[Footnotes]

[Footnotes]
1
Leon Plantinga, Romantic Music: A History of Musical Style in Nineteenth-Century Europe (New York, 1984), p. 188.
Plantinga
188
Romantic Music: A History of Musical Style in Nineteenth-Century Europe
1984
2
Ibid., p. 189.
189
3
Franz Liszt, Neue Ausgabe sl:amtlicher Werke, vol. 7 (Kassel and Budapest, 1974), p. x
Liszt
x
7
Neue Ausgabe sämtlicher Werke
1974
Raphael's Sposalizio
Raphael
Sposalizio
Michelangelo's Il Penseroso (on which the second piece in the collection is based)
Michelangelo
I1 Penseroso
4
Franz Liszt to Hector Berlioz, Gazette musicale, 2 October 1839
2 October
Gazette musicale
1839
Pages romantiques, ed. Jean Chantavoine (Paris, 1912), p. 261
Chantavoine
261
Pages romantiques
1912
5
Franz Liszt to Joseph d'Ortigue, Gazette musicale, 14 April 1839
14 April
Gazette musicale
1839
Pages romantiques, pp. 251-52
251
Pages romantiques
6
Detlef Altenburg, "Eine Theorie der Musik der Zukunft: Zur Funktion des Programms im symphonischen Werk von Franz Liszt," in Liszt-Studien 1: Kongress-Bericht Eisenstadt, 1975, ed. Wolfang Suppan (Graz, 1977), pp. 9-25
Altenburg
Eine Theorie der Musik der Zukunft: Zur Funktion des Programms im symphonischen Werk von Franz Liszt
9
Iszt-Studien 1: Kongress-Bericht Eisenstadt, 1975
1975
7
Bernhard Hansen, Variationen und Varianten in den musikalischen Werken Franz Liszts (Ph.D. diss., University of Hamburg, 1959)
8
Carl Dahlhaus, "Issues in Composition," in his Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Mary Whittall (Berkeley and Los Angeles, 1980), p. 44.
Dahlhaus
Issues in Composition
44
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century
1980
9
Richard Kaplan, "Sonata Form in the Orchestral Works of Liszt: The Revolutionary Reconsidered," this journal 8 (1984), 142-5210.2307/746759
142
Rey M. Longyear and Kate R. Covington in this journal 9 (1985), 158-6010.2307/746581
158
10
Paul Henry Lang, "Liszt and the Romantic Movement," Musical Quarterly 22 (1936), 320.10.2307/738874
320
11
Le Lac de Wallenstadt
Le Lac de Wallenstadt
Serge Gut, Franz Liszt: Les Éléments du langage musical, preface by Jacques Chailley (Paris, 1975), pp. 71-78
Gut
71
Franz Liszt: Les Éléments du langage musical
1975
12
Walter RÜsch, "Franz Liszt in Bellagio," in Liszt-Studien 1, p. 159
RÜsch
Franz Liszt in Bellagio
159
1
Liszt-Studien
Harmonies du soir, Funérailles, Miserere du Trovatore, Angeleus!, Les Cloches de Genéve, Ihr Glocken von Marling, Die Zelle in Nonnenwerth, "Carillon" and "Abendglocken" in Weinachtsbaum, and La Campanella
13
"Liszt's Harmonies poétiques et religieuses: Inspiration and the Challenge of Form," Journal of the American Liszt Society 21 (1987), [3]-21
Liszt
3
21
Journal of the American Liszt Society
1987
14
Jacques Viret, "L'expressivité mélodique chez Franz Liszt," in Liszt-Studien 2: Kongress-Bericht Eisenstadt, 1978, ed. Serge Gut (Munich, 1981), p. 237
Viret
L'expressivité mélodique chez Franz Liszt
237
Liszt-Studien
1978
15
Plantinga, Romantic Music, p. 188
188
Karen Wilson, A Historical Study and Stylistic Analysis of Franz Liszt's Années de pélerinage (Ph.D. diss., University of North Carolina, 1977), pp. 179-80
16
Plantinga, Romantic Music, p. 187.
187
17
Ralph Nieweem and Claire Aebersold ("Liszt's Italian Years: Pictorial Highlights," Clavier 23 [1984], 22-27)
Nieweem
22
23
Clavier
1984
p. 24
18
Carl Dahlhaus, Esthetics of Music, trans. William W. Austin (Cambridge, 1982), p. 59.
Dahlhaus
59
Esthetics of Music
1982
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