[Footnotes]

[Footnotes]
1
Richard Taruskin's article, "Chernomor to Kashchei: Harmonic Sorcery; or, Stravinsky's 'Angle'," Journal of the American Musicological Society 38 (1985), 72-14210.2307/831550
72
Mario Leblanc's "Franz Schubert: un pas vers I'atonalité," Canadian University Music Review 9 (1989), 84-115
Leblanc
84
9
Canadian University Music Review
1989
2
Taruskin, "Chemomor," p. 86.
86
3
Leblanc, "Schubert," p. 113
113
Leblanc's bibliogra- phy
Leblanc
Bibliography
Felix Salzer and Carl Schacter (Counterpoint in Com- position [New York, 1969], pp. 215, 217-18)
Salzer
215
Counterpoint in Composition
1969
Glinka exploiting in Ruslan
Glinka
Ruslan
4
M. I. Glinka, Polnoe sobranie sochinenü (Complete Collected Works) 18 vols. (Moscow, 1955-68)vol. 15:
Glinka
15
Polnoe sobranie sochinenü
1955
Ruslan i Ludmila, Volshebnaia Opera v piati deistvüakh
Glinka
Ruslan i Ludmila
(Ruslan and Ludmilla, Fantastic Opera in Five Acts, arranged for voices and piano), ed. G. V. Kirkov
5
John Warrack, Carl Maria von Weber (2nd edn. Cambridge, 1976), p. 220.
Warrack
2
220
Carl Maria von Weber
1976
6
Mikhail Ivanovich Glinka, Memoirs, trans. Richard B. Mudge (Norman, Oklahoma, 1963), p. 56.
Glinka
56
Memoirs
1963
7
Ibid., p. 83.
83
8
Bryan R. Simms, Music of the Twentieth Century, Style and Structure (New York, 1986), pp. 37-39
Simms
37
Music of the Twentieth Century, Style and Structure
1986
Allen Forte, Tonal Harmony in Con- cept and Practice (3rd edn. New York, 1978), pp. 42, 353
Forte
3
42
Tonal Harmony in Concept and Practice
1978
9
W. R. Ralston, The Songs of the Russian People (2nd edn. London, 1872), p. 165.
Ralston
2
165
The Songs of the Russian People
1872
11
Translation my own.
12
David Brown, Mikhail Glinka: A Biographical and Criti- cal Study (London, 1974), p. 230.
Brown
230
Mikhail Glinka: A Biographical and Critical Study
1974
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