Notes

Notes
1
J. Bradford Robinson's translation of Die Musik des 19. Jahrhunderts [1980] (Berkeley and Los Angeles, 1989).
Robinson
Die Musik des 19. Jahrhunderts
1989
2
Philip Gossett and J. Bradford Robinson, "The Music of Carl Dahlhaus: An Exchange," The New York Review of Books, 26 April 1990, p. 61
Gossett
26 April
61
The New York Review of Books
1990
Gossett's review of Nineteenth-Century Music, "Up from Beethoven," The New York Review of Books, 26 Oc- tober 1989, pp. 21-26
Gossett
26 October
21
The New York Review of Books
1989
Gossett, "Carl Dahlhaus and the 'Ideal Type'," this journal 13 (1989), 49-5610.2307/746211
49
3
Dahlhaus's death (13 March 1989), Joachim Kaiser wrote a tribute in the Süddeutscher Zei- tung ("Enorm gescheit, gebildet, gerecht: Zum Tode von Carl Dahlhaus, dem großfien Musikwissenschaftler," 15 March 1989, p. 14)
Dahlhaus
15 March
14
Süddeutscher Zeitung
1989
Similarly, Dahlhaus praised Giorgio Pestelli's The Age of Mozart and Beethoven (1979; Engl. trans. Eric Cross [Cambridge, 1984])
Pestelli
The Age of Mozart and Beethoven
1984
Mozart-Jahrbuch 1986 (Kassel, 1987), p. 228
228
Mozart-Jahrbuch 1986
1987
4
Gossett, "Carl Dahlhaus and the 'Ideal Type'," pp. 46-56.
5
Thomas Christensen, review of Dahlhaus, Die Musikthe- orie im 18. und 19. Jahrhundert: Grundzüge einer Syste- matik, in Music Theory Spectrum 10 (1988), 127.10.2307/745795
127
6
Alexander L. Ringer, "Carl Dahlhaus (1928-1989)," Acta musicologica 61 (1989), 108.10.2307/932606
108
7
Albrecht Rieth- müller, "Adorno musicus," Archiv für Musikwissenschaft 47 (1990), 1-26
Riethmüller
1
47
Archiv für Musikwissenschaft
1990
8
Dahlhaus, Foundations of Music History (Grundlagen der Musikgeschichte, 1977, hereafter FMH) trans. J. B. Rob- inson (Cambridge, 1983)
Dahlhaus
Foundations of Music History (Grundlagen der Musikgeschichte)
1977
9
Barthes's Le Plaisir du texte in his 1975 essay "Avantgarde und Popularität"
Barthes
Avantgarde und Popularität
Le Plaisir du texte
1975
Derrick Puffet and Alfred Clayton in Schoenberg and the New Music (Cambridge, 1987), p. 24 (hereafter SNM)
Puffet
24
Schoenberg and the New Music
1987
10
Karl Popper, The Logic of Scientific Discovery (Logik der Forschung, 1934-35) (New York, 1959)
Popper
The Logic of Scientific Discovery (Logik der Forschung
1959
Tho- mas Kuhn, The Structure of Scientific Revolutions [1962] (2nd edn. Chicago, 1970)
Kuhn
2
The Structure of Scientific Revolutions
1970
FMH, pp. 20-23, 74-75
20
Appendix, no. 5
J. Bernstein, Beyond Objectivism and Relativism: Science, Hermeneutics, and Praxis (Philadelphia, 1983)
Bernstein
Beyond Objectivism and Relativism: Science, Hermeneutics, and Praxis
1983
Joel C. Weinsheimer, Gadamer's Hermeneutics: A Reading of Truth and Method (New Haven, 1985)
Weinsheimer
Gadamer's Hermeneutics: A Reading of Truth and Method
1985
11
Hans-Georg Gadamer, Truth and Method (hereafter cited as TM) (5th German edn., 1986)
Gadamer
5
Truth and Method
1986
Joel Weinsheimer and Donald G. Marshall (rev. 2nd edn. New York, 1989)
12
The Positivist Dispute in German Sociology [1969], ed. Theodor W. Adorno, trans. Glyn Adey and David Frisby (London, 1976)
Adorno
The Positivist Dispute in German Sociology
1976
David Frisby's "Introduction to the English Translation" (pp. ix-xliv)
13
Karl Heinz Bohrer, "The Three Cultures," in Observations on 'The Spiritual Situation of the Age' [1979], ed. Jürgen Habermas, trans. Andrew Buchwalter (Cambridge, Mass., 1984), pp. 125-55
Bohrer
The Three Cultures
125
Observations on 'The Spiritual Situation of the Age
1984
Peter Uwe Hohendahl, The Institution of Criticism, trans. Henry J. Schmidt et al. (Ith- aca, 1982), p. 41
Hohendahl
41
The Institution of Criticism
1982
14
Andrew Buchwalter, "Translator's Introduction," in Ob- servations, pp. vii-xxxvii, esp. xvii-xx.
Buchwalter
Translator's Introduction
vii
Observations
15
Compare Hans Robert Jauss, "The Literary Process of Mod- ernism from Rousseau to Adorno" [1983], trans. Lisa C. Roetzel, Cultural Critique 11 (1988-89), 3410.2307/1354243
Referring spe- cifically to Adorno's and Horkheimer's Dialectic of En- lightenment
Adorno
Dialectic of Enlightenment
n. 42
16
Bernhard Zimmermann, "Literary Criticism from 1933 to the Present," in A History of German Literary Criti- cism, 1730-1980 [1985], ed. Peter Uwe Hohendahl, trans. Franz Blaha et al. (Lincoln, 1988), p. 404.
Zimmermann
Literary Criticism from 1933 to the Present
404
A History of German Literary Criticism
1988
17
Martin Jay, "Should Intellectual History Take a Linguistic Turn? Reflections on the Habermas-Gadamer Debate," in Fin-de-sićcle Socialism and Other Essays (New York, 1988), pp. 17-36
Jay
Should Intellectual History Take a Linguistic Turn? Reflections on the Habermas-Gadamer Debate
17
Fin-de-sićcle Socialism and Other Essays
1988
Bernstein, Beyond Objectivism, passim
Bernstein
Beyond Objectivism
bibliography in Adorno, The Positivist Dispute, p. xxxi, n. 70
Adorno
xxxi
70
The Positivist Dispute
Stephen Holmes and Charles Larmore, "Translators' Intro- duction," in Niklas Luhmann, The Differentiation of So- ciety [1971-77] (New York, 1982) pp. xxix-xxxii
Holmes
Translators' Introduction
xxix
The Differentiation of Society
1982
18
Hohendahl, A History of German Literary Criticism, p. 3.
Hohendahl
3
A History of German Literary Criticism
19
Riethmüller, "Adorno musicus," p. 4.
4
20
Ibid., p. 6.
6
21
Dahlhaus's Nineteenth- Century Music
Dahlhaus
Nineteenth-Century Music
East German Georg Knepler's much-noted Musikgeschichte des 19. Jahrhunderts, 2 vols. (Berlin, 1961)
Knepler
Musikgeschichte des 19. Jahrhunderts
1961
Georg Knepler and Peter Wicke, "Das Prinzip der Prinzi- pienlosigkeit," Beiträge zur Musikwissenschaft 21 (1979), 222-28
Knepler
Das Prinzip der Prinzipienlosigkeit
222
21
Beiträge zur Musikwissenschaft
1979
Knepler, "über die Nützlichkeit marxisti- scher Kategorien für die Musikhistoriographie: Reflex- ionen anläßlich des Erscheinens von Carl Dahlhaus' Die Musik des 19. Jahrhunderts," Beiträge zur Musikwissen- schaft 24 (1982), 31-42
Knepler
über die Nützlichkeit marxistischer Kategorien für die Musikhistoriographie: Reflexionen anläßlich des Erscheinens von Carl Dahlhaus' Die Musik des 19. Jahrhunderts
24
Beitrdge zur Musikwissenschaft
1982
22
Hohendahl, The Institution of Criticism, pp. 11-12
Hohendahl
11
The Institution of Criticism
23
FMH, p. 122
122
24
Rudolf Stephan, "Carl Dahlhaus (1928-1989)," Die Musikforschung 42 (1989), 203-06
Stephan
203
42
Die Musikforschung
1989
p. 204
Adorno's Philosophie der neuen Musik
Adorno
Philosophie der neuen Musik
25
Peter Bürger, "Literary Criticism in Germany Today," in Observations, pp. 207-10
Bürger
Literary Criticism in Germany Today
207
Observations
Jauss's own description of the ideological struggles of the 1965-75 period in Aesthetic Experience and Literary Hermeneutics [1977], trans. Michael Shaw (Minneapolis, 1982), pp. xxx-xl
Jauss
xxx
Aesthetic Experience and Literary Hermeneutics
1977
Wlad Godzich, pp. vii-xxiv
vii
26
Sanna Pederson after reading her unpublished paper, "The Task of the Music Historian; or, The Myth of the Symphony after Beethoven," which focused on this issue
27
Richard Wagner's Music Dramas [1971], trans. Mary Whittall (Cambridge, 1979), p. 1.
Whittall
1
Richard Wagner's Music Dramas
1979
28
John Torpey, "Introduction: Habermas and the Historians," New German Critique 44 (1988), 5-2410.2307/488143
5
Jerry Z. Muller, "German Historians at War," Commentary 87 (1989), 33-41
Müller
33
87
Commentary
1989
Habermas, The New Conservatism: Cultural Criticism and the Histo- rian's Debate, ed. and trans. Shierry Weber Nicholsen (Cambridge, Mass., 1989)
Habermas
The New Conservatism: Cultural Criticism and the Historian's Debate
1989
pp. vii-xxxi
29
Andreas Huyssen, "The Search for Tradition: Avantgarde and Postmodernism in the 1970s," After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington, 1986), p. 174.
Huyssen
The Search for Tradition: Avantgarde and Postmodernism in the 1970s
174
After the Great Divide: Modernism, Mass Culture, Postmodernism
1986
31
Habermas, "Work and Weltanschauung: The Heidegger Controversy from a German Perspective" [1988], in The New Conservatism (1988), p. 144
Habermas
144
The New Conservatism
1988
Critical In- quiry 15 (1989), 43610.2307/1343593
436
31
Foundations, pp. 67-71, Dahlhaus
Dahlhaus
67
Foundations
32
SNM, pp. 234-47
234
"Avant Garde and Popularity" [1975], SNM, pp. 23-31
23
Avant Garde and Popularity
1975
"Progress and the Avant Garde," SNM, pp. 14-22
14
Progress and the Avant Garde
Re- alism in Nineteenth-Century Music [1982], trans. Mary Whittall (Cambridge, 1985), pp. 1-10
Whittall
1
Realism in Nineteenth-Century Music
1985
"A Rejection of Material Thinking?" [1984], SNM, pp. 274-87
274
A Rejection of Material Thinking
1984
n. 40 below
33
Raymond Williams, Marxism and Literature (Oxford, 1977), pp. 75-107
Williams
33
Marxism and Literature
1977
34
Dahlhaus, "Nationalism and Music," in Be- tween Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century [1974], trans. Mary Whittall (Berkeley and Los Angeles, 1980), p. 79
Dahlhaus
Nationalism and Music
79
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century
1980
35
Marx, The German Ideology [1845-46]
Marx
The German Ideology
1845
"Ideology in General, German Ide- ology in Particular," in The Marx-Engels Reader, ed. Robert C. Tucker (New York, 1972), pp. 118-19
Tucker
Ideology in General, German Ideology in Particular
118
The Marx-Engels Reader
1972
36
Dahlhaus, "Nationalism and Music," in Between Ro- manticism and Modernism, p. 79.
Dahlhaus
Nationalism and Music
79
Between Romanticism and Modernism
37
Dahlhaus, "The Work of Art as a Subject of Sociology," SNM, pp. 241, 297
Dahlhaus
241
The Work of Art as a Subject of Sociology
p. 108
38
Dahlhaus, "Issues in Composition," in Between Roman- ticism and Modernism, p. 77
Dahlhaus
Issues in Composition
77
Between Romanticism and Modernism
"The Musical Work of Art as a Subject of Sociology," SNM, pp. 236-42
236
The Musical Work of Art as a Subject of Sociology
FMH, pp. 108-09
108
39
Dahlhaus, Ludwig Finscher, and Joachim Kaiser, "Was haben wir von Adorno gehabt?: Theodor W. Adorno und sein Werk," Musica 24 (1970), pp. 436, 439 (translation mine).
Dahlhaus
Was haben wir von Adorno gehabt?: Theodor W. Adorno und sein Werk
436
24
Musica
1970
40
Dahlhaus, "'Linke' Adorno-Kritik," and "Links und 'Links'," Neue Zeitschrift für Musik 134 (1973), 478, and 135 (1974), 170
41
Adorno, "Cultural Criticism and Society," in Prisms, trans. Samuel and Shierry Weber (Cambridge, Mass., 1967), pp. 17-34, esp. 29-34
Adorno
Cultural Criticism and Society
17
Prisms, trans. Samuel and Shierry Weber
1967
42
Max Horkheimer and The- odor W. Adorno, Dialectic of Enlightenment [1944], trans. John Cumming (rpt. New York, 1988)
Horkheimer
Dialectic of Enlightenment
1988
p. 3
p. xiii
p. 9
p. xiv
Weber's Zweckra- tionalität
Weber
Zweckrationalität
NCM, pp. 57-64, 81-88
43
Rudolph Stephan's in memoriam, "The- odor W. Adorno (1903-1969)," Die Musikforschung 22 (1969), 269-73
Stephan
Theodor W. Adorno (1903-1969)
269
22
Die Musikforschung
1969
"Produced together with Max Horkheimer [Adorno's], Dialectic of Enlightenment
Adorno
Produced together with Max Horkheimer
Dialectic of Enlightenment
p. 273
n. 15 above
44
Walter Benjamin, "Theses on the Philosophy of History" [1940, publ. 1950], in Illuminations
Benjamin
Theses on the Philosophy of History
256
Illuminations
1940
Harry Zohn (New York, 1969), p. 256.
45
Zimmermann, "Literary Criticism from 1933 to the Present," in A History of German Literary Criticism, pp. 404-05
Zimmermann
Literary Criticism from 1933 to the Present
404
A History of German Literary Criticism
46
Dahlhaus, "The Musical Work of Art as a Sub- ject of Sociology," pp. 243-44
Dahlhaus
243
The Musical Work of Art as a Subject of Sociology
47
Esthetics of Music [1967], trans. William W. Austin (Cambridge, 1982), p. 105
Austin
105
Esthetics of Music
1982
"Toward the Phenomenology of Music," pp. 74-83
74
Toward the Phenomenology of Music
FMH, p. 152
152
FMH, p. 6
6
Karol Berger, review of Roman Ingarden, The Work of Music and the Problem of Its Identity ([1966]; ed. Jean G. Harrell, trans. Adam Czerniawski [Berkeley and Los An- geles, 1986]), Journal of the American Musicological So- ciety 41 (1988), 558-65
48
FMH, pp. 77, 106
77
"Ador- nos Begriff des musikalischen Materials" [1974], Schön- berg und andere (Mainz, 1978)
Adornos Begriff des musikalischen Materials
Schönberg und andere
1978
"A Rejection of Material Thinking?" [1984], SNM, pp. 274-87
274
A Rejection of Material Thinking?
1984
"Inherent Tendency of Musical Material," Adorno, Philo- sophy of Modern Music [1949], trans. Anne G. Mitchell and Wesley V. Blomster (New York, 1980), pp. 32-37
Mitchell
Inherent Tendency of Musical Material
32
Philosophy of Modern Music
1980
49
Dahlhaus, Esthetics of Music [1967], p. 92.
Dahlhaus
92
Esthetics of Music
1967
50
Adorno, Aesthetic Theory [1970], trans. C. Lenhardt (London, 1984), p. 273 ("The truth content of works of art, which ultimately determines their rank, is historical through and through")
Adorno
273
Aesthetic Theory
1984
pp. 126, 193, 261-63
Unver- öffentlichtes aus der Umwerthungszeit (1882/83-1888) or Studien aus der Umwertungszeit [sic]
Nietzsche's Werke, vol. XIII, Nachgelassene Werke [Leipzig, 1903], p. 10
Nietzsche
10
XIII
Nachgelassene Werke
1903
"The Use and Abuse of History," from Thoughts out of Season [1873-76]
The Use and Abuse of History
Thoughts out of Season
1876
"Our Virtues," section 224, from Beyond Good and Evil [1886]
Our Virtues
Beyond Good and Evil
1886
51
Adorno, Aesthetic Theory, pp. 7, 202, 209.
Adorno
7
Aesthetic Theory
52
NCM, pp. 81-88
Dahlhaus, "Zu Adornos Beethoven-Kritik," Adorno und die Musik, ed. Otto Kolleritsch (Graz, 1979), pp. 170-78
Dahlhaus
Zu Adornos Beethoven-Kritik
170
Adorno und die Musik
1979
53
multivolume dictio- nary of historical concepts, Geschichtliche Grundbegriffe, begun in the 1960s
Geschichtliche Grundbegriffe
Fu- tures Past: On the Semantics of Historical Time [1979], trans. Keith Tribe (Cambridge, Mass., 1985)
Tribe
Futures Past: On the Semantics of Historical Time
1985
"Begriffsgeschichte and Social History," pp. 73-91
73
Begriffsgeschichte and Social History
nn. 55 and 74-76 below
54
n. 2 above
Dahlhaus's Foundations is Dirk Kisler, "Methodological Writings," Max Weber: An Introduction to His Life and Work [1979], trans. Philippa Hurd (Chicago, 1988), pp. 174-96
Dahlhaus
Methodological Writings
174
Max Weber: An Introduction to His Life and Work
1988
55
"The Music of Carl Dahlhaus: An Exchange" (n. 2 above)
2
The Music of Carl Dahlhaus: An Exchange
no. 4
FMH, p. 133
133
"Emphasis," p. 83
83
Emphasis
FMH, p. 132
132
FMH, p. 134
134
Koselleck's 1968 essay, "Chance as Motivational Trace in Historical Writing," in Futures Past (n. 53 above), pp. 116-29
Koselleck
Chance as Motivational Trace in Historical Writing
116
53
Futures Past
1968
Keith Tribe, "Trans- lator's Introduction," in Koselleck, Futures Past, p. ix
Tribe
Translator's Introduction
ix
Futures Past
56
FMH, pp. 58-60
58
pp. 63-64
no. 4
no. 2
pp. 59-60
57
Schleiermacher-is presented succinctly in Ga- damer, TM, Part I, II, 2, D, "Reconstruction and Integration as Hermeneutic Tasks," pp. 164-69
Schleiermacher
164
Reconstruction and Integration as Hermeneutic Tasks
58
Jauss, "Horizon Structure and Dialogicity" [1982], in Question and Answer: Forms of Dialogic Understanding, ed. and trans. Michael Hays (Minneapolis, 1989), pp. 197-98
Jauss
Horizon Structure and Dialogicity
197
Question and Answer: Forms of Dialogic Understanding
1989
59
Popper Selections, ed. David Miller (Princeton, 1985)
Miller
Popper Selections
1985
Thomas McCarthy, The Crit- ical Theory of Jürgen Habermas (Cambridge, Mass., 1978), pp. 44-52, 60-61
McCarthy
44
The Critical Theory of Jürgen Habermas
1978
60
Popper, The Logic of Scien- tific Discovery, pp. 44ff.
Popper
44
The Logic of Scientific Discovery
The Open Society and Its En- emies [1944] (5th edn. Princeton, 1966), II, 2175
217
II
The Open Society and Its Enemies
1966
Kisler, Max Weber [n. 54 above], pp. 192-96
Kisler
192
54
Max Weber
Kant and Jauss, as laid out in Godzich, "Introduction" to Jauss, Aesthetic Experience, p. xvii
Godzich
Introduction
xvii
Aesthetic Experience
"The Problem of Demarcation" [1974], Miller, Popper Selections, pp. 118-30
Miller
The Problem of Demarcation
118
Popper Selections
1974
Analysis and Value Judg- ment [1971], trans. Siegmund Levarie (New York, 1983), p. 5
Levarie
5
Analysis and Value Judgment
1983
61
Compare Gadamer, TM, Part II, II, B, iii, "The Herme- neutic Significance of Temporal Distance," esp. p. 297
Gadamer
297
The Hermeneutic Significance of Temporal Distance
62
TM, Part I, II, C, "The Borderline Position of Literature," p. 163
163
II
The Borderline Position of Literature
63
TM, Part II, II, B, iv, "The Principle of History of Effect" (Wirkungsgeschichte), pp. 300-07
300
II
The Principle of History of Effect
FMH, p. 3
3
NCM, p. 3
64
Bürger, "Literary Criticism," in Observa- tions, p. 208
Bürger
Literary Criticism
208
Observations
Bohrer's remarks in the same volume, p. 132
65
TM, Part II, I, B, iii, "The Relation between Historical Study and Hermeneutics in J. G. Droysen," pp. 212-18
212
I
The Relation between Historical Study and Hermeneutics in J. G. Droysen
Jauss, "History of Art and Pragmatic History" [1970], in Toward an Aesthetic of Reception, trans. Timothy Bahti (Minneapolis, 1982), pp. 46-75
Jauss
History of Art and Pragmatic History
46
Toward an Aesthetic of Reception
1982
66
G. Collingwood's An Autobiography (1939; rpt. Ox- ford, 1978) from which the dictum is taken (the version cited above is from p. 33)
Collingwood
33
An Autobiography
1978
German, on Gadamer's suggestion, as Denken. (Gadamer mentions this in TM, p. 370.)
Gadamer
370
Denken
J. M. D. Meiklejohn [New York, 1934], pp. 10-11
67
Collingwood, An Autobiography, pp. 75-76.
Collingwood
75
An Autobiography
68
Timothy Bahti, "Translator's Preface," in Toward an Aesthetic of Reception (see n. 65), pp. xxviii-xxix
Bahti
Translator's Preface
xxviii
65
Toward an Aesthetic of Reception
Musikwissenschaft
Musikwissenschaft
69
"Literary History as a Challenge to Literary Theory," in Toward an Aesthetic of Reception (n. 65), pp. 3-45.
Literary History as a Challenge to Literary Theory
3
65
Toward an Aesthetic of Reception
70
Jauss, "Literaturgeschichte als Provokation der Literatur- wissenschaft," in Literaturgeschichte als Provokation (Frankfurt, 1970), pp. 144-207
Jauss
Literaturgeschichte als Provokation der Literaturwissenschaft
144
Literaturgeschichte als Provokation
1970
"Tonalität als Pro- vokation," Melos/Neue Zeitschrift für Musik 2 (1976), 438
Tonalität als Provokation
438
2
Melos/Neue Zeitschrift fuir Musik
1976
FMH, pp. 169 and 171
169
Rainer Warning's anthology, Rezeptions- ästhetik: Theorie und Praxis (Munich, 1975)
Warning
Rezeptionsästhetik: Theorie und Praxis
1975
pp. 168-206
Literaturgeschichte als Provoka- tion
Literaturgeschichte als Provokation
Warning's 1975
Dahlhaus's principal conceptual sources. Chapter 10 of Foundations (pp. 150-65)
Dahlhaus
150
Foundations
Dahlhaus's earlier essay, "Vom Nutzen und Nachteil der 'Rezeptionsgeschichte'," Neue Zeit- schrift für Musik 134 [1973], 636
Dahlhaus
Vom Nutzen und Nachteil der 'Rezeptionsgeschichte
636
134
Neue Zeitschrift für Musik
1973
Jauss's "Racines und Goethes Iphigenie" (FMH, pp. 153, 169
Jauss
153
Racines und Goethes Iphigenie
Rezeptionsästhetik, pp. 353-400
353
Rezeptionsästhetik
Vodička's "Die Konkretisation des liter- arischen Werks - Zur Problematik der Rezeption von Nerudas Werk" (FMH, pp. 152-54, 171
Vodička
152
Die Konkretisation des literarischen Werks - Zur Problematik der Rezeption von Nerudas Werk
Rezeptionsäs- thetik, pp. 84-112
84
Rezeptionsästhetik
71
Jauss's collection, Literaturgeschichte als Provokation, p. 7
Jauss
7
Literaturgeschichte als Provokation
72
Renć Wellek and Austin Warren, Theory of Literature [1st edn. 1949, 3rd edn. 1965] (New York, 1970).
Wellek
1
Theory of Literature
1970
73
Russian Formalists-Viktor Shklovsky and others: e.g, TL, pp. 235-36, 242
235
Russian Formalists-Viktor Shklovsky and others
p. 261
74
Theory of Literature
Theory of Literature
Theory of Literature
Theory of Literature
Curiously, however, in a pivotal Neue Zeitschrift essay of 1974, "Was ist und wozu studiert man Musikge- schichte?" (pp. 79-84
Curiously
Was ist und wozu studiert man Musikgeschichte
79
Zeitschrift essay
1974
Jauss's original title for "Liter- aturgeschichte als Provokation," n. 70 above
Jauss
70
Literaturgeschichte als Provokation
p. 82
Theory of Liter- ature
Theory of Literature
Wellek, "Zur methodischen Aporie einer Rezeptions- geschichte," included in Geschichte-Ereignis und Erzäh- lung, ed. Reinhart Koselleck and Wolf-Dieter Stempel (Munich, 1975), pp. 515-17
Wellek
Zur methodischen Aporie einer Rezeptionsgeschichte
515
Geschichte-Ereignis und Erzählung
1975
n. 76
Theory of Literature
Theory of Literature
75
Koselleck, "History, Histories, and Formal Structures of Time" [1973], in Futures Past (n. 53 above), pp. 92-104, esp. 94
Koselleck
History, Histories, and Formal Structures of Time
92
53
Futures Past
1973
n. 76
Bloch, "Non- Synchronism and the Obligation to its Dialectics"
Bloch
Non-Synchronism and the Obligation to its Dialectics
Anson Rabinbach, "Ernst Bloch's Heritage of Our Times and Fascism," New German Critique 11 (1977), 5-3810.2307/487801
5
Compare Huyssen, After the Great Divide, pp. 187, 236
Huyssen
187
After the Great Divide
76
Poetik und Hermeneutik, Geschichte- Ereignis und Erzählung, ed. Koselleck and Stempel (n. 74 above)
Poetik
74
Geschichte-Ereignis und Erzählung
"Vorwort," pp. 7-8
7
Vorwort
"Geschichte, Geschichten und formale Zeitstrukturen," may be found on pp. 211-22
211
Geschichte, Geschichten und formale Zeitstrukturen
n. 75 above
77
"Zur Problematik der musikalischen Gattungen im 19. Jahrhundert," in Gat- tungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, ed. Wulf Arlt, Ernst Lichtheim, and Hans Oesch (Bern, 1973), pp. 840-95
Zur Problematik der musikalischen Gattungen im 19. Jahrhundert
840
Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade
1973
Jeffrey Kallberg, "The Rhetoric of Genre: Chopin's Nocturne in G Minor," this journal 11 (1988), 238-6110.2307/746322
238
78
Jauss, "History of Art and Pragmatic History" [1970], To- ward an Aesthetic of Reception, pp. 46-75
Jauss
History of Art and Pragmatic History
46
Toward an Aesthetic of Reception
1970
Jauss wrote the essay to be part of the Geschichten und Geschichte Col- loquium (see n. 76 above)
Jauss
76
Geschichten und Geschichte Colloquium
79
"The Musical Work of Art as a Subject of Soci- ology," SNM, p. 240, n. 9
240
9
The Musical Work of Art as a Subject of Sociology
p. 297
Esthetics of Music, pp. 74-83
74
Esthetics of Music
p. 77
80
Hohendahl, The Institution of Criticism, esp. intro., p. 30
Hohendahl
30
The Institution of Criticism
"Literary Criticism and the Public Sphere," pp. 44-82
44
Literary Criticism and the Public Sphere
Hohendahl, Building a National Lit- erature: The Case of Germany, 1830-1870 [1985], trans. Renate Baron Franciscono (Ithaca, 1989), esp. pp. 16-43
Hohendahl
16
Building a National Literature: The Case of Germany
1989
Bürger, Theory of the Avant-Garde [1974], trans. Michael Shaw (Minneapolis, 1984)
Bürger
Theory of the Avant-Garde
1984
Bürger, "The Institution of 'Art' as a Category in the Sociology of Literature" [1975-76], trans. Shaw, Cultural Critique 2 (1985-86), 5-3310.2307/1354199
5
Bürger, "The Problem of Aesthetic Value," trans. Shaun Whiteside, in Literary Theory Today, ed. Peter Collier and Helga Geyer-Ryan (Ithaca, 1990), pp. 23-34
Bürger
23
Literary Theory Today
1990
n. 82 below
81
Hohendahl, Building a Na- tional Literature, p. 6
Hohendahl
6
Building a National Literature
82
Schmidt, "'Text-Adequate Concretizations' and Real Readers: Reception Theory and Its Application," New German Critique 17 (1979), 159.10.2307/488016
159
83
Leo Treitler, "What Kind of Story Is History?" (orig. in this journal 7 [1984], 363-73), in Music and the Historical Imagination (Cambridge, Mass., 1989), pp. 157-75
Compare
157
7
Music and the Historical Imagination
1989
Dahlhaus discussion on pp. 168-75
168
Dahlhaus discussion
84
Georg Knepler, "Das Prinzip der Prinzipienlosigkeit"
Knepler
Das Prinzip der Prinzipienlosigkeit
n. 21
Grundlagen, p. 195
195
FMH, p. 122
195
85
Lyotard, The Postmodern Condition: A Report on Knowledge [1979], trans
Lyotard
The Postmodern Condition: A Report on Knowledge
1979
Geoff Bennington and Brian Mas- sumi (Minneapolis, 1984)
Geoff Bennington and Brian Massumi
1984
86
Bürger, "Literary Criticism," p. 210.
Bürger
210
Literary Criticism

Notes (Appendix)

Notes (Appendix)
1
The New Grove'," Music & Letters 62 (1981), 249-6010.2307/736618
249
Leon Plantinga, Romantic Music [1984], this journal 11 (1987), 194-9610.2307/746731
194
Plantinga's reply, this journal 12 (1988), 190-92
Plantinga
190
12
Nineteenth-Century Music
1988
2
NCM: pp. 297
Analysis and Value-Judgment [1971], (esp. pp. 8-9, 14, 40, 86-87)
8
Analysis and Value-Judgment
1971
"Schoenberg and Schenker" [1973-74], Schoenberg and the New Music, pp. 134-40
Schoenberg and Schenker
134
Schoenberg and the New Music
1974
Jacques Handschin's Musik- geschichte im Oberblick (Lucerne, 1948)
Handschin
Musikgeschichte im Oberblick
1948
NCM, p. 255
Rudolf Stephan, "Carl Dahlhaus (1928-1989)," Die Musikforschung 42 (1989), 204
Stephan
204
42
Die Musikforschung
1989
pp. 330-31
pp. 354-55
p. 367
Dahlhaus, review of rpt. of Handschin, Musikgeschichte im überblick (Wilhelmshaven, 1981), Frankfurter Allgemeine Zeitung, 20 February 1982
Dahlhaus
20 February
Frankfurter Allgemeine Zeitung
1982
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