[Footnotes]

[Footnotes]
1
Richard Wagner, Mein Leben. Erste authentische Veriffentlichung, ed. Martin Gregor-Dellin [Munich, 1963], p. 580
Wagner
580
Mein Leben. Erste authentische Veriffentlichung
1963
Richard Wagner, My Life, trans. An- drew Gray, ed. Mary Whittall (Cambridge, 1983), p. 499
Wagner
499
My Life
1983
John Deathridge, "Cataloguing Wagner," in The Richard Wagner Centenary in Australia, ed. Peter Dennison (Ade- laide, 1985), pp. 193-95
Deathridge
Cataloguing Wagner
193
The Richard Wagner Centenary in Australia
1985
Richard Wagner, Das braune Buch. Tage- buchaufzeichnungen 1865 bis 1882, ed. Joachim Bergfeld [Zurich, 1975], p. 122
Wagner
122
Das braune Buch. Tagebuchaufzeichnungen 1865 bis 1882
1975
George Bird, The Di- ary of Richard Wagner 1865-1882: The Brown Book (New York, 1980), p. 103
Bird
103
The Diary of Richard Wagner 1865-1882: The Brown Book
1980
17 July 1865, Wagner dictated Mein Leben to Cosima, using as a basis notes written in the so-called "Red Pocket-Book" (Rote Brieftasche)
Wagner
Mein Leben
1865
Febru- ary 1868, presumably basing them upon the "Red Pocket- Book,"
Wagner
Red Pocket Book
1868
"Annals," which span the period 1846-68, and are contained in the "Brown Book" (Braunes Buch), first published in 1975 (Eng. trans. 1980)
Annals
"Brown Book" (Braunes Buch)
1975
2
Richard Wagner, Sämtliche Briefe, ed. Hans-Joachim Bauer and Johannes Forner, vol. VI [Leipzig, 1986], p. 308
Wagner
Sämtliche Briefe
308
VI
Hans-Joachim Bauer and Johannes Forner
1986
3
Wagner Werk-Verzeichnis (WWV): Verzeichnis der musi- kalischen Werke Richard Wagners undihrer Quellen (here- after WWV), ed. John Deathridge, Martin Geck, and Egon Voss (Mainz, 1986).
Deathridge
Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners undihrer Quellen
1986
4
Franz Liszt-Richard Wagner Briefwechsel, ed. Hanjo Kesting [Frankfurt, 1988], p. 365
Kesting
365
Franz Liszt-Richard Wagner Briefwechsel
1988
5
Deathridge, "Cataloguing Wagner," pp. 195-97.
Deathridge
195
Cataloguing Wagner
6
Wagner's remark in Mein Leben
n. 23
Otto Strobel, "Aus Wagners Musikwerkstatt. Betrachtungen über die Kompositionsskizzen zum Ring des Nibelungen," Allgemeine Musikzeitung 58 [1931], 479
Strobel
479
58
Allgemeine Musikzeitung
1931
Strobel, "Die Kompositionsskizzen zum Ring des Nibe- lungen. Ein Blick in die Musikwerkstatt Richard Wagners," Bayreuther Festspielführer [1930], 117
Strobel
117
Bayreuther Festspielführer
1930
WWV 86A Musik Ib
The Forging of the "Ring,": Richard Wagner's Composition Sketches for "Der Ring des Nibelungen, " trans. Arnold and Mary Whittall [Cambridge, 1976], p. 16
Westernhagen
16
The Forging of the "Ring,": Richard Wagner's Composition Sketches for "Der Ring des Nibelungen, "
1976
Die Enstehung des "Ring" [Zurich, 1973]
Wagner
Die Enstehung des "Ring"
1973
John Deathridge in "Wagner's Sketches for the 'Ring'," Musical Times 118 (1977), 38710.2307/959007
387
7
"Wagner's Sketches," p. 385
385
The Life of Richard Wagner, vol. 2 [New York, 1933
2
The Life of Richard Wagner
1933
Cambridge, 1976], pp. 159-61
"Die Kompositions-Skizze zu 'Siegfrieds Tod' aus dem Jahre 1850," Neue Zeitschrift für Musik 124 [1963], 178-82
178
124
Neue Zeitschrift für Musik
1963
WWV 86D Musik Ib-d
WWV 86D Musik Ie
Robert Bailey, "Wagner's Musi- cal Sketches for Siegfrieds Tod," in Studies in Music His- tory: Essays for Oliver Strunk, ed. Harold Powers [Prince- ton, 1968], pp. 459-94
Bailey
Wagner's Musical Sketches for Siegfrieds Tod
459
Studies in Music History: Essays for Oliver Strunk
1968
Westernhagen (The Forging of the "Ring")
Westernhagen
The Forging of the "Ring
pp. 13-15
pp. 20, 97, 106, 186, and 188
Werner Breig transcribes both sketches in his Studien schiechtes Entstehungsgeschichte von Wagners "Ring des Nibelungen, "
Breig
Ring des Nibelungen
8
WWV 86D Musik Ie
9
WWV 86A Musik II, fol. <latex>$1^r$</latex>
Wes- ternhagen, The Forging of the "Ring," pp. 18-19
Westernhagen
18
The Forging of the "Ring,"
"Wagner's Musical Sketches," pp. 473- 74
473
10
"Alles was ist, endet!' Erda's Prophecy of World Destruc- tion," Programmheft II ("Das Rheingold") der Bayreuther Festspiele 1988, pp. 67-92
Alles was ist, endet!' Erda's Prophecy of World Destruction
67
Programmheft II
1988
"'Everything That Is, Ends!': The Genesis and Meaning of the Erda Scene in 'Das Rheingold'," Musical Times 129 (1988), 443-4710.2307/965662
443
11
The Forging of the "Ring," p. 20
Westernhagen
20
The Forging of the "Ring,"
12
Westemhagen, The Forging of the "Ring," p. 17.
Westemhagen
17
The Forging of the "Ring,"
14
WWV 86A Musik II, fols. 34-35
Darcy, "'Alles was ist, en- der!' " pp. 87-91
Darcy
87
'Alles was ist, ender!'
Westernhagen, The Forging of the "Ring," pp. 54-56
Westernhagen
54
The Forging of the "Ring,"
18
WWV 86A Mu- sik Ib
Deathridge, "Wagner's Sketches," p. 387
Deathridge
387
Wagner's Sketches
Westernhagen, The Forging of the "Ring," p. 16
Westernhagen
16
The Forging of the "Ring,"
19
WWV, p. 408.
20
Deathridge, "Wagner's Sketches," p. 387.
Deathridge
387
Wagner's Sketches
21
Westernhagen, The Forging of the "Ring," p. 17.
Westernhagen
17
The Forging of the "Ring,"
22
Deathridge, "Wagner's Sketches," p. 387.
Deathridge
387
Wagner's Sketches
23
"Was die Technik meiner Arbeit betraf, geriet ich alsbald in Verle- genheit, jenes im Halbtraume zu Spezia konzipierte Or- chestervorspiel in meiner gewohnten Art der Skizzierung auf zwei Linien aufzuzeichnen. Ich musste sofort zum voll- stäindigen Partitur-Formular greifen; dadurch wurde ich zu einer neuen Art meines Skizzierens überhaupt verleitet, wonach ich nur die allerflüchtigsten Bleistiftumrisse für die sofortige Verarbeitung in der vollsändigen Partitur entwarf," Mein Leben, p. 687
25
Partiturerstschrift (WWV 86A Musik III) is in the Bayreuth Archives (A III a 2)
J. Merrill Knapp in "The Instrumen- tation Draft of Wagner's Das Rheingold," Journal of the American Musicological Society 30 (1977), 272-9510.2307/831220
272
26
0n 15 February 1854, Wagner began a Reinschrift der Par- titur, or fair copy (in ink) of the full score (WWV 86A Musik IV)
IV
Wagner began a Reinschrift der Partitur
1854
Wagner's Reinschrift
Wagner's Reinschrift
Friedrich W61fel (WWV 86A Musik Vb)
WWV 86A Musik Va
Wagner's Rein- schrift
Wagner's Reinschrift
Reinschrift
28
WWV 86A Musik III
29
"The In- strumentation Draft," p. 282
282
The Instrumentation Draft
31
"'Drei der Fragen stell' ich mir frei': zur Wanderer-Szene im I. Akt von Wagners Siegfried," in Jahrbuch des Staatlichen Instituts für Musik-Forschung Preussischer Kulturbesitz [Berlin, 1972], p. 120
'Drei der Fragen stell' ich mir frei': zur Wanderer-Szene im I. Akt von Wagners Siegfried,
120
Jahrbuch des Staatlichen Instituts für Musik-Forschung Preussischer Kulturbesitz
1972
David Lewin writes about Lorenz, "Any critic whose work still generates lively contention fifty years after its publication must have been doing something right!"
Lewin
Lorenz
Any critic whose work still generates lively contention fifty years after its publication must have been doing something right!
"Am- fortas's Prayer to Titurel and the Role of D in Parsifal: The Tonal Spaces of the Drama and the Enharmonic Cb/B," this journal 7 [1984], 337, n. 110.2307/746386
337
"Wagner 'Literature' and Wagner 'Research'," Wagner 8 [1987], 103
Lorenz
Wagner 'Literature' and Wagner 'Research',
103
8
Wagner
1987
32
Alfred Lorenz, Das Geheimnis der Form bei Richard Wagner, vol. 1: Der musikalische Aufbau des Bühnenfest- spieles Der Ring des Nibelungen (Berlin, 1924), p. 126.
Lorenz
126
1
Das Geheimnis der Form bei Richard Wagner
1924
34
WWV 86A Mu- sik II, fol. <latex>$39^r$</latex>
35
Carl Dahlhaus, Richard Wagner's Music Dramas, trans. Mary Whittall (Cambridge, 1979), p. 111.
Dahlhaus
111
Richard Wagner's Music Dramas
1979
36
Peter Nitsche, "Transponierte Notation bei Wagner," in Richard Wagner: Werk und Wirkung, ed. Carl Dahlhaus (Regensburg, 1971), pp. 231, 233-35
Nitsche
Transponierte Notation bei Wagner
231
Richard Wagner: Werk und Wirkung
1971
37
Lorenz, Das Geheimnis, I, 108.
Lorenz
108
I
Das Geheimnis
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