes]
1
Linda Correll Roesner, Studies in Schumann Manu- scripts (Ph.D. diss., New York University, 1973), pp. 335-41
Charles Rosen, Sonata Forms (New York, 1980), pp. 296-310
Rosen
296
Sonata Forms
1980
2
Kathleen Dale, "The Piano Music," in Schu- mann: A Symposium, ed. Gerald Abraham (London, 1952), pp. 46-48
Dale
The Piano Music
46
Schumann: A Symposium
1952
Joan Chissell, Schumann (London, 1948), pp. 130-32
Chissell
130
Schumann
1948
Mosco Carner, "The Orchestral Music," in Schu- mann: A Symposium, p. 178
Carner
The Orchestral Music
178
Schumann: A Symposium
3
John Daverio, "Schumann's 'Im Legendenton' and Friedrich Schlegel's Arabeske," this journal 11 (1987), 150-6310.2307/746728
150
Gernot Gruber, "Robert Schumann: Fantasie op. 17, 1. Satz: Versuch einer Interpretation," Musicologica Austriaca 4 (1984), 101-30
Gruber
101
4
Musicologica Austriaca
1984
Anthony Newcomb, "Schu- mann and Late Eighteenth-Century Narrative Strategies," this journal 11 (1987), 164-7410.2307/746729
164
4
Robert Schumann, Gesammelte Schriften über Musik und Musiker, ed. Martin Kreisig (5th edn. Leipzig, 1914), I, 59
Schumann
5
59
I
Gesammelte Schriften über Musik und Musiker
1914
I, 124
I, 395
7
Roesner, "Brahms's Editions of Schumann," in Brahms Studies: Analytical and Historical Perspectives, ed. George S. Bozarth (Oxford, 1990), pp. 251-60.
Roesner
Brahms's Editions of Schumann
251
Brahms Studies: Analytical and Historical Perspectives
1990
5
Roesner,"Brahms Editions," pp. 254-55
Roesner
254
Brahms Editions
8
Daverio, "Schumann's 'Im Legendenton'," passim.
9
Roesner, "Brahms's Editions," p. 255
Roesner
255
Brahms's Editions
10
D-Minor Symphony, op. 120
D-Minor Symphony
Roesner, "Aesthetisches Ideal und symphonische Gestalt: Die d-moll-Symphonie um die Jahrhundertmitte," paper read at the 3. Internation- ales Schumann-Symposion, Düsseldorf, 15-16 June 1988
Roesner
Aesthetisches Ideal und symphonische Gestalt: Die d-moll-Symphonie um die Jahrhundertmitte
Internationales Schumann-Symposion, Düsseldorf, 15-16 June 1988
1988
12
Roesner, "The Autograph of Schumann's Piano Sonata in F Minor, Opus 14," Musical Quarterly 61 (1975), 118-2110.2307/741687
118
14
Roesner, "Tonal Strategy and Poetic Content in Schu- mann's C-Major Symphony, Op. 61,"
Roesner
Tonal Strategy and Poetic Content in Schumann's C-Major Symphony, Op. 61
Probleme der symphonischen Tradition im 19. Jahrhundert: Interna- tionales Musikwissenschaftliches Colloquium Bonn 1989, ed. Siegfried Kross and Marie Luise Maintz (Tutzing, 1990), pp. 295-305
295
Probleme der symphonischen Tradition im 19. Jahrhundert: Internationales Musikwissenschaftliches Colloquium Bonn 1989, ed. Siegfried Kross and Marie Luise Maintz
1990
15
Roger Fiske, "A Schumann Mystery," Musical Times 105 (1964), 577-7810.2307/950953
577
Peter Ostwald, Schumann: The Inner Voices of a Musical Genius (Boston, 1985), p. 131
Ostwald
Schumann: The Inner Voices of a Musical Genius
1985
16
Roesner, "Tonal Strategy," p. 305.
Roesner
305
Tonal Strategy
17
Tobias Haslinger's letter to Schumann of 13 June 1836 (Briefe und Gedichte aus dem Album Robert und Clara Schumanns, ed. Wolfgang Boetticher [Leipzig, 1979], p. 73)
Haslinger
73
Briefe und Gedichte aus dem Album Robert und Clara Schumanns
1979
Reinhard Kapp, Studien zum Spdtwerk Robert Schumanns (Tutzing, 1984), pp. 57-62
Kapp
57
Studien zum Spdtwerk Robert Schumanns
1984
18
Roesner, "The Autograph of Schumann's Piano Sonata in F Minor," passim
Roesner
The Autograph of Schumann's Piano Sonata in F Minor
Kapp, Spdtwerk, pp. 59-62
Kapp
59
Spdtwerk
19
Kurt Hofmann, Die Erstdrucke der Werke von Robert Schumann (Tutzing, 1979), p. 37.
Hofmann
37
Die Erstdrucke der Werke von Robert Schumann
1979
20
Clara and Robert Schumann, Briefwechsel: Kritische Ge- samtausgabe, ed. Eva Weissweiler (Basel, 1984-), I, 126.
Clara
126
I
Briefwechsel: Kritische Gesamtausgabe
1984
21
Robert Schumann, Tagebücher: Band II, 1836-1854, ed. Gerd Nauhaus (Leipzig, 1987), p. 25.
Schumann
25
Tagebücher: Band II
1987
22
Alan Walker, "Schumann, Liszt and the C Major Fan- tasie, Op. 17: A Declining Relationship," Music & Letters 60 (1979), 156.10.2307/734754
156
23
Schumann, Tagebücher, p. 30.
Schumann
30
Tagebücher
24
Robert Schumann, Briefe. Neue Folge, ed. F. Gustav Jansen (2nd edn. Leipzig, 1904), p. 420.
Schumann
2
420
Briefe. Neue Folge
1904
25
Briefe und Gedichte aus dem Album, p. 262.
262
Briefe und Gedichte aus dem Album
26
Schumann, Tagebücher, pp. 41-42.
Schumann
41
Tagebücher
27
Briefwechsel: Kritische Gesamtausgabe, I, 126.
126
I
Briefwechsel: Kritische Gesamtausgabe
28
Robert Schumann, Jugendbriefe [3rd edn. Leipzig, 1898], p. 278
Schumann
3
278
Jugendbriefe
1898
29
Yonty Solomon, "Solo Piano Music (I) The Sonatas and Fantasie," in Robert Schumann: The Man and His Music, ed. Alan Walker (London, 1972), p. 63.
Solomon
Solo Piano Music (I) The Sonatas and Fantasie
63
Robert Schumann: The Man and His Music
1972
30
Gruber, pp. 109-15
109
Daverio, pp. 156-58
156
31
Charles Rosen, The Classical Style: Haydn, Mozart, Beethoven (New York, 1971), pp. 451-52.
Rosen
451
The Classical Style: Haydn, Mozart, Beethoven
1971
32
Daverio, passim
Gruber, pp. 121-23.
121
33
Rosen, Classical Style, p. 452
Rosen
452
Classical Style
34
Daverio, p. 158
158
Newcomb's criticism of this in- terpretation, "Narrative Strategies," p. 170
Newcomb
170
Narrative Strategies
35
Newcomb, "Narrative Strategies," pp. 165-66
Newcomb
165
Narrative Strategies
idem, "Once More Between Absolute and Program Music: Schu- mann's Second Symphony," this journal 7 (1984), 234, 23710.2307/746379
234
37
op. 17
49
Symphony op. 61
Roesner, "Tonal Strategy, pp. 300-01
Roesner
300
Tonal Strategy
40
item 191 in Sotheby's auction catalog for 23 November 1977
Walker, "Schu- mann, Liszt and the C Major Fantasie," p. 161
Walker
161
Schumann, Liszt and the C Major Fantasie
41
Kapp, Spdtwerk, esp. pp. 175-79
Kapp
175
Spdtwerk
Roesner, "Aes- thetisches Ideal."
Roesner
Aesthetisches Ideal
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