[Footnotes]

[Footnotes]
1
Jean-Jacques Nat- tiez, Musicologie géeérale et sémiologie (Paris, 1987)
Nattiez
Musicologie géeérale et sémiologie
1987
2
Anthony Newcomb, "Sound and Feeling," Critical Inquiry 10 (1984), 614-4310.2307/1343314
614
3
Roland Barthes, S/Z (Paris, 1970);
Jonathan Culler, Structuralist Poetics (Ithaca, N. Y., 1975)
Culler
Structuralist Poetics
1975
R. G. Col- lingwood, The Idea of History, ed. T. M. Knox (Oxford, 1956)
Collingwood
The Idea of History
1956
Paul Veyne, Comment on ecrit l'histoire (Paris, 1971)
Veyne
Comment on ecrit l'histoire
1971
Paul Ricoeur, "Narrative Time," Critical Inquiry 7 (1980), 169-9010.2307/1343181
169
Temps et récit, 3 vols. (Paris, 1983-85)
Temps et récit
1985
4
Seymour Chatman, "Reply to Barbara Hermstein Smith," Critical Inquiry 7 (1981), 804.10.2307/1343154
804
5
Vladimir I. Propp, Morfologija skaski (Voprosy poétiki, vol. XII, Leningrad, 1928).
Propp
XII
Morfologija skaski
1928
6
Victor Erlich, Russian Formalism (New Haven, Conn., 1981 [first published 1955]), p. 250.
Erlich
250
Russian Formalism
1981
7
Lévi-Strauss's position in Ro- bert Scholes, Structuralism in Literature (New Haven, Conn., 1974), pp. 68-74
Lévi-Strauss
68
Structuralism in Literature
1974
Harold S. Powers, "Language Models and Musical Analysis," Ethnomusicology 24 (1980), 16-2210.2307/851308
16
Levi-Strauss's theories were originally published in "The Structural Study of Myth," Journal of American Folk- lore 68 (1955), 428-4410.2307/536768
428
8
Ian Bent on Koch's (1782-93)
Momigny's (1803-06)
"Analysis," The New Grove Dictionary of Mu- sic and Musicians, ed. Stanley Sadie (London, 1980), vol. 1, pp. 344-45
Analysis
344
1
The New Grove Dictionary of Music and Musicians
1980
9
ibid., p. 351 on A. B. Marx's idea (1837-47)
351
Thomas Grey, Aesthetic Premises of Music Criticism, ca. 1825-1855 (Ph.D. diss., University of California, Berkeley, 1987), ch. 2
10
n. 3 above
11
Structuralist Poetics, p. 219
219
Structuralist Poetics
12
"Narrative Time," 171 and 174
171
Narrative Time
13
Ibid., 178.
178
14
Princeton, 1960
15
pp. 16-21
Ro- land Barthes, S/Z, trans. Richard Miller (New York, 1974)
16
S/Z, sections VII, X, XI
17
n. 7 above
18
Constantin Floros, Gustav Mahler, 3 vols. (Wiesbaden, 1977-85), esp. vol. 2 (1977).
Floros
2
Gustav Mahler
1985
19
Newcomb, "Sound and Feeling"
Newcomb
Sound and Feeling
n. 2 above
20
Edward A. Lippman, "Theory and Practice in Schu- mann's Aesthetics," Journal of the American Musicological Society 17 (1964), 310-45, esp. 314-2010.2307/830093
310
21
Letter of 6 November 1829 to Friedrich Wieck, in Robert Schumann, Jugendbriefe von Robert Schumann. Nach den originalen mitgetheilt von Clara Schumann (Leipzig, 1885), pp. 82-83.
Wieck
82
Jugendbriefe von Robert Schumann. Nach den originalen mitgetheilt von Clara Schumann
1829
22
Robert Schumann, Tagebücher, Band I, 1827-1838, ed. Georg Eismann (Leipzig, 1971), pp. 96-97.
Schumann
96
Tagebücher, Band I, 1827-1838
1971
23
Ibid., p. 111.
111
24
Robert Schumann, Gesammelte Schriften über Musik und Musiker. Eine Auswahl, ed. Herbert Schulze (Wiesbaden, n.d.), pp. 177- 79 (translation mine)
Schumann
177
Gesammelte Schriften über Musik und Musiker. Eine Auswahl
25
Hector Berlioz, Fantastic Symphony, ed. E. T. Cone (New York, 1971), pp. 231-32
Berlioz
231
Fantastic Symphony
1971
26
Eric A. Blackall, The Novels of the Ger- man Romantics (Ithaca, N. Y., 1983), esp. ch. 4
Blackall
ch. 4
The Novels of the German Romantics
1983
Norbert Miller, Der empfindsame ErzÄhler (Munich, 1968)
Miller
Der empfindsame ErzÄhler
1968
Robert Alter's Partial Magic: The Novel as a Self-Conscious Genre (Berkeley and Los Angeles, 1975), esp. chs. 1-3
Alter
chs. 1
Partial Magic: The Novel as a Self-Conscious Genre
1975
27
Janet M. Levy, "Covert and Casual Values in Recent Writings about Music," Journal of Musicology 5 (1987), 3- 2710.2307/763822
3
28
Eugenio Donato, "Divine Agonies: Of Representation and Narrative in Romantic Poets," Glyph 6 (1979), 90-122
Donato
90
6
Glyph
1979
Frank Kermode in The Sense of an Ending (Oxford, 1966)
Kermode
The Sense of an Ending
1966
p. 93
30
Miller, Der empfindsame ErzÄihler, pp. 303-25, esp. p. 323
Miller
303
Der empfindsame ErzÄihler
31
durcher- zÄhlte work-the C-Major Symphony, op. 61
durcherzÄhlte work
Anthony Newcomb, "Once More 'Between Absolute and Program Music': Schumann's Second Symphony," this journal 7 (1984), 233-50
Newcomb
233
7
19th Century Music
1984
32
Hans Kohlhase (Die Kammermusik Robert Schumanns [Hamburg, 1979] vol. 1, pp. 156ff.)
Kohlhase
156
1
Die Kammermusik Robert Schumanns
1979
The last movement of op. 41, no. 3
33
Miller, Der empfindsame ErzÄhler, pp. 320ff.
Miller
320
Der empfindsame ErzÄhler
34
n. 30 above
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