[Footnotes]

[Footnotes]
1
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century [1974], trans. Mary Whittall (Berkeley and Los Angeles, 1980), p. 38 (henceforth, BRM).
38
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century [1974]
1980
2
Dahlhaus's Nineteenth-Century Music [1980]
Dahlhaus
Nineteenth-Century Music
1980
J. Bradford Robinson (Berkeley and Los Angeles, 1989)
Douglas Johnson (Journal of the American Musicological Society 36 [1983], 532-43)10.2307/831240
532
p. 537
Georg Knepler ("über die Nützlichkeit marxistischer Kate- gorien für die Musikhistoriographie: Reflexionen anlÄisBlich des Erscheinens von Carl Dahlhaus' Die Musik des 19 Jahrhunderts," Beiträge zur Musikwissenschaft 24 [1982], 31-42
Knepler
31
24
Beiträge zur Musikwissenschaft
1982
p. 32
3
Realism in Nineteenth-Century Music [1982], trans. Mary Whittall (Cambridge, 1985), p. 121
121
Realism in Nineteenth-Century Music [1982]
1985
this journal 10 [1986], 18810.2307/746642
188
4
The Classical Style (New York, 1972), p. 22.
22
The Classical Style
1972
5
Foundations of Music History [1976], trans. J. B. Robinson (Cambridge, 1983), pp. 33-43
33
Foundations of Music History [1976]
1983
6
Guidelines for Style Analysis (New York, 1970), p. ix.
ix
Guidelines for Style Analysis
1970
7
Gesammelte Auf- satze zur Wissenschaftslehre, ed. Johannes Winckelmann (2nd edn. Tilbingen, 1951), pp. 146-2142
146
Gesammelte Aufsatze zur Wissenschaftslehre
1951
The Methodology of the Social Sciences (New York, 1949), pp. 59-112
59
The Methodology of the Social Sciences
1949
8
Susan Hekman's, Weber, the Ideal Type, and Contemporary Social Theory (Notre Dame, 1983)
Hekman
Weber, the Ideal Type, and Contemporary Social Theory
1983
9
The Structure of Scientific Revolutions (Chicago, 1962).
The Structure of Scientific Revolutions
1962
10
Analysis and Value Judgment [1970], trans. Siegmund Levarie (New York, 1983)
Analysis and Value Judgment [1970]
1983
11
Sonata Forms (rev. edn. New York, 1988), p. 360.
360
Sonata Forms
1988
Leonore/Fidelio
Leonore/Fidelio
13
Guillaume Tell in 1829
Guillaume Tell
1829
La donna del lago (1819)
La donna del lago
1819
14
V of vi
NCM, p. 62
Rossini's parody of sonata form in Bartolo's aria in act I of Il barbiere di Siviglia
Il barbiere di Siviglia
Scott L. Balthazar, "Rossini and the Develop- ment of the Mid-Century Lyric Form" in Journal of the American Musicological Society 41 (1988), 102-2510.2307/831752
102
15
Maometto II, written in 1820
Maometto II
1820
Paris Opéra (1826)
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