[Footnotes]

[Footnotes]
1
forth- coming Music as Cultural Practice, 1800-1900 (Berkeley and Los Angeles, 1990)
Music as Cultural Practice, 1800-1900
1990
2
Steven Paul Scher, "Literature and Music," in Interrelations of Literature, ed. Jean-Pierre Baricelli and Joseph Gibaldi (New York, 1982), pp. 225-50
Scher
Literature and Music
225
Interrelations of Literature
1982
Calvin S. Brown's Music and Literature: A Comparison of the Arts (1948)
Browns
Music and Literature: A Comparison of the Arts
1948
(Hanover, N.H., 1988)
3
Ronald Tetreault, "Shelley at the Opera," English Literary History 48 (1981), 157- 58
Tetreault
Shelley at the Opera
157
48
English Literary History
1981
David Michael Hertz, The Tuning of the Word: The Musico-Literary Po- etics of the Symbolist Movement (Carbondale, Ill., 1987)
Hertz
Ill
The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement
1987
4
John Hollander, The Figure of Echo: A Mode of Allusion in Milton and After (Berkeley and Los Angeles, 1981), pp. 23-24
Hollander
23
The Figure of Echo: A Mode of Allusion in Milton and After
1981
5
"Sufferings and Greatness of Richard Wagner" (1933), from Thomas Mann, Essays, trans. H. T. Lowe-Porter (New York, 1957), p. 203.
Sufferings and Greatness of Richard Wagner
203
Essays
1957
6
J. L. Austin, How to Do Things With Words, ed. J. O. Urmson and Marina Sbisa (Cambridge, Mass., 1962)
Austin
How to Do Things With Words
1962
7
Music and Poetry: The Nine- teenth Century and After (Berkeley and Los Angeles, 1984), pp. 8-15
8
Music and Poetry: The Nineteenth Century and After
1984
8
Marshall Brown, "Mozart and After: The Revolution in Musical Consciousness," Critical Inquiry 7 (1981), 689- 70610.2307/1343145
689
9
Eduard Mörike, Sämmtliche Werke, ed. H. G. Gopert (Mu- nich, 1954), p. 195
Möorike
195
Sämmtliche Werke
1954
10
"What the Sorcerer Said," this journal 12 (1989), 221-30.10.2307/746503
221
11
"Schumann and Late Eighteenth-Century Narrative Strat- egies," this journal 11 (1987), 164- 7410.2307/746729
164
John Daverio in the same issue, "Schumann's 'Im Legen- denton' and Friedrich Schlegel's Arabesque," 150-63
Daverio
150
Schumann's 'Im Legendenton' and Friedrich Schlegel's Arabesque
12
Frank Kermode, The Sense of an Ending: Studies in the Theory of Fiction (Oxford, 1967), pp. 44-46.
Kermode
44
The Sense of an Ending: Studies in the Theory of Fiction
1967
13
Letter to George and Tom Keats, 21/27 December 1817
The Letters of John Keats, ed. Hyder E. Rollins, 2 vols. (Cambridge, Mass., 1958), I, 191
Rollins
191
I
The Letters of John Keats
1958
14
"Formulations Regarding the Two Principles in Mental Functioning" (1911), in Freud, Collected Papers, vol. VI, General Psychological Theory, ed. Philip Rieff (New York, 1963), p. 24n
Rieff
Formulations Regarding the Two Principles in Mental Functioning
24
VI
Collected Papers
1963
Richard Taruskin, "Resisting the Ninth," this journal 12 (1989), 241-5610.2307/746505
241
Music and the Historical Imagination (Cambridge, Mass., 1989), pp. 1-18, 32-36
1
Music and the Historical Imagination
1989
Joseph Kerman, Contemplating Music: Challenges to Musicology (Cambridge, Mass., 1985)
Kerman
Contemplating Music: Challenges to Musicology
1985
15
Friedrich Nietzsche, The Gay Science, trans. Walter Kauf- mann (New York, 1974), no. 307, pp. 245-46.
Nietzsche
245
The Gay Science
1974
16
Daniel Cottom, "On the Dignity of Tables," Critical Inquiry 14 (1988), 765-8310.2307/1343671
765
17
Letters of Clara Schumann and Johannes Brahms, 1853- 1896, ed. Berthold Litzmann, trans. unattributed (1927
Litzmann
Letters of Clara Schumann and Johannes Brahms, 1853-1896
1927
New York, 1973).
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